Contact Painting Twins Abstract Expressionist Diptych OIl Painting Rainer Gross

Dimensions: H: 10.25, W: 18.0 IN

Rainer Gross (American, b. 1957) "Neal Twins" (in two parts)," 2000,

Oil diptych painting on panel, signed, titled and dated verso, panel

(unframed/each): 10.25"h x 9"w, overall 10.25 X 18 inches

RAINER GROSS (1951 - )

Rainer Gross was born and educated in Cologne, Germany. He came to the United States in 1973. At that time he worked with Howard Kanovitz and later with Larry Rivers He has exhibited with German galleries and last season at the Tower. His work is represented in numerous private collections. Mr. Gross' excellent draftsmanship and subtle color sense are evident in his acrylics on paper. His paintings and drawings interpret Americana charged with allegorical and classical allusions.

The copying of re-rendering ot old masters has a long and venerable history. The Romans copied the Greeks, the Renaissance masters copied the Romans and the academicians of the 19th century copies the Renaissance masters. More recently, such stellar figures as Vincent Van Gogh, Paul Cezanne and Pablo Picasso were "borrowers" who in turn became "lenders" to countless modernists. The "Art about Art" exhibition at the Whitney Museum reminded us that the art of the past can still provide valid models, even in an age when the unique and objective statement has been valued as never before. A prominent figure in that show was Larry Rivers, perhaps the most consistent renowned "borrower" of his generation, who has spent the last 30 years quoting everybody from Rembrandt to Hiroshige. This is from his series “Contact Paintings – Twins” As their name implies, the compositions encompass two painted surfaces that the artist presents as a diptych, each panel imprinting on and mirroring the other. The artist sometimes selects one of the two panels and brings his personal touch by adding one or two brushstrokes.

A deeper understanding of Gross’ paintings requires the viewer to consider the challenges entailed in becoming a painter in 1970s Cologne when the ideology of “The End of Painting” professed by Joseph Beuys at the Kunst Akademie Düsseldorf became dominant among the art world’s “elite.” Being a painter meant thinking about the specificities of the medium and new ways to push it forward.

In 2017, Gross was included in the Beijing Biennale as a representative of Germany. In 2012, the Museum Ludwig (Koblenz, Germany) held a four-decade survey of his paintings. Other notable national and international exhibits include the Musée Cantonal des Beaux-Arts (Lausanne, Switzerland), Krannert Art Museum and Kinkead Pavilion (Champaign, Illinois, USA), and Kunsthalle Emden (Emden, Germany). Gross’ paintings are housed in numerous public collections, including the AT&T Corporate Art Collection, the Cohen Family Collection, the Hirshhorn Collection, the UBS Union Bank of Switzerland, and the Lowe Art Museum. His work has been reviewed by the New York Times, Art in America, ArtNews, The Brooklyn Rail, The Boston Globe, and others.

GROUP EXHIBITIONS

2007 Marcia Wood Gallery, Atlanta, GA Katharina Rich-Perlow Gallery, New York Stephen Haller Gallery, New York, Galerie Koch, Hannover, Germany Gráficas Works on Paper, Tucson, AR Museum Tucson, Arizona 2006

"Abstrakt", Museum Morsbroich, Leverkusen, Germany Galerie Koch, Art Miami, and Cologne Galerie Stefan Röpke, Art Fairs, Pulse New York, Bologna, Brussels Galerie Benden und Klimczak, Cologne 2005 Galerie Benden und Klimczak, Germany; Galerie Graf und Schelble, Basel, Switzerland; Michael Schneider Zeitgenössische Kunst Bonn, Germany Galerie Stefan Roepke, Marcia Wood Gallery, Atlanta, GA and Art Chicago; Frankfurter Kunstkabinett: Hanna Bekker vom Rath, Germany, Elvira Bach - Rainer Gross - Stefan Hoenerloh - Alex Katz - Stefan Szczesny - Wanda Pratschke - Hans Steinbrenner Galerie Benden und Klimczak, Cologne, Germany; Michael Schneider Zeitgenoessische Kunst, Bonn, Germany 2003

Galerie Benden und Klimczak, Cologne; Marcia Wood Gallery, Atlanta, GA; 2002 Auftrag der Farbe,* Kunstverein, Wiesbaden, Germany and Kunstverein Trier, Germany; Marcel Sitcoske Gallery, San Francisco, CA DFN Gallery, New York 2001 Accrochage, Frankfurter Kunstkabinett, Hanna Bekker vom Rath, Frankfurt, Germany; Museum Villa Zanders, Bergisch Gladbach, Germany; Achrochage, Gallery Inge Baecker, Cologne, Germany; Michael Schneider Zeitgenoessische Kunst, Bonn, Germany; Kunsthalle Darmstadt, Germany*; Galerie Benden und Klimczak, Cologne; Museum Viersen, Viersen, Germany; Marcel Sitcoske Gallery, San Francisco, CA; Galerie Klein, Bad Muenstereifel, Germany; 2000

Achrochage, Frankfurter Kunstkabinett, Hanna Bekker vom

Rath, Frankfurt; Michael Schneider Zeitgenoessische Kunst, Bonn, Germany; Rainer Gross, Thomas Kemper, Peter Tollens

Galerie Benden & Klimczak, Cologne; 1999

Portraits, Galerie Benden & Klimczak, Cologne, Germany; Still Life and Blick zurück nach vorn, Michael Schneider

Zeitgenoessische Kunst, Bonn, Germany; Galeriey Holtmann, Cologne, Germany; Church of St.Gerion, Cologne, Germany; X-MAS , Kent Gallery, New York; 1998

Galerie Benden & Klimczak, "Art Cologne" fair, Cologne, Germany; Gallery OZ, Paris, Gallery Graf & Schelble, Basel, and Art Zurich, Switzerland; Galerie Holtmann, Art Basel, Switzerland and Art Cologne,Germany; 1997

Solo, Madrid Museo de la Cidad, Madrid, Spain; Schneider Contemporary Art, Bonn, Germany; Abstract , Galerie Benden & Klimczak, Viersen, Germany; Frankfurter Kunstkabinett, Hanna Bekker vom Rath, Frankfurt, Germany; 1996

The World is a Broken Mirror , Galerie Inge Baecker, Koln, Germany; Bundeskunsthalle, Bonn, Germany; Akademie der Künste, Berlin, Germany; Marquardt Ausstellungen, Munich, Germany; 1995 How Red Works, Art Gallery of Hamilton, Canada; Marquardt Ausstellungen, Munich, Germany; 1994

Gelb, Marquardt Ausstellungen, Munich, Germany; Frankfurter Kunstkabinett, Hanna Bekker vom Rath, At Art Cologne, Cologne, Germany; Gallery Moos, Toronto, Canada; 1993

Gallery Baecker, Cologne, Germany; The Return of the Cadavre Exquis,* (trav. exhibition) Drawing Center, New York; Corcoran Gallery of Art, Washington, D.C.; Fundacion para el Arte Contemporáneo, Mexico City; Santa Monica Museum of Art, California; Forum for Contemporary Art, St. Louis, Missouri; 1992

Galerie OZ, Paris, France; Frankfurter Kunstkabinett Hanna Bekker vom Rath, Frankfurt, Germany; European Pop Art, Galerie Inge Baecker, "Art Cologne", Cologne, Germany; Das geteilte Bild, Museum Folkwang, Essen, Germany;* Exposition Camel, Musée des Arts Decoratifs de Paris, Musée du

Louvre, Paris, France*; Proud Possessions: A Community Collects, Chrysler Museum, Norfolk,Viginia; 1991

State Portrait , Gallery Inge Baecker, Cologne, Germany*; The New York Show, Galerie Löhrl, Mönchengladbach, Germany; Private Stories, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia*; European paintings, Ruth Siegel Gallery, New York; Gallery Moos, Toronto, Canada 1990

Frankfurter Kunstkabinet, Hanna Bekker vom Rath, Germany; Free Spirits, Elaine Benson Gallery, Bridgehampton, NY; Gallery Moos, Toronto; 1989

Reality as conzept, Gallery Inge Baecker, Cologne, Germany; Rare Metallic, Gallery Burgis Geismann, Cologne, Germany; Working on paper, Gallery Moos, New York; 1988-89 Hommage-Demontage,* (trav. exhibition) Neue Galerie / Ludwig Collection, Aachen, Germany; Wilhelm Hack Museum, Ludwigshafen, Germany; Museum Gelsenkirchen, West Germany; Museum voor Hedendaagse Kunst, Utrecht, Holland; Provinciaal Museum, Hasselt, Belgium; Museum for Twentieth Century Art, Vienna, Austria 1998 Gallery Inge Baecker, "Art Cologne" fair, Cologne, Germany 1987

Gallery Moos, New York 1986

Words, Joy Moos Gallery, Miami, Florida; "Liberty", New York Arts Academy and New York Academy of Science, New York My Art History, Gallery Inge Baecker, Cologne, Germany; New York-Paris-Berlin, Gallery Krief-Raymond, F.I.A.C., Paris, France; Seven Cologne Artists in Nicosia, Famagusta Gate, Nikosia, Cyprus; 1984

Marlborough Gallery, New York; Gallery Yves Arman, New York: Paysages Singulairs, Maison Des Arts, Belfort, France*; Tel paintre-quels maitre, Gallery Christian Chaneau, Paris,France;* The Suitcase Edition, with Kolhoefer, Lambertin und Runge at Gallery Sander, New York and Gallery Klein, Bonn, Germany; Les Milles ET Une Nuit, Centre Culturel De Boulogne,

Billancourt, France and Salon De Montrouge, Centre Culturel, Montrouge, France and Sousse, Tunis, Tunesia 1983 Self Portrait , (trav. exhibition) Linda Farris Gallery, Seattle, Washington; Municipal Art Gallery, Los Angeles, California New York Now,* (trav. exhibition) Kestner Gesellschaft, Hannover, Germany; Kunstverein München, West Germany; Musée cantonal des baeux arts Lausanne, Switzerland; Kunstverein for the Rheinland and Westfalia, Duesseldorf; 1982 "Instant Picture", Kestner-Gesellschaft, Hannover, Germany*, Marlborough Gallery, New York 1981 Homage, Danforth Museum, Framingham, Massachusetts* 1978 lower Gallery, Southampton

The XMAS Project Artists, Kent Gallery: Dennis Adams, Stephanie Arrignon,

Art in Ruins,Jan Baracz, Sean Bayliss,

Peter Bellamy, Lynda Benglis, John Brill, R. M. Fischer, Christine Franck, Timothy Greenfield-Sanders, Red Grooms, Rainer Gross, Ulrike Grossarth. 1973

Kunst und Technik, Kunstpreis Junger Western, Museum Bochum Neumarkt der Kunste, Cologne

1972

14 X Malere, Studio PHBK Cologne