{"product_id":"mod-brutalist-abstract-metal-painting-heavy-sculpture-bust-george-nama","title":"Mod Brutalist Abstract Metal \u0026 Painting Heavy Sculpture Bust George Nama","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 13.5, W: 8.5, D: 7.5 IN\u003c\/p\u003e\u003cp\u003eGeorge Nama Genre: Avant-Garde Subject: Abstract Medium: Solid Metal Painted White and Black This is very heavy and solid. I don't think it is bronze. it might be aluminum or steel. I believe it is unique.\u003c\/p\u003e\u003cp\u003eAbout Nama: In his studio, Nama paints over the right hand pages with gesso, then uses the pages to draw and paint sketches of forms and shapes as they float through his mind. The process is symptomatic of the way Nama works. He has created over one-hundred sketchbooks, always found objects, sown together, others patched with old gold embossed book covers, or bound with bits of fabric. Nama collected books and made books all his adult life, beginning in 1966, in Paris, France, when he made a book about the Métro, stitched together by himself. He enjoys the intimacy of working with his hands on something he can carry around. He does not transform a preconceived idea or emotion into an image, but he starts with something that is already there. His given object can be a book with blank pages or, for instance, a collection of Voluntaries and Interludes for the Melodeon. It has to be an old book, though, and it should not be precious. Time and wear remove the book from its original usefulness, thus the artist can appropriate the pages for himself, turning them into something new. The flow of a handwriting, a fragment of a headline, a name can anchor a stream of images that have been sparked off by reading, re-reading and contemplating a poem. The drawings in turn trigger further creations of sculptures or etchings. Nama claims that all his images, whether painting, drawing, etching, or sculpture, are figurative. If they don’t show something that really exists, his configurations “might exist”.\u003c\/p\u003e\u003cp\u003eGeorge Nama was born in Homestead, across the river from Pittsburgh, which in the early 1950s had its creative moment with a vibrant jazz scene and the Carnegie International exhibitions.\u003c\/p\u003e\u003cp\u003eHe studied at Carnegie Mellon University. n the 1960's Nama worked with William Stanley Hayter at the Atelier 17 in Paris. In 1981 he was elected to the National Academy of Design, New York. Nama has been represented in numerous exhibitions, galleries and public collections, such as The Morgan Library, the Boston Athenaeum, The Metropolitan Museum, the Brooklyn Museum and the Carnegie Institute. He has also been included in the distinguished international art fairs at Maastricht and the Salon de Dessin in Paris. From that time onward, he has produced many prints and artist’s books, sometimes collaborating with writers including Samuel Hazo, Yves Bonnefoy, Alfred Brendel, Charles Simic.\u003c\/p\u003e\u003cp\u003eSelect Museum Collections\u003c\/p\u003e\u003cp\u003eBibliothèque Nationale, Paris, France Boston Athenaeum Brooklyn Museum Butler Institute of American Art, Youngstown, Ohio Carnegie Institute Los Angeles County Art Museum Metropolitan Museum of Art Morgan Library and Museum Philadelphia Museum of Art Smithsonian, DC Musée Jenisch, Vevey, Switzerland Yale University Art Gallery\u003c\/p\u003e\u003cp\u003eSelect Group Exhibitions\u003c\/p\u003e\u003cp\u003eCalifornia Palace of the Legion of Honor, “Original Prints” International, San Francisco, California National Academy of Design, New York Portland Art\u003c\/p\u003e\u003cp\u003eMuseum, Seattle Art Museum, Northwest Printmakers\u003c\/p\u003e\u003cp\u003eSan Francisco Art Institute, San Francisco, California “Watercolor USA”, Springfield Art Museum, Springfield, Missouri Manilla, Philippines and Bucharest, Rumania for State Department United State Embassies in Europe and Panama “Thirty Years of American Printmaking”, Brooklyn Museum, Brooklyn, New York A.D.I .Gallery, San Francisco, “Masters of the Modern Print” Invitational “Atelier 17”, an exhibition of the history: Elvehjem Art Center, Madison, Wisconsin “Modern Artists and the Book”, Northeastern University, Boston Invitational “Contemporary American Prints”, Invitational to tour Great Britain Prints of the Americas, New Jersey State Museum, Invitational “Forty New American Prints”. U.S. Cultural Center, Tel Aviv and Jerusalem “Graphik Aus U.S.A. “ Amerika Haus, Vienna, Austria “Yves Bonnefoy Texte mit Originalgraphik”, Gallery M. Marghescu, Hannover, German “Abstractions; Directions and Derivations 1940-1980 Dickerson College “Yves Bonnefoy, Livres et Documents”, 1992, Bibliothèque National, Paris Exposition au Château de Tours. “Yves Bonnefoy\". Écrit Sur L’art at Livrés Aves Les Artistes 1993 (traveling throughout Europe) Yves Bonnefoy, “La Poésie et Les\u003c\/p\u003e\u003cp\u003eArts Plastiques. “Arts and Letters”, Vevey, Switzerland Art Fairs at Maastricht and the Salon de Dessin in Paris\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628361679146,"sku":"a_14522212S1","price":5500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_CC553D1DCA7041CB8627C3578E256498_master.jpg?v=1780509467","url":"https:\/\/lionsgallery.com\/products\/mod-brutalist-abstract-metal-painting-heavy-sculpture-bust-george-nama","provider":"Lions Gallery","version":"1.0","type":"link"}