{"title":"Prints","description":"","products":[{"product_id":"original-judaica-woodcut-print-joyous-songs-dancing-jewish-couple","title":"Original Judaica Woodcut Print  'Joyous Songs' Dancing Jewish Couple","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 16.0, W: 19.0 IN\u003c\/p\u003e\u003cp\u003eOriginal pencil signed Judaic woodcut on mulberry paper. MORTON GARCHIK\u003c\/p\u003e\u003cp\u003e(1929-2009)\u003c\/p\u003e\u003cp\u003eJewish American artist painter, printmaker, illustrator, woodcut artist and author. Garchik was educated at the Art School of the Brooklyn Museum and the School of Visual Arts where he won the First Prize in drawing. Since then he has received many more prizes. He designed of the Book cover of “Gimpel The Fool” by Isaac Bashevis Singer.\u003c\/p\u003e\u003cp\u003eHis woodcuts appeared in Harper's Magazine and books.His graphics have appeared in the Seattle Art Museum’s International Exhibitions, the Honolulu Printmakers International, DePaul Univ. 7th Annual Contemporary American Printmakers Exhibition. He has had numerous one-man shows in the United States and Canada. In New York his work was represented by the Associated American Artists gallery. The Minnesota Museum of Art and The Library of Congress have acquired examples of his work.\u003c\/p\u003e\u003cp\u003eBest known for his woodcuts, Morton Garchik is a New York artist with an expressive, humorous style. After he left school, the scratchy, folksy Expressionist style of his woodcuts gained recognition and he began exhibiting throughout the United States. Garchik had one-man shows in New York, Chicago, and Toronto, Canada. His work can be found in the collection of the MIT List Visual Arts Center\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628203639082,"sku":"a_12786882S1","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_6A6E6DA2C27044B083CAAC265B05C4CE_master.jpg?v=1780507164"},{"product_id":"marino-marini-italian-modernist-il-teatro-etching-hand-signed-and-numbered","title":"Marino Marini Italian Modernist Il Teatro Etching Hand Signed and Numbered","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 26.5, W: 20.0 IN\u003c\/p\u003e\u003cp\u003eFrom deluxe Roman numeral edition of 20. hand signed Il Teatro from Imagines. Horse and rider.\u003c\/p\u003e\u003cp\u003eHe attended the Accademia di Belle Arti in Florence in 1917. Although he never abandoned painting, Marini devoted himself primarily to sculpture from about 1922. From this time his work was influenced by Etruscan art and the sculpture of Arturo Martini. Marini succeeded Martini as professor at the Scuola d’Arte di Villa Reale in Monza, near Milan, in 1929, a position he retained until 1940. During this period, Marini traveled frequently to Paris, where he associated with Massimo Campigli, Giorgio de Chirico, Alberto Magnelli, and Filippo Tibertelli de Pisis. In 1936 he moved to Tenero-Locarno, in Ticino Canton, Switzerland; during the following few years the artist often visited Zürich and Basel, where he became a friend of Alberto Giacometti, Germaine Richier, and Fritz Wotruba. In 1936, he received the Prize of the Quadriennale of Rome. In 1938, he married Mercedes Pedrazzini. He accepted a professorship in sculpture at the Accademia di Belle Arti di Brera, Milan, in 1940. In 1943, he went into exile in Switzerland, exhibiting in Basel, Bern, and Zurich. In 1946, the artist settled permanently in Milan. He is buried at Cimitero Comunale of Pistoia, Toscana, Italy. He participated in the 'Twentieth-Century Italian Art' show at the Museum of Modern Art in New York in 1944. Curt Valentin began exhibiting Marini’s work at his Buchholz Gallery in New York in 1950, on which occasion the sculptor visited the city and met Jean Arp, Max Beckmann, Alexander Calder, Lyonel Feininger, and Jacques Lipchitz. On his return to Europe, he stopped in London, where the Hanover Gallery had organized a solo show of his work, and there met Henry Moore. In 1951 a Marini exhibition traveled from the Kestner-Gesellschaft Hannover to the Kunstverein in Hamburg and the Haus der Kunst of Munich. He was awarded the Grand Prize for Sculpture at the Venice Biennale in 1952 and the Feltrinelli Prize at the Accademia dei Lincei in Rome in 1954. One of his monumental sculptures was installed in the Hague in 1959. Retrospectives of Marini’s work took place at the Kunsthaus Zürich in 1962 and at the Palazzo Venezia in Rome in 1966. His paintings were exhibited for the first time at Toninelli Arte Moderna in Milan in 1963–64. In 1973 a permanent installation of his work opened at the Galleria d’Arte Moderna in Milan, and in 1978 a Marini show was presented at the National Museum of Modern Art in Tokyo. There is a museum dedicated to his work in Florence (in the former church of San Pancrazio). His work may also be found in museums such as the Civic Gallery of Modern Art in Milan, the Tate Collection, The Angel of the City at the Peggy Guggenheim Collection, Venice, the Norton Simon Museum, Museum de Fundatie ] and the Hirshhorn Museum and Sculpture Garden in Washington, D.C.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628208095530,"sku":"a_12816012S1","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/Marini1_master.jpg?v=1780507198"},{"product_id":"still-life-with-german-master-pop-art-serigraph-hand-signed","title":"Still Life with German Master Pop Art Serigraph Hand Signed","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 22.0, W: 25.5 IN\u003c\/p\u003e\u003cp\u003eOn deckle edged watermarked Arches French paper with publishers embossed blindstamp. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color.\u003c\/p\u003e\u003cp\u003eThis auction is just for the one shown in the photos.\u003c\/p\u003e\u003cp\u003eJosef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources.\u003c\/p\u003e\u003cp\u003eLevi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves.\u003c\/p\u003e\u003cp\u003eIn 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel.\u003c\/p\u003e\u003cp\u003eIn 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others.\u003c\/p\u003e\u003cp\u003eSELECTED\u003c\/p\u003e\u003cp\u003eCOLLECTIONS\u003c\/p\u003e\u003cp\u003eMUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART GALLERY, NOTRE DAME, IN ARKANSAS ART CENTER, LITTLE ROCK, AR HOOD MUSEUM OF ART, DARTMOUTH COLLEGE, HANOVER, NH BANK OF NEW YORK, NEW YORK, NY CHRYSLER CORPORATION, DETROIT, MI EXXON CORPORATION, NEW YORK, NY AT\u0026amp;T CORPORATION, NEW YORK, NY BOWDOIN COLLEGE MUSEUM OF ART, BRUNSWICK, ME NEW BRITAIN MUSEUM OF AMERICAN ART, NEW BRITAIN, CN STORM KING ART CENTER, MOUNTAINVILLE, NY YALE UNIVERSITY ART MUSEUM, NEW HAVEN, CT\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628208455978,"sku":"a_12822272S1","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_1265C26BA022454BA9B46547B18574C2_master_25b5df51-8c5d-4c80-a1cf-b53148f4c208.jpg?v=1780507204"},{"product_id":"al-quattro-large-surrealist-modernist-lithograph-embracing-couple","title":"Al Quattro Large Surrealist Modernist Lithograph Embracing Couple","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 39.5, W: 28.5 IN\u003c\/p\u003e\u003cp\u003eBruno Bruni senior (born 22 November 1935, in Gradara) is an Italian lithographer, graphic artist, painter and sculptor. He became commercially successful in the 1970s. In 1977, he won the International Senefeld award for Lithography. He has since become one of the most successful Italian artists in Germany and one of Germany's best known lithographers. Born in Gradara, in the Province of Pesaro and Urbino on the Adriatic Coast in 1935, the son of a railway attendant, Bruni started painting as a young boy. He was initially a pupil of [Giuliano Vanghi] ; from 1953 to 1959 he attended the Art Institute in Pesaro. He then moved to London, where he became interested in pop art. In 1960, after an exhibit of his work at London's John Whibley Gallery, and after meeting a girl from Hamburg, he moved there to live with her and enrolled at the Hochschule für bildende Künste Hamburg. He has lived in the city ever since and visits his hometown regularly.\u003c\/p\u003e\u003cp\u003eIn 1961-1966 took a course at the Hamburg College of Fine Arts, where at that time taught artists Georg Gresko, Paul Wunderlich, Horst Janssen, Arnolfo Hausner, and art critic Hans Theodor Flemming. One of his teachers called Bruni Renato Guttuso. He studied in Milan. Along with several young authors Bruni founded in Hamburg group \"COOP\" - against the commercialization of art. In the 1970s, Bruno Bruni made a name for himself as a draftsman, lithographer, painter and sculptor in the international art world. Bearing stylistic similarities to the surrealist work of Michael Parkes and Leonor Fini. In 1977, he won the International Senefeld Competition for Lithography. He is influenced primarily by German expressionists like Otto Dix, George Grosz etc. and the Italian old masters . In particular, he is noted as one of the few lithographic artists \"who paint all work directly onto the stone\". He is especially known for his erotic female forms. He has said, \"I cannot paint an abstract picture. If I had gone along with the trends I'd have disappeared long ago\". He resides in a converted swimming pool, more than a century old, which serves as apartment, workplace and gallery. He sells his art through his wife's gallery in Hanover and is reputedly one of Germany's top earning artists. He is also a keen cook of Italian cuisine, and is a boxing fan and a close friend of former boxing champion Dariusz Michalczewski, for whom he used to cook for before matches. He has also cooked for Gerhard Schröder and has published a cooking book with his favourite recipes, memoirs and pictures related to his life.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628210651434,"sku":"a_12850652S1","price":1100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_2993AA547F8C4893BC3C023AD7372897_master.jpg?v=1780507217"},{"product_id":"rare-judaica-1893-jewish-yizkor-memorial-plaque-hebrew-english-chromolithograph","title":"Rare Judaica 1893 Jewish Yizkor Memorial Plaque Hebrew English Chromolithograph","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 12.25, W: 7.75 IN\u003c\/p\u003e\u003cp\u003eA rare Judaic memorial piece for mother.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628214321450,"sku":"a_12870532S1","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_3A3C16FE0092432BA36DEB44D578BB72_master_f55a8ad1-b294-48cb-932b-8640df795a8a.jpg?v=1780507248"},{"product_id":"modernist-silkscreen-screenprint-el-station-interior-nyc-subway-wpa-artist","title":"Modernist Silkscreen Screenprint 'El Station, Interior' NYC Subway, WPA Artist","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 38.5, W: 30.0 IN\u003c\/p\u003e\u003cp\u003escreenprint printed in color ink on wove paper. New York City subway station interior. Anthony Velonis (1911 – 1997) was an American painter and designer born in New York City who helped introduce the public to silkscreen printing in the early 20th century.\u003c\/p\u003e\u003cp\u003eWhile employed under the federal Works Progress Administration, WPA during the Great Depression, Velonis brought the use of silkscreen printing as a fine art form, referred to as the \"serigraph,\" into the mainstream. By his own request, he was not publicly credited for coining the term. He experimented and mastered techniques to print on a wide variety of materials, such as glass, plastics, and metal, thereby expanding the field. In the mid to late 20th century, the silkscreen technique became popular among other artists such as Robert Rauschenberg and Andy Warhol. Velonis was born into a relatively poor background of a Greek immigrant family and grew up in the tenements of New York City. Early on, he took creative inspiration from figures in his life such as his grandfather, an immigrant from the mountains in Greece, who was \"an ecclesiastical painter, on Byzantine style.\" Velonis attended James Monroe High School in The Bronx, where he took on minor artistic roles such as the illustration of his high school yearbook. He eventually received a scholarship to the NYU College of Fine Arts, into which he was both surprised and ecstatic to have been admitted. Around this time he took to painting, watercolor, and sculpture, as well as various other art forms, hoping to find a niche that fit. He attended NYU until 1929, when the Great Depression started in the United States after the stock market crash. Around the year 1932, Velonis became interested in silk screen, together with fellow artist Fritz Brosius, and decided to investigate the practice. Working in his brother's sign shop, Velonis was able to master the silkscreen process. He reminisced in an interview three decades later that doing so was \"plenty of fun,\" and that a lot of technology can be discovered through hard work, more so if it is worked on \"little by little.\" Velonis was hired by Mayor LaGuardia in 1934 to promote the work of New York's city government via posters publicizing city projects. One such project required him to go on a commercial fishing trip to locations including New Bedford and Nantucket for a fortnight, where he primarily took photographs and notes, and made sketches. Afterward, for a period of roughly six months, he was occupied with creating paintings from these records. During this trip, Velonis developed true respect and affinity for the fishermen with whom he traveled, \"the relatively uneducated person,\" in his words. Following this, Velonis began work with the Public Works of Art Project (PWAP), an offshoot of the Civil Works Administration (CWA), where he was assigned to serve the different city departments of New York. After the formation of the federal Works Progress Administration, which hired artists and sponsored projects in the arts, he also worked in theater. Velonis began working for the federal WPA in 1935. He kept this position until 1936 or 1938, at which point he began working in the graphic art division of the Federal Art Project, which he ultimately led. Under various elements of the WPA program, many young artists, writers and actors gained employment that helped them survive during the Depression, as well as contributing works that created an artistic legacy for the country. When interviewed in December 1994 by the Library of Congress about his time in the WPA, Velonis reflected that he had greatly enjoyed that period, saying that he liked the \"excitement\" and \"meeting all the other artists with different points of view.\" He also said in a later interview that \"the contact and the dialogue with all those artists and the work that took place was just invaluable.\" Among the young artists he hired was Edmond Casarella, who later developed an innovative technique using layered cardboard for woodcuts. Velonis introduced silkscreen printing to the Poster Division of the WPA. As he recalled in a 1965 interview: \"I suggested that the Poster division would be a lot more productive and useful if they had an auxiliary screen printing project that worked along with them. And apparently this was very favorably received...\" As a member of the Federal Art Project, a subdivision of the WPA, Velonis later approached the Public Use of Arts Committee (PUAC) for help in \"propagandizing for art in the parks, in the subways, et cetera.\" Since the Federal Art Project could not be \"self-promoting,\" an outside organization was required to advertise their art more extensively. During his employment with the Federal Art Project, Velonis created nine silkscreen posters for the federal government. Around 1937-1939 Velonis wrote a pamphlet titled \"Technical Problems of the Artist: Technique of the Silkscreen Process,\" which was distributed to art centers run by the WPA around the country. It was considered very influential in encouraging artists to try this relatively inexpensive technique and stimulated printmaking across the country. In 1939, Velonis founded the Creative Printmakers Group, along with three others, including Hyman Warsager. They printed both their own works and those of other artists in their facility. This was considered the most important silkscreen shop of the period. The next year, Velonis founded the National Serigraph Society. It started out with relatively small commercial projects, such as \"rather fancy\" Christmas cards that were sold to many of the upscale Fifth Avenue shops for a dollar apiece. In 1940 Velonis also founded the Ceraglass Company, a silkscreening firm intended to experiment with silkscreen prints on glass and plastic. Over time, the company grew and completed larger-scale works for organizations such as the Metropolitan Museum of Art, Tiffany's, and the now-defunct Hyperion Press. Eventually, such outreach led to expansion into the glass industry. Using enamels, Velonis was able to print on flat bottles in a fashion similar to printing on paper; the company later patented the method of printing on both sides of the flat bottle. While beginning as a minor side project, the new method of glass printing was very successful.\u003c\/p\u003e\u003cp\u003eThe United States' entry into World War II resulted in a general lack of materials for commercial usage, causing the company to begin printing on plastics as an alternative. Most attempts by other organizations to make prints stick permanently on plastics were unsuccessful; however, Velonis was able to find a solution. By dissolving a resin made from ground-up lipsticks, he was able to facilitate the grinding of pigments more effectively, allowing for the paint to stick due to the migrating plasticizer within it. In 1942, Velonis was drafted into the United States Army Air Forces. Velonis' colleague Hyman Warsager had been drafted into the military previously, and was assigned to Lowry Field, where he worked on projects related to graphics arts, photography, and printing. After Velonis was drafted, Warsager persuaded his commanding officer to write a letter of introduction to place Velonis in the same position. During this time, Velonis expanded military programs such as screen processing and graphic arts. Later, during his time in Wright Field, Velonis was placed in the statistical control department, where he worked in management engineering. His department focused on formatting raw data into more accessible visuals, such as graphs and other such illustrations. After the war ended, Velonis returned to his company, which had since grown to roughly one hundred employees. While moderately successful overall, he later described the business as being \"on and off.\" Velonis continued to engineer printing on various materials such as metals. He focused on metals secondarily due to a lack of demand for metal prints. He also experimented with techniques in stained glass, creating a large 2'x8'15\" -panel display for the American Museum of Natural History in New York City around 1965. As a result of these events, Velonis focused less on painting between around 1939-1965. He attributed his lack of \"creative energy\" in this time period, regarding paintings in particular, to his work in engineering projects such as printing on plastics. He said this work required him to \"apply yourself day in and day out\" for acceptable results. Since 1998, the Society of Glass and Ceramic Decorators, of which Velonis was the second president, has hosted an annual scholarship award in Velonis' name, called the Tony Velonis Memorial Scholarship. The scholarship is offered to undergraduate or graduate students studying \"glass, ceramic or related curriculum including engineering, design or art.\"\u003c\/p\u003e\u003cp\u003eExhibitions Velonis' art has appeared in a number of exhibitions in the northeastern United States, including the following: Museum of Modern Art, 1936 Weyhe Gallery, New York, 1940 Museum of Modern Art, 1940 Springfield Museum of Fine Arts, Massachusetts, 1940 American Museum of Natural History, New York Philadelphia Museum of Art, 1971 Brooklyn Museum, 1986 Philadelphia Museum of Art, 2016\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628216025386,"sku":"a_12878552S1","price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_FF11684E81F9440AB4B397C2D8765B58_master_aaa8e3ce-fa25-4c34-8f2c-bcd43a0673a2.jpg?v=1780507262"},{"product_id":"large-french-modernist-cubist-lithograph-pencil-signed","title":"Large French Modernist Cubist Lithograph Pencil Signed","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 30.0, W: 22.25 IN\u003c\/p\u003e\u003cp\u003elithograph printed in brown ink on deckle edged Arches paper. Signed and numbered in pencil.\u003c\/p\u003e\u003cp\u003eJacques Lipchitz (1891-1973) was a Cubist sculptor, Painter and Lithographer. From late 1914. Lipchitz retained highly figurative and legible components in his work leading up to 1915–16, after which naturalist and descriptive elements were muted, dominated by a synthetic style of Crystal Cubism. In 1920 Lipchitz held his first solo exhibition, at Léon Rosenberg's Galerie L'Effort Moderne in Paris. Fleeing the Nazis he came to the US and settled in New York City and eventually Hastings-on-Hudson. Jacques Lipchitz was born Chaim Jacob Lipschitz, in a Litvak family, son of a building contractor in Druskininkai, Lithuania, then within the Russian Empire. At first, under the influence of his father, he studied engineering, but soon after, supported by his mother he moved to Paris (1909) to study at the École des Beaux-Arts and the Académie Julian. It was there, in the artistic communities of Montmartre and Montparnasse, that he joined a group of artists that included Juan Gris and Pablo Picasso as well as where his friend, Amedeo Modigliani, painted Jacques and Berthe Lipchitz. Living in this environment, Lipchitz soon began to create Cubist sculpture. In 1912 he exhibited at the Salon de la Société Nationale des Beaux-Arts and the Salon d'Automne with his first solo show held at Léonce Rosenberg's Galerie L'Effort Moderne in Paris in 1920. In 1922 he was commissioned by the Barnes Foundation in Merion, Pennsylvania to execute five bas-reliefs. With artistic innovation at its height, in the 1920s he experimented with abstract forms he called transparent sculptures. Later he developed a more dynamic style, which he applied with telling effect to bronze compositions of figures and animals.\u003c\/p\u003e\u003cp\u003eWith artistic innovation at its height, in the 1920s he experimented with abstract forms he called transparent sculptures. Later he developed a more dynamic style, which he applied with telling effect to bronze figure and animal compositions.\u003c\/p\u003e\u003cp\u003eWith the German occupation of France during World War II, and the deportation of Jews to the Nazi death camps, Jacques Lipchitz had to flee France. With the assistance of the American journalist Varian Fry in Marseille, he escaped the Nazi regime and went to the United States. There, he eventually settled in Hastings-on-Hudson, New York. In 1954 a Lipchitz retrospective traveled from The Museum of Modern Art in New York to the Walker Art Center in Minneapolis and The Cleveland Museum of Art. In 1959, his series of small bronzes \"To the Limit of the Possible\" was shown at Fine Arts Associates in New York. Lipchitz taught one of the most famous contemporary artists, Marcel Mouly. Beginning in 1963 he returned to Europe where he worked for several months of each year in Pietrasanta, Italy. In 1972 his autobiography was published on the occasion of an exhibition of his sculpture at The Metropolitan Museum of Art in New York.\u003c\/p\u003e\u003cp\u003eHe had studied at the Ecole des Beaux Arts in Paris from 1909 to 1911 and at the Academy Julian. He arrived in America when the Abstract Expressionist movement was beginning to take hold, and this likely influenced the much more emotional expression of the later part of his career. His work was much more emotional and rounded in form than the earlier cubist work, and is subject matter was epic, reflecting his interest in myths, heroic tales and religious symbolism. La Ruche, the artists' complex south of Montparnasse that Lipchitz knew well during his first years in Paris. He was a denizen of La Ruche which provided refuge for Jewish emigres like Chaim Soutine, Amedeo Modigliani and Marc Chagall, who shared with Lipchitz an irrepressible expressionist impulse. The balance between unbridled Eastern expressiveness and French clarity helps characterize Lipchitz's successful Parisian work. Jacques Lipchitz died in Capri, Italy. His body was flown to Jerusalem for burial.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628216123690,"sku":"a_12878562S1","price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_1E67A08B6F194A45A7A5FC8E616458A0_master.jpg?v=1780507267"},{"product_id":"digital-iris-print-heinz-dilemma-pencil-signed-with-initials-edition-of-15","title":"Digital Iris Print \"Heinz Dilemma\" Pencil Signed with Initials edition of 15","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 11.0, W: 8.5 IN\u003c\/p\u003e\u003cp\u003eThis is for the one print listed here. Internalized Page Project. color Iris digital prints on paper, each initialed on verso and numbered from edition of 15. printed \u0026amp; published by Muse X, Los Angeles.\u003c\/p\u003e\u003cp\u003e1998 in the collection of MoMA where it is described as a digital print\u003c\/p\u003e\u003cp\u003eBorn in 1958 in Long Branch, New Jersey, Long currently lives and\u003c\/p\u003e\u003cp\u003eworks in California.Education B.F.A., University of the Arts, Phila, PA; Whitney Independent Study Program, New York, NY; M.F.A., Yale University, New Haven, CT. Since then, the artist has received a number of honors and awards, most recently the 2008 Award of Merit Medal for Sculpture from the American Academy of Arts and Letters in New York. He currently teaches as a professor in the Art Department at the University of California, Riverside. Long’s work has been the subject of major exhibitions worldwide. His most important solo presentations include CATALIN at The Contemporary Austin in Texas (2014), Fountainhead, a public commission in Dallas, Texas organized by the Nasher Sculpture Center (2013), Pet Sounds at Madison Square Park in New York City (2012), Seeing Green, a solo project in conjunction with All of this and nothing: The 6th Hammer Invitational at the UCLA Hammer Museum in Los Angeles (2011), 100 Pounds of Clay at Orange County Museum of Art in California (2010), and More Like a Dream Than a Scheme at David Winton Bell Gallery at Brown University in Rhode Island, which traveled to SITE Santa Fe in New Mexico (2005). His work has been included in many significant museum exhibitions such as the 1997 and 2008 Biennials, Whitney Museum of American Art New York; Open Ends, The Museum of Modern Art; NYC. Performance Anxiety, MCA, Chicago; Happiness, Mori Art Museum, Tokyo; Arte Contemporáneo Internaciona, Museo de Arte Moderno, Mexico City; ART\/MUSIC: rock, pop, and techno Museum of Contemporary Art, Sydney; Almost Warm and Fuzzy, Des Moines Art Center, The Shape of Color: Excursions in Color Field Art, AGO\/Art Gallery of Ontario, Canada; Gone Formalism, The Institute of Contemporary Art, Philadelphia, PA; The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden, Washington D.C. SculptureCenter in New York, Museum of Contemporary Art Chicago, Magasin 3 Stockholm Konsthall, Hirshhorn Museum and Sculpture Garden in Washington, D.C., Institute of Contemporary Art, Philadelphia, Mori Art Museum in Tokyo, among other museums.Long's sculptures have explored the abstract autonomous art object as a psychological investigation into the nature self and others and have been made from diverse media such as coffee grounds, rubber and hair from Abraham Lincoln. He has collaborated with pop musicians such as Stereolab, Mark Mothersbaugh of Devo and with the renown choreographer Merce Cunningham. Since his relocation from NYC to LA Long's work has been inspired by the Los Angeles River which runs adjacent to his studio. Each year, after the furious flood season, a verdant and abundant growth of grasses, thickets, and trees emerges from the discarded office furniture, bedsprings, and shopping carts that get washed into the concrete channel providing a providing a dwelling for mallards, osprey, crayfish and heron. Captivated by the river and inspired by its unbiased intermingling of these elements, Long creates photographs, video and sculpture in and about the river and the myriad of imagery and meanings it offers. His work is represented in important public and private collections worldwide, including those of the Museum of Modern Art in New York, Philadelphia Museum of Art, St. Louis Art Museum in Missouri, Walker Art Center in Minneapolis, Magasin 3 Stockholm Konsthall, Museum of Contemporary Art, Chicago, Whitney Museum of American Art, New York, Hirshhorn Museum and Sculpture Garden, Louisiana Museum of Modern Art in Denmark, and the Fogg Art Museum at Harvard University in Cambridge, MA. He is the recipient of a Guggenheim Fellowship, two NEA Grants, two Pollock-Krasner Grants and a Louis Comfort Tiffany grant. Long has taught at the California Institute of the Arts, Art Center College of Art and Design, Otis College of Art and Design and Harvard University.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628216549674,"sku":"a_12878572S1","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_4B76C930653E4B98B264714FC96936E9_master.jpg?v=1780507269"},{"product_id":"digital-iris-print-arrogant-peceiver-pencil-signed-with-initials-edition-of-15","title":"Digital Iris Print \"Arrogant Peceiver\" Pencil Signed with Initials edition of 15","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 11.0, W: 8.5 IN\u003c\/p\u003e\u003cp\u003eThis is for the one print listed here. Internalized Page Project. color Iris digital prints on paper, each initialed on verso and numbered from edition of 15. printed \u0026amp; published by Muse X, Los Angeles.\u003c\/p\u003e\u003cp\u003e1998 in the collection of MoMA where it is described as a digital print\u003c\/p\u003e\u003cp\u003eBorn in 1958 in Long Branch, New Jersey, Long currently lives and\u003c\/p\u003e\u003cp\u003eworks in California.Education B.F.A., University of the Arts, Phila, PA; Whitney Independent Study Program, New York, NY; M.F.A., Yale University, New Haven, CT. Since then, the artist has received a number of honors and awards, most recently the 2008 Award of Merit Medal for Sculpture from the American Academy of Arts and Letters in New York. He currently teaches as a professor in the Art Department at the University of California, Riverside. Long’s work has been the subject of major exhibitions worldwide. His most important solo presentations include CATALIN at The Contemporary Austin in Texas (2014), Fountainhead, a public commission in Dallas, Texas organized by the Nasher Sculpture Center (2013), Pet Sounds at Madison Square Park in New York City (2012), Seeing Green, a solo project in conjunction with All of this and nothing: The 6th Hammer Invitational at the UCLA Hammer Museum in Los Angeles (2011), 100 Pounds of Clay at Orange County Museum of Art in California (2010), and More Like a Dream Than a Scheme at David Winton Bell Gallery at Brown University in Rhode Island, which traveled to SITE Santa Fe in New Mexico (2005). His work has been included in many significant museum exhibitions such as the 1997 and 2008 Biennials, Whitney Museum of American Art New York; Open Ends, The Museum of Modern Art; NYC. Performance Anxiety, MCA, Chicago; Happiness, Mori Art Museum, Tokyo; Arte Contemporáneo Internaciona, Museo de Arte Moderno, Mexico City; ART\/MUSIC: rock, pop, and techno Museum of Contemporary Art, Sydney; Almost Warm and Fuzzy, Des Moines Art Center, The Shape of Color: Excursions in Color Field Art, AGO\/Art Gallery of Ontario, Canada; Gone Formalism, The Institute of Contemporary Art, Philadelphia, PA; The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden, Washington D.C. SculptureCenter in New York, Museum of Contemporary Art Chicago, Magasin 3 Stockholm Konsthall, Hirshhorn Museum and Sculpture Garden in Washington, D.C., Institute of Contemporary Art, Philadelphia, Mori Art Museum in Tokyo, among other museums.Long's sculptures have explored the abstract autonomous art object as a psychological investigation into the nature self and others and have been made from diverse media such as coffee grounds, rubber and hair from Abraham Lincoln. He has collaborated with pop musicians such as Stereolab, Mark Mothersbaugh of Devo and with the renown choreographer Merce Cunningham. Since his relocation from NYC to LA Long's work has been inspired by the Los Angeles River which runs adjacent to his studio. Each year, after the furious flood season, a verdant and abundant growth of grasses, thickets, and trees emerges from the discarded office furniture, bedsprings, and shopping carts that get washed into the concrete channel providing a providing a dwelling for mallards, osprey, crayfish and heron. Captivated by the river and inspired by its unbiased intermingling of these elements, Long creates photographs, video and sculpture in and about the river and the myriad of imagery and meanings it offers. His work is represented in important public and private collections worldwide, including those of the Museum of Modern Art in New York, Philadelphia Museum of Art, St. Louis Art Museum in Missouri, Walker Art Center in Minneapolis, Magasin 3 Stockholm Konsthall, Museum of Contemporary Art, Chicago, Whitney Museum of American Art, New York, Hirshhorn Museum and Sculpture Garden, Louisiana Museum of Modern Art in Denmark, and the Fogg Art Museum at Harvard University in Cambridge, MA. He is the recipient of a Guggenheim Fellowship, two NEA Grants, two Pollock-Krasner Grants and a Louis Comfort Tiffany grant. Long has taught at the California Institute of the Arts, Art Center College of Art and Design, Otis College of Art and Design and Harvard University.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628216680746,"sku":"a_12878582S1","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_99AF0569291E42B4A6835AA042E8DE16_master_e548e7e2-bc01-466b-8d4f-019f8fc01ae9.jpg?v=1780507272"},{"product_id":"digital-iris-print-theatres-of-the-body-pencil-signed-w-initials-ed-of-15","title":"Digital Iris Print \"Theatres of the Body \" Pencil Signed w Initials ed. of 15","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 11.0, W: 8.5 IN\u003c\/p\u003e\u003cp\u003eThis is for the one print listed here. Internalized Page Project. color Iris digital prints on paper, each initialed on verso and numbered from edition of 15. printed \u0026amp; published by Muse X, Los Angeles.\u003c\/p\u003e\u003cp\u003e1998 in the collection of MoMA where it is described as a digital print\u003c\/p\u003e\u003cp\u003eBorn in 1958 in Long Branch, New Jersey, Long currently lives and\u003c\/p\u003e\u003cp\u003eworks in California.Education B.F.A., University of the Arts, Phila, PA; Whitney Independent Study Program, New York, NY; M.F.A., Yale University, New Haven, CT. Since then, the artist has received a number of honors and awards, most recently the 2008 Award of Merit Medal for Sculpture from the American Academy of Arts and Letters in New York. He currently teaches as a professor in the Art Department at the University of California, Riverside. Long’s work has been the subject of major exhibitions worldwide. His most important solo presentations include CATALIN at The Contemporary Austin in Texas (2014), Fountainhead, a public commission in Dallas, Texas organized by the Nasher Sculpture Center (2013), Pet Sounds at Madison Square Park in New York City (2012), Seeing Green, a solo project in conjunction with All of this and nothing: The 6th Hammer Invitational at the UCLA Hammer Museum in Los Angeles (2011), 100 Pounds of Clay at Orange County Museum of Art in California (2010), and More Like a Dream Than a Scheme at David Winton Bell Gallery at Brown University in Rhode Island, which traveled to SITE Santa Fe in New Mexico (2005). His work has been included in many significant museum exhibitions such as the 1997 and 2008 Biennials, Whitney Museum of American Art New York; Open Ends, The Museum of Modern Art; NYC. Performance Anxiety, MCA, Chicago; Happiness, Mori Art Museum, Tokyo; Arte Contemporáneo Internaciona, Museo de Arte Moderno, Mexico City; ART\/MUSIC: rock, pop, and techno Museum of Contemporary Art, Sydney; Almost Warm and Fuzzy, Des Moines Art Center, The Shape of Color: Excursions in Color Field Art, AGO\/Art Gallery of Ontario, Canada; Gone Formalism, The Institute of Contemporary Art, Philadelphia, PA; The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden, Washington D.C. SculptureCenter in New York, Museum of Contemporary Art Chicago, Magasin 3 Stockholm Konsthall, Hirshhorn Museum and Sculpture Garden in Washington, D.C., Institute of Contemporary Art, Philadelphia, Mori Art Museum in Tokyo, among other museums.Long's sculptures have explored the abstract autonomous art object as a psychological investigation into the nature self and others and have been made from diverse media such as coffee grounds, rubber and hair from Abraham Lincoln. He has collaborated with pop musicians such as Stereolab, Mark Mothersbaugh of Devo and with the renown choreographer Merce Cunningham. Since his relocation from NYC to LA Long's work has been inspired by the Los Angeles River which runs adjacent to his studio. Each year, after the furious flood season, a verdant and abundant growth of grasses, thickets, and trees emerges from the discarded office furniture, bedsprings, and shopping carts that get washed into the concrete channel providing a providing a dwelling for mallards, osprey, crayfish and heron. Captivated by the river and inspired by its unbiased intermingling of these elements, Long creates photographs, video and sculpture in and about the river and the myriad of imagery and meanings it offers. His work is represented in important public and private collections worldwide, including those of the Museum of Modern Art in New York, Philadelphia Museum of Art, St. Louis Art Museum in Missouri, Walker Art Center in Minneapolis, Magasin 3 Stockholm Konsthall, Museum of Contemporary Art, Chicago, Whitney Museum of American Art, New York, Hirshhorn Museum and Sculpture Garden, Louisiana Museum of Modern Art in Denmark, and the Fogg Art Museum at Harvard University in Cambridge, MA. He is the recipient of a Guggenheim Fellowship, two NEA Grants, two Pollock-Krasner Grants and a Louis Comfort Tiffany grant. Long has taught at the California Institute of the Arts, Art Center College of Art and Design, Otis College of Art and Design and Harvard University.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628216877354,"sku":"a_12878592S1","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_5CF348F8A36E4FA492BF35EBC463F65B_master_4f7b2cc6-7542-4eb3-a33c-81d0a7bc322e.jpg?v=1780507278"},{"product_id":"digital-iris-print-schizmo-genesis-pencil-signed-with-initials-edition-of-15","title":"Digital Iris Print \"Schizmo Genesis\" Pencil Signed with Initials edition of 15","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 11.0, W: 8.5 IN\u003c\/p\u003e\u003cp\u003eThis is for the one print listed here. Internalized Page Project. color Iris digital prints on paper, each initialed on verso and numbered from edition of 15. printed \u0026amp; published by Muse X, Los Angeles.\u003c\/p\u003e\u003cp\u003e1998 in the collection of MoMA where it is described as a digital print\u003c\/p\u003e\u003cp\u003eBorn in 1958 in Long Branch, New Jersey, Long currently lives and\u003c\/p\u003e\u003cp\u003eworks in California.Education B.F.A., University of the Arts, Phila, PA; Whitney Independent Study Program, New York, NY; M.F.A., Yale University, New Haven, CT. Since then, the artist has received a number of honors and awards, most recently the 2008 Award of Merit Medal for Sculpture from the American Academy of Arts and Letters in New York. He currently teaches as a professor in the Art Department at the University of California, Riverside. Long’s work has been the subject of major exhibitions worldwide. His most important solo presentations include CATALIN at The Contemporary Austin in Texas (2014), Fountainhead, a public commission in Dallas, Texas organized by the Nasher Sculpture Center (2013), Pet Sounds at Madison Square Park in New York City (2012), Seeing Green, a solo project in conjunction with All of this and nothing: The 6th Hammer Invitational at the UCLA Hammer Museum in Los Angeles (2011), 100 Pounds of Clay at Orange County Museum of Art in California (2010), and More Like a Dream Than a Scheme at David Winton Bell Gallery at Brown University in Rhode Island, which traveled to SITE Santa Fe in New Mexico (2005). His work has been included in many significant museum exhibitions such as the 1997 and 2008 Biennials, Whitney Museum of American Art New York; Open Ends, The Museum of Modern Art; NYC. Performance Anxiety, MCA, Chicago; Happiness, Mori Art Museum, Tokyo; Arte Contemporáneo Internaciona, Museo de Arte Moderno, Mexico City; ART\/MUSIC: rock, pop, and techno Museum of Contemporary Art, Sydney; Almost Warm and Fuzzy, Des Moines Art Center, The Shape of Color: Excursions in Color Field Art, AGO\/Art Gallery of Ontario, Canada; Gone Formalism, The Institute of Contemporary Art, Philadelphia, PA; The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden, Washington D.C. SculptureCenter in New York, Museum of Contemporary Art Chicago, Magasin 3 Stockholm Konsthall, Hirshhorn Museum and Sculpture Garden in Washington, D.C., Institute of Contemporary Art, Philadelphia, Mori Art Museum in Tokyo, among other museums.Long's sculptures have explored the abstract autonomous art object as a psychological investigation into the nature self and others and have been made from diverse media such as coffee grounds, rubber and hair from Abraham Lincoln. He has collaborated with pop musicians such as Stereolab, Mark Mothersbaugh of Devo and with the renown choreographer Merce Cunningham. Since his relocation from NYC to LA Long's work has been inspired by the Los Angeles River which runs adjacent to his studio. Each year, after the furious flood season, a verdant and abundant growth of grasses, thickets, and trees emerges from the discarded office furniture, bedsprings, and shopping carts that get washed into the concrete channel providing a providing a dwelling for mallards, osprey, crayfish and heron. Captivated by the river and inspired by its unbiased intermingling of these elements, Long creates photographs, video and sculpture in and about the river and the myriad of imagery and meanings it offers. His work is represented in important public and private collections worldwide, including those of the Museum of Modern Art in New York, Philadelphia Museum of Art, St. Louis Art Museum in Missouri, Walker Art Center in Minneapolis, Magasin 3 Stockholm Konsthall, Museum of Contemporary Art, Chicago, Whitney Museum of American Art, New York, Hirshhorn Museum and Sculpture Garden, Louisiana Museum of Modern Art in Denmark, and the Fogg Art Museum at Harvard University in Cambridge, MA. He is the recipient of a Guggenheim Fellowship, two NEA Grants, two Pollock-Krasner Grants and a Louis Comfort Tiffany grant. Long has taught at the California Institute of the Arts, Art Center College of Art and Design, Otis College of Art and Design and Harvard University.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628217893162,"sku":"a_12893482S1","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_D85457C4B6CD4B96A0D6BD991FB34491_master.jpg?v=1780507285"},{"product_id":"digital-iris-print-fatherless-gang-pencil-signed-with-initials-edition-of-15","title":"Digital Iris Print \"Fatherless Gang\" Pencil Signed with Initials edition of 15","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 11.0, W: 8.5 IN\u003c\/p\u003e\u003cp\u003eThis is for the one print listed here. Internalized Page Project. color Iris digital prints on paper, each initialed on verso and numbered from edition of 15. printed \u0026amp; published by Muse X, Los Angeles.\u003c\/p\u003e\u003cp\u003e1998 in the collection of MoMA where it is described as a digital print\u003c\/p\u003e\u003cp\u003eBorn in 1958 in Long Branch, New Jersey, Long currently lives and\u003c\/p\u003e\u003cp\u003eworks in California.Education B.F.A., University of the Arts, Phila, PA; Whitney Independent Study Program, New York, NY; M.F.A., Yale University, New Haven, CT. Since then, the artist has received a number of honors and awards, most recently the 2008 Award of Merit Medal for Sculpture from the American Academy of Arts and Letters in New York. He currently teaches as a professor in the Art Department at the University of California, Riverside. Long’s work has been the subject of major exhibitions worldwide. His most important solo presentations include CATALIN at The Contemporary Austin in Texas (2014), Fountainhead, a public commission in Dallas, Texas organized by the Nasher Sculpture Center (2013), Pet Sounds at Madison Square Park in New York City (2012), Seeing Green, a solo project in conjunction with All of this and nothing: The 6th Hammer Invitational at the UCLA Hammer Museum in Los Angeles (2011), 100 Pounds of Clay at Orange County Museum of Art in California (2010), and More Like a Dream Than a Scheme at David Winton Bell Gallery at Brown University in Rhode Island, which traveled to SITE Santa Fe in New Mexico (2005). His work has been included in many significant museum exhibitions such as the 1997 and 2008 Biennials, Whitney Museum of American Art New York; Open Ends, The Museum of Modern Art; NYC. Performance Anxiety, MCA, Chicago; Happiness, Mori Art Museum, Tokyo; Arte Contemporáneo Internaciona, Museo de Arte Moderno, Mexico City; ART\/MUSIC: rock, pop, and techno Museum of Contemporary Art, Sydney; Almost Warm and Fuzzy, Des Moines Art Center, The Shape of Color: Excursions in Color Field Art, AGO\/Art Gallery of Ontario, Canada; Gone Formalism, The Institute of Contemporary Art, Philadelphia, PA; The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden, Washington D.C. SculptureCenter in New York, Museum of Contemporary Art Chicago, Magasin 3 Stockholm Konsthall, Hirshhorn Museum and Sculpture Garden in Washington, D.C., Institute of Contemporary Art, Philadelphia, Mori Art Museum in Tokyo, among other museums.Long's sculptures have explored the abstract autonomous art object as a psychological investigation into the nature self and others and have been made from diverse media such as coffee grounds, rubber and hair from Abraham Lincoln. He has collaborated with pop musicians such as Stereolab, Mark Mothersbaugh of Devo and with the renown choreographer Merce Cunningham. Since his relocation from NYC to LA Long's work has been inspired by the Los Angeles River which runs adjacent to his studio. Each year, after the furious flood season, a verdant and abundant growth of grasses, thickets, and trees emerges from the discarded office furniture, bedsprings, and shopping carts that get washed into the concrete channel providing a providing a dwelling for mallards, osprey, crayfish and heron. Captivated by the river and inspired by its unbiased intermingling of these elements, Long creates photographs, video and sculpture in and about the river and the myriad of imagery and meanings it offers. His work is represented in important public and private collections worldwide, including those of the Museum of Modern Art in New York, Philadelphia Museum of Art, St. Louis Art Museum in Missouri, Walker Art Center in Minneapolis, Magasin 3 Stockholm Konsthall, Museum of Contemporary Art, Chicago, Whitney Museum of American Art, New York, Hirshhorn Museum and Sculpture Garden, Louisiana Museum of Modern Art in Denmark, and the Fogg Art Museum at Harvard University in Cambridge, MA. He is the recipient of a Guggenheim Fellowship, two NEA Grants, two Pollock-Krasner Grants and a Louis Comfort Tiffany grant. Long has taught at the California Institute of the Arts, Art Center College of Art and Design, Otis College of Art and Design and Harvard University.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628217991466,"sku":"a_12893492S1","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_DD0D210E22E546CB8C4D51F6F2082F89_master.jpg?v=1780507287"},{"product_id":"digital-iris-print-stage-theory-pencil-signed-with-initials-edition-of-15","title":"Digital Iris Print \"Stage Theory \" Pencil Signed with Initials edition of 15","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 11.0, W: 8.5 IN\u003c\/p\u003e\u003cp\u003eThis is for the one print listed here. Internalized Page Project. color Iris digital prints on paper, each initialed on verso and numbered from edition of 15. printed \u0026amp; published by Muse X, Los Angeles.\u003c\/p\u003e\u003cp\u003e1998 in the collection of MoMA where it is described as a digital print\u003c\/p\u003e\u003cp\u003eBorn in 1958 in Long Branch, New Jersey, Long currently lives and\u003c\/p\u003e\u003cp\u003eworks in California.Education B.F.A., University of the Arts, Phila, PA; Whitney Independent Study Program, New York, NY; M.F.A., Yale University, New Haven, CT. Since then, the artist has received a number of honors and awards, most recently the 2008 Award of Merit Medal for Sculpture from the American Academy of Arts and Letters in New York. He currently teaches as a professor in the Art Department at the University of California, Riverside. Long’s work has been the subject of major exhibitions worldwide. His most important solo presentations include CATALIN at The Contemporary Austin in Texas (2014), Fountainhead, a public commission in Dallas, Texas organized by the Nasher Sculpture Center (2013), Pet Sounds at Madison Square Park in New York City (2012), Seeing Green, a solo project in conjunction with All of this and nothing: The 6th Hammer Invitational at the UCLA Hammer Museum in Los Angeles (2011), 100 Pounds of Clay at Orange County Museum of Art in California (2010), and More Like a Dream Than a Scheme at David Winton Bell Gallery at Brown University in Rhode Island, which traveled to SITE Santa Fe in New Mexico (2005). His work has been included in many significant museum exhibitions such as the 1997 and 2008 Biennials, Whitney Museum of American Art New York; Open Ends, The Museum of Modern Art; NYC. Performance Anxiety, MCA, Chicago; Happiness, Mori Art Museum, Tokyo; Arte Contemporáneo Internaciona, Museo de Arte Moderno, Mexico City; ART\/MUSIC: rock, pop, and techno Museum of Contemporary Art, Sydney; Almost Warm and Fuzzy, Des Moines Art Center, The Shape of Color: Excursions in Color Field Art, AGO\/Art Gallery of Ontario, Canada; Gone Formalism, The Institute of Contemporary Art, Philadelphia, PA; The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden, Washington D.C. SculptureCenter in New York, Museum of Contemporary Art Chicago, Magasin 3 Stockholm Konsthall, Hirshhorn Museum and Sculpture Garden in Washington, D.C., Institute of Contemporary Art, Philadelphia, Mori Art Museum in Tokyo, among other museums.Long's sculptures have explored the abstract autonomous art object as a psychological investigation into the nature self and others and have been made from diverse media such as coffee grounds, rubber and hair from Abraham Lincoln. He has collaborated with pop musicians such as Stereolab, Mark Mothersbaugh of Devo and with the renown choreographer Merce Cunningham. Since his relocation from NYC to LA Long's work has been inspired by the Los Angeles River which runs adjacent to his studio. Each year, after the furious flood season, a verdant and abundant growth of grasses, thickets, and trees emerges from the discarded office furniture, bedsprings, and shopping carts that get washed into the concrete channel providing a providing a dwelling for mallards, osprey, crayfish and heron. Captivated by the river and inspired by its unbiased intermingling of these elements, Long creates photographs, video and sculpture in and about the river and the myriad of imagery and meanings it offers. His work is represented in important public and private collections worldwide, including those of the Museum of Modern Art in New York, Philadelphia Museum of Art, St. Louis Art Museum in Missouri, Walker Art Center in Minneapolis, Magasin 3 Stockholm Konsthall, Museum of Contemporary Art, Chicago, Whitney Museum of American Art, New York, Hirshhorn Museum and Sculpture Garden, Louisiana Museum of Modern Art in Denmark, and the Fogg Art Museum at Harvard University in Cambridge, MA. He is the recipient of a Guggenheim Fellowship, two NEA Grants, two Pollock-Krasner Grants and a Louis Comfort Tiffany grant. Long has taught at the California Institute of the Arts, Art Center College of Art and Design, Otis College of Art and Design and Harvard University.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628218089770,"sku":"a_12893502S1","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_CE2CF59AA3A94A97A660E69B49AFAC50_master_3af2f35e-4f54-490e-8f94-b903c04fec5f.jpg?v=1780507289"},{"product_id":"digital-iris-print-spontaneous-restructuring-pencil-signed-w-initials-ed-15","title":"Digital Iris Print \"Spontaneous Restructuring\" Pencil Signed w. Initials ed. 15","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 11.0, W: 8.5 IN\u003c\/p\u003e\u003cp\u003eThis is for the one print listed here. Internalized Page Project. color Iris digital prints on paper, each initialed on verso and numbered from edition of 15. printed \u0026amp; published by Muse X, Los Angeles.\u003c\/p\u003e\u003cp\u003e1998 in the collection of MoMA where it is described as a digital print\u003c\/p\u003e\u003cp\u003eBorn in 1958 in Long Branch, New Jersey, Long currently lives and\u003c\/p\u003e\u003cp\u003eworks in California.Education B.F.A., University of the Arts, Phila, PA; Whitney Independent Study Program, New York, NY; M.F.A., Yale University, New Haven, CT. Since then, the artist has received a number of honors and awards, most recently the 2008 Award of Merit Medal for Sculpture from the American Academy of Arts and Letters in New York. He currently teaches as a professor in the Art Department at the University of California, Riverside. Long’s work has been the subject of major exhibitions worldwide. His most important solo presentations include CATALIN at The Contemporary Austin in Texas (2014), Fountainhead, a public commission in Dallas, Texas organized by the Nasher Sculpture Center (2013), Pet Sounds at Madison Square Park in New York City (2012), Seeing Green, a solo project in conjunction with All of this and nothing: The 6th Hammer Invitational at the UCLA Hammer Museum in Los Angeles (2011), 100 Pounds of Clay at Orange County Museum of Art in California (2010), and More Like a Dream Than a Scheme at David Winton Bell Gallery at Brown University in Rhode Island, which traveled to SITE Santa Fe in New Mexico (2005). His work has been included in many significant museum exhibitions such as the 1997 and 2008 Biennials, Whitney Museum of American Art New York; Open Ends, The Museum of Modern Art; NYC. Performance Anxiety, MCA, Chicago; Happiness, Mori Art Museum, Tokyo; Arte Contemporáneo Internaciona, Museo de Arte Moderno, Mexico City; ART\/MUSIC: rock, pop, and techno Museum of Contemporary Art, Sydney; Almost Warm and Fuzzy, Des Moines Art Center, The Shape of Color: Excursions in Color Field Art, AGO\/Art Gallery of Ontario, Canada; Gone Formalism, The Institute of Contemporary Art, Philadelphia, PA; The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden, Washington D.C. SculptureCenter in New York, Museum of Contemporary Art Chicago, Magasin 3 Stockholm Konsthall, Hirshhorn Museum and Sculpture Garden in Washington, D.C., Institute of Contemporary Art, Philadelphia, Mori Art Museum in Tokyo, among other museums.Long's sculptures have explored the abstract autonomous art object as a psychological investigation into the nature self and others and have been made from diverse media such as coffee grounds, rubber and hair from Abraham Lincoln. He has collaborated with pop musicians such as Stereolab, Mark Mothersbaugh of Devo and with the renown choreographer Merce Cunningham. Since his relocation from NYC to LA Long's work has been inspired by the Los Angeles River which runs adjacent to his studio. Each year, after the furious flood season, a verdant and abundant growth of grasses, thickets, and trees emerges from the discarded office furniture, bedsprings, and shopping carts that get washed into the concrete channel providing a providing a dwelling for mallards, osprey, crayfish and heron. Captivated by the river and inspired by its unbiased intermingling of these elements, Long creates photographs, video and sculpture in and about the river and the myriad of imagery and meanings it offers. His work is represented in important public and private collections worldwide, including those of the Museum of Modern Art in New York, Philadelphia Museum of Art, St. Louis Art Museum in Missouri, Walker Art Center in Minneapolis, Magasin 3 Stockholm Konsthall, Museum of Contemporary Art, Chicago, Whitney Museum of American Art, New York, Hirshhorn Museum and Sculpture Garden, Louisiana Museum of Modern Art in Denmark, and the Fogg Art Museum at Harvard University in Cambridge, MA. He is the recipient of a Guggenheim Fellowship, two NEA Grants, two Pollock-Krasner Grants and a Louis Comfort Tiffany grant. Long has taught at the California Institute of the Arts, Art Center College of Art and Design, Otis College of Art and Design and Harvard University.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628218482986,"sku":"a_12893512S1","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_74AF92CB385C491D9AEB71D294D7E416_master.jpg?v=1780507292"},{"product_id":"digital-iris-print-character-exhibition-pencil-signed-w-initials-edition-of-15","title":"Digital Iris Print \"Character Exhibition\" Pencil Signed w Initials edition of 15","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 11.0, W: 8.5 IN\u003c\/p\u003e\u003cp\u003eThis is for the one print listed here. Internalized Page Project Vol II. color Iris digital prints on paper, each initialed on verso and numbered from edition of 15. printed \u0026amp; published by Muse X, Los Angeles.\u003c\/p\u003e\u003cp\u003e1998 in the collection of MoMA where it is described as a digital print\u003c\/p\u003e\u003cp\u003eBorn in 1958 in Long Branch, New Jersey, Long currently lives and\u003c\/p\u003e\u003cp\u003eworks in California.Education B.F.A., University of the Arts, Phila, PA; Whitney Independent Study Program, New York, NY; M.F.A., Yale University, New Haven, CT. Since then, the artist has received a number of honors and awards, most recently the 2008 Award of Merit Medal for Sculpture from the American Academy of Arts and Letters in New York. He currently teaches as a professor in the Art Department at the University of California, Riverside. Long’s work has been the subject of major exhibitions worldwide. His most important solo presentations include CATALIN at The Contemporary Austin in Texas (2014), Fountainhead, a public commission in Dallas, Texas organized by the Nasher Sculpture Center (2013), Pet Sounds at Madison Square Park in New York City (2012), Seeing Green, a solo project in conjunction with All of this and nothing: The 6th Hammer Invitational at the UCLA Hammer Museum in Los Angeles (2011), 100 Pounds of Clay at Orange County Museum of Art in California (2010), and More Like a Dream Than a Scheme at David Winton Bell Gallery at Brown University in Rhode Island, which traveled to SITE Santa Fe in New Mexico (2005). His work has been included in many significant museum exhibitions such as the 1997 and 2008 Biennials, Whitney Museum of American Art New York; Open Ends, The Museum of Modern Art; NYC. Performance Anxiety, MCA, Chicago; Happiness, Mori Art Museum, Tokyo; Arte Contemporáneo Internaciona, Museo de Arte Moderno, Mexico City; ART\/MUSIC: rock, pop, and techno Museum of Contemporary Art, Sydney; Almost Warm and Fuzzy, Des Moines Art Center, The Shape of Color: Excursions in Color Field Art, AGO\/Art Gallery of Ontario, Canada; Gone Formalism, The Institute of Contemporary Art, Philadelphia, PA; The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden, Washington D.C. SculptureCenter in New York, Museum of Contemporary Art Chicago, Magasin 3 Stockholm Konsthall, Hirshhorn Museum and Sculpture Garden in Washington, D.C., Institute of Contemporary Art, Philadelphia, Mori Art Museum in Tokyo, among other museums.Long's sculptures have explored the abstract autonomous art object as a psychological investigation into the nature self and others and have been made from diverse media such as coffee grounds, rubber and hair from Abraham Lincoln. He has collaborated with pop musicians such as Stereolab, Mark Mothersbaugh of Devo and with the renown choreographer Merce Cunningham. Since his relocation from NYC to LA Long's work has been inspired by the Los Angeles River which runs adjacent to his studio. Each year, after the furious flood season, a verdant and abundant growth of grasses, thickets, and trees emerges from the discarded office furniture, bedsprings, and shopping carts that get washed into the concrete channel providing a providing a dwelling for mallards, osprey, crayfish and heron. Captivated by the river and inspired by its unbiased intermingling of these elements, Long creates photographs, video and sculpture in and about the river and the myriad of imagery and meanings it offers. His work is represented in important public and private collections worldwide, including those of the Museum of Modern Art in New York, Philadelphia Museum of Art, St. Louis Art Museum in Missouri, Walker Art Center in Minneapolis, Magasin 3 Stockholm Konsthall, Museum of Contemporary Art, Chicago, Whitney Museum of American Art, New York, Hirshhorn Museum and Sculpture Garden, Louisiana Museum of Modern Art in Denmark, and the Fogg Art Museum at Harvard University in Cambridge, MA. He is the recipient of a Guggenheim Fellowship, two NEA Grants, two Pollock-Krasner Grants and a Louis Comfort Tiffany grant. Long has taught at the California Institute of the Arts, Art Center College of Art and Design, Otis College of Art and Design and Harvard University.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628218581290,"sku":"a_12906392S1","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_4AB87F9D86DE49E89A4E196F306C39DF_master_7b13d06e-50f2-459e-bf37-0510f5d244ee.jpg?v=1780507294"},{"product_id":"digital-iris-print-an-ideadic-camera-pencil-signed-with-initials-edition-of-15","title":"Digital Iris Print \"An Ideadic Camera\" Pencil Signed with Initials edition of 15","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 11.0, W: 8.5 IN\u003c\/p\u003e\u003cp\u003eThis is for the one print listed here. Internalized Page Project Vol II. color Iris digital prints on paper, each initialed on verso and numbered from edition of 15. printed \u0026amp; published by Muse X, Los Angeles.\u003c\/p\u003e\u003cp\u003e1998 in the collection of MoMA where it is described as a digital print\u003c\/p\u003e\u003cp\u003eBorn in 1958 in Long Branch, New Jersey, Long currently lives and\u003c\/p\u003e\u003cp\u003eworks in California.Education B.F.A., University of the Arts, Phila, PA; Whitney Independent Study Program, New York, NY; M.F.A., Yale University, New Haven, CT. Since then, the artist has received a number of honors and awards, most recently the 2008 Award of Merit Medal for Sculpture from the American Academy of Arts and Letters in New York. He currently teaches as a professor in the Art Department at the University of California, Riverside. Long’s work has been the subject of major exhibitions worldwide. His most important solo presentations include CATALIN at The Contemporary Austin in Texas (2014), Fountainhead, a public commission in Dallas, Texas organized by the Nasher Sculpture Center (2013), Pet Sounds at Madison Square Park in New York City (2012), Seeing Green, a solo project in conjunction with All of this and nothing: The 6th Hammer Invitational at the UCLA Hammer Museum in Los Angeles (2011), 100 Pounds of Clay at Orange County Museum of Art in California (2010), and More Like a Dream Than a Scheme at David Winton Bell Gallery at Brown University in Rhode Island, which traveled to SITE Santa Fe in New Mexico (2005). His work has been included in many significant museum exhibitions such as the 1997 and 2008 Biennials, Whitney Museum of American Art New York; Open Ends, The Museum of Modern Art; NYC. Performance Anxiety, MCA, Chicago; Happiness, Mori Art Museum, Tokyo; Arte Contemporáneo Internaciona, Museo de Arte Moderno, Mexico City; ART\/MUSIC: rock, pop, and techno Museum of Contemporary Art, Sydney; Almost Warm and Fuzzy, Des Moines Art Center, The Shape of Color: Excursions in Color Field Art, AGO\/Art Gallery of Ontario, Canada; Gone Formalism, The Institute of Contemporary Art, Philadelphia, PA; The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden, Washington D.C. SculptureCenter in New York, Museum of Contemporary Art Chicago, Magasin 3 Stockholm Konsthall, Hirshhorn Museum and Sculpture Garden in Washington, D.C., Institute of Contemporary Art, Philadelphia, Mori Art Museum in Tokyo, among other museums.Long's sculptures have explored the abstract autonomous art object as a psychological investigation into the nature self and others and have been made from diverse media such as coffee grounds, rubber and hair from Abraham Lincoln. He has collaborated with pop musicians such as Stereolab, Mark Mothersbaugh of Devo and with the renown choreographer Merce Cunningham. Since his relocation from NYC to LA Long's work has been inspired by the Los Angeles River which runs adjacent to his studio. Each year, after the furious flood season, a verdant and abundant growth of grasses, thickets, and trees emerges from the discarded office furniture, bedsprings, and shopping carts that get washed into the concrete channel providing a providing a dwelling for mallards, osprey, crayfish and heron. Captivated by the river and inspired by its unbiased intermingling of these elements, Long creates photographs, video and sculpture in and about the river and the myriad of imagery and meanings it offers. His work is represented in important public and private collections worldwide, including those of the Museum of Modern Art in New York, Philadelphia Museum of Art, St. Louis Art Museum in Missouri, Walker Art Center in Minneapolis, Magasin 3 Stockholm Konsthall, Museum of Contemporary Art, Chicago, Whitney Museum of American Art, New York, Hirshhorn Museum and Sculpture Garden, Louisiana Museum of Modern Art in Denmark, and the Fogg Art Museum at Harvard University in Cambridge, MA. He is the recipient of a Guggenheim Fellowship, two NEA Grants, two Pollock-Krasner Grants and a Louis Comfort Tiffany grant. Long has taught at the California Institute of the Arts, Art Center College of Art and Design, Otis College of Art and Design and Harvard University.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628218646826,"sku":"a_12906412S1","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_7EEECFC1A0DB4DC38F8013A153054E6D_master.jpg?v=1780507296"},{"product_id":"digital-iris-print-effective-disbelief-pencil-signed-w-initials-edition-of-15","title":"Digital Iris Print \"Effective Disbelief\" Pencil Signed w Initials edition of 15","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 11.0, W: 8.5 IN\u003c\/p\u003e\u003cp\u003eThis is for the one print listed here. Internalized Page Project Vol II. color Iris digital prints on paper, each initialed on verso and numbered from edition of 15. printed \u0026amp; published by Muse X, Los Angeles.\u003c\/p\u003e\u003cp\u003e1998 in the collection of MoMA where it is described as a digital print\u003c\/p\u003e\u003cp\u003eBorn in 1958 in Long Branch, New Jersey, Long currently lives and\u003c\/p\u003e\u003cp\u003eworks in California.Education B.F.A., University of the Arts, Phila, PA; Whitney Independent Study Program, New York, NY; M.F.A., Yale University, New Haven, CT. Since then, the artist has received a number of honors and awards, most recently the 2008 Award of Merit Medal for Sculpture from the American Academy of Arts and Letters in New York. He currently teaches as a professor in the Art Department at the University of California, Riverside. Long’s work has been the subject of major exhibitions worldwide. His most important solo presentations include CATALIN at The Contemporary Austin in Texas (2014), Fountainhead, a public commission in Dallas, Texas organized by the Nasher Sculpture Center (2013), Pet Sounds at Madison Square Park in New York City (2012), Seeing Green, a solo project in conjunction with All of this and nothing: The 6th Hammer Invitational at the UCLA Hammer Museum in Los Angeles (2011), 100 Pounds of Clay at Orange County Museum of Art in California (2010), and More Like a Dream Than a Scheme at David Winton Bell Gallery at Brown University in Rhode Island, which traveled to SITE Santa Fe in New Mexico (2005). His work has been included in many significant museum exhibitions such as the 1997 and 2008 Biennials, Whitney Museum of American Art New York; Open Ends, The Museum of Modern Art; NYC. Performance Anxiety, MCA, Chicago; Happiness, Mori Art Museum, Tokyo; Arte Contemporáneo Internaciona, Museo de Arte Moderno, Mexico City; ART\/MUSIC: rock, pop, and techno Museum of Contemporary Art, Sydney; Almost Warm and Fuzzy, Des Moines Art Center, The Shape of Color: Excursions in Color Field Art, AGO\/Art Gallery of Ontario, Canada; Gone Formalism, The Institute of Contemporary Art, Philadelphia, PA; The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden, Washington D.C. SculptureCenter in New York, Museum of Contemporary Art Chicago, Magasin 3 Stockholm Konsthall, Hirshhorn Museum and Sculpture Garden in Washington, D.C., Institute of Contemporary Art, Philadelphia, Mori Art Museum in Tokyo, among other museums.Long's sculptures have explored the abstract autonomous art object as a psychological investigation into the nature self and others and have been made from diverse media such as coffee grounds, rubber and hair from Abraham Lincoln. He has collaborated with pop musicians such as Stereolab, Mark Mothersbaugh of Devo and with the renown choreographer Merce Cunningham. Since his relocation from NYC to LA Long's work has been inspired by the Los Angeles River which runs adjacent to his studio. Each year, after the furious flood season, a verdant and abundant growth of grasses, thickets, and trees emerges from the discarded office furniture, bedsprings, and shopping carts that get washed into the concrete channel providing a providing a dwelling for mallards, osprey, crayfish and heron. Captivated by the river and inspired by its unbiased intermingling of these elements, Long creates photographs, video and sculpture in and about the river and the myriad of imagery and meanings it offers. His work is represented in important public and private collections worldwide, including those of the Museum of Modern Art in New York, Philadelphia Museum of Art, St. Louis Art Museum in Missouri, Walker Art Center in Minneapolis, Magasin 3 Stockholm Konsthall, Museum of Contemporary Art, Chicago, Whitney Museum of American Art, New York, Hirshhorn Museum and Sculpture Garden, Louisiana Museum of Modern Art in Denmark, and the Fogg Art Museum at Harvard University in Cambridge, MA. He is the recipient of a Guggenheim Fellowship, two NEA Grants, two Pollock-Krasner Grants and a Louis Comfort Tiffany grant. Long has taught at the California Institute of the Arts, Art Center College of Art and Design, Otis College of Art and Design and Harvard University.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628218810666,"sku":"a_12906432S1","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_D8E11C0109AC4A1AA40CB3EF2FCFE023_master.jpg?v=1780507299"},{"product_id":"digital-iris-print-classic-anomalies-pencil-signed-with-initials-edition-of-15","title":"Digital Iris Print \"Classic Anomalies\" Pencil Signed with Initials edition of 15","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 11.0, W: 8.5 IN\u003c\/p\u003e\u003cp\u003eThis is for the one print listed here. Internalized Page Project Vol II. color Iris digital prints on paper, each initialed on verso and numbered from edition of 15. printed \u0026amp; published by Muse X, Los Angeles.\u003c\/p\u003e\u003cp\u003e1998 in the collection of MoMA where it is described as a digital print\u003c\/p\u003e\u003cp\u003eBorn in 1958 in Long Branch, New Jersey, Long currently lives and\u003c\/p\u003e\u003cp\u003eworks in California.Education B.F.A., University of the Arts, Phila, PA; Whitney Independent Study Program, New York, NY; M.F.A., Yale University, New Haven, CT. Since then, the artist has received a number of honors and awards, most recently the 2008 Award of Merit Medal for Sculpture from the American Academy of Arts and Letters in New York. He currently teaches as a professor in the Art Department at the University of California, Riverside. Long’s work has been the subject of major exhibitions worldwide. His most important solo presentations include CATALIN at The Contemporary Austin in Texas (2014), Fountainhead, a public commission in Dallas, Texas organized by the Nasher Sculpture Center (2013), Pet Sounds at Madison Square Park in New York City (2012), Seeing Green, a solo project in conjunction with All of this and nothing: The 6th Hammer Invitational at the UCLA Hammer Museum in Los Angeles (2011), 100 Pounds of Clay at Orange County Museum of Art in California (2010), and More Like a Dream Than a Scheme at David Winton Bell Gallery at Brown University in Rhode Island, which traveled to SITE Santa Fe in New Mexico (2005). His work has been included in many significant museum exhibitions such as the 1997 and 2008 Biennials, Whitney Museum of American Art New York; Open Ends, The Museum of Modern Art; NYC. Performance Anxiety, MCA, Chicago; Happiness, Mori Art Museum, Tokyo; Arte Contemporáneo Internaciona, Museo de Arte Moderno, Mexico City; ART\/MUSIC: rock, pop, and techno Museum of Contemporary Art, Sydney; Almost Warm and Fuzzy, Des Moines Art Center, The Shape of Color: Excursions in Color Field Art, AGO\/Art Gallery of Ontario, Canada; Gone Formalism, The Institute of Contemporary Art, Philadelphia, PA; The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden, Washington D.C. SculptureCenter in New York, Museum of Contemporary Art Chicago, Magasin 3 Stockholm Konsthall, Hirshhorn Museum and Sculpture Garden in Washington, D.C., Institute of Contemporary Art, Philadelphia, Mori Art Museum in Tokyo, among other museums.Long's sculptures have explored the abstract autonomous art object as a psychological investigation into the nature self and others and have been made from diverse media such as coffee grounds, rubber and hair from Abraham Lincoln. He has collaborated with pop musicians such as Stereolab, Mark Mothersbaugh of Devo and with the renown choreographer Merce Cunningham. Since his relocation from NYC to LA Long's work has been inspired by the Los Angeles River which runs adjacent to his studio. Each year, after the furious flood season, a verdant and abundant growth of grasses, thickets, and trees emerges from the discarded office furniture, bedsprings, and shopping carts that get washed into the concrete channel providing a providing a dwelling for mallards, osprey, crayfish and heron. Captivated by the river and inspired by its unbiased intermingling of these elements, Long creates photographs, video and sculpture in and about the river and the myriad of imagery and meanings it offers. His work is represented in important public and private collections worldwide, including those of the Museum of Modern Art in New York, Philadelphia Museum of Art, St. Louis Art Museum in Missouri, Walker Art Center in Minneapolis, Magasin 3 Stockholm Konsthall, Museum of Contemporary Art, Chicago, Whitney Museum of American Art, New York, Hirshhorn Museum and Sculpture Garden, Louisiana Museum of Modern Art in Denmark, and the Fogg Art Museum at Harvard University in Cambridge, MA. He is the recipient of a Guggenheim Fellowship, two NEA Grants, two Pollock-Krasner Grants and a Louis Comfort Tiffany grant. Long has taught at the California Institute of the Arts, Art Center College of Art and Design, Otis College of Art and Design and Harvard University.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628219564330,"sku":"a_12906442S1","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_5F1D8F9E83514EEFB23D815C58947AB4_master.jpg?v=1780507301"},{"product_id":"digital-iris-print-good-internal-object-pencil-signed-w-initials-edition-of-15","title":"Digital Iris Print \"Good Internal Object\" Pencil Signed w Initials edition of 15","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 11.0, W: 8.5 IN\u003c\/p\u003e\u003cp\u003eThis is for the one print listed here. Internalized Page Project Vol II. color Iris digital prints on paper, each initialed on verso and numbered from edition of 15. printed \u0026amp; published by Muse X, Los Angeles.\u003c\/p\u003e\u003cp\u003e1998 in the collection of MoMA where it is described as a digital print\u003c\/p\u003e\u003cp\u003eBorn in 1958 in Long Branch, New Jersey, Long currently lives and\u003c\/p\u003e\u003cp\u003eworks in California.Education B.F.A., University of the Arts, Phila, PA; Whitney Independent Study Program, New York, NY; M.F.A., Yale University, New Haven, CT. Since then, the artist has received a number of honors and awards, most recently the 2008 Award of Merit Medal for Sculpture from the American Academy of Arts and Letters in New York. He currently teaches as a professor in the Art Department at the University of California, Riverside. Long’s work has been the subject of major exhibitions worldwide. His most important solo presentations include CATALIN at The Contemporary Austin in Texas (2014), Fountainhead, a public commission in Dallas, Texas organized by the Nasher Sculpture Center (2013), Pet Sounds at Madison Square Park in New York City (2012), Seeing Green, a solo project in conjunction with All of this and nothing: The 6th Hammer Invitational at the UCLA Hammer Museum in Los Angeles (2011), 100 Pounds of Clay at Orange County Museum of Art in California (2010), and More Like a Dream Than a Scheme at David Winton Bell Gallery at Brown University in Rhode Island, which traveled to SITE Santa Fe in New Mexico (2005). His work has been included in many significant museum exhibitions such as the 1997 and 2008 Biennials, Whitney Museum of American Art New York; Open Ends, The Museum of Modern Art; NYC. Performance Anxiety, MCA, Chicago; Happiness, Mori Art Museum, Tokyo; Arte Contemporáneo Internaciona, Museo de Arte Moderno, Mexico City; ART\/MUSIC: rock, pop, and techno Museum of Contemporary Art, Sydney; Almost Warm and Fuzzy, Des Moines Art Center, The Shape of Color: Excursions in Color Field Art, AGO\/Art Gallery of Ontario, Canada; Gone Formalism, The Institute of Contemporary Art, Philadelphia, PA; The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden, Washington D.C. SculptureCenter in New York, Museum of Contemporary Art Chicago, Magasin 3 Stockholm Konsthall, Hirshhorn Museum and Sculpture Garden in Washington, D.C., Institute of Contemporary Art, Philadelphia, Mori Art Museum in Tokyo, among other museums.Long's sculptures have explored the abstract autonomous art object as a psychological investigation into the nature self and others and have been made from diverse media such as coffee grounds, rubber and hair from Abraham Lincoln. He has collaborated with pop musicians such as Stereolab, Mark Mothersbaugh of Devo and with the renown choreographer Merce Cunningham. Since his relocation from NYC to LA Long's work has been inspired by the Los Angeles River which runs adjacent to his studio. Each year, after the furious flood season, a verdant and abundant growth of grasses, thickets, and trees emerges from the discarded office furniture, bedsprings, and shopping carts that get washed into the concrete channel providing a providing a dwelling for mallards, osprey, crayfish and heron. Captivated by the river and inspired by its unbiased intermingling of these elements, Long creates photographs, video and sculpture in and about the river and the myriad of imagery and meanings it offers. His work is represented in important public and private collections worldwide, including those of the Museum of Modern Art in New York, Philadelphia Museum of Art, St. Louis Art Museum in Missouri, Walker Art Center in Minneapolis, Magasin 3 Stockholm Konsthall, Museum of Contemporary Art, Chicago, Whitney Museum of American Art, New York, Hirshhorn Museum and Sculpture Garden, Louisiana Museum of Modern Art in Denmark, and the Fogg Art Museum at Harvard University in Cambridge, MA. He is the recipient of a Guggenheim Fellowship, two NEA Grants, two Pollock-Krasner Grants and a Louis Comfort Tiffany grant. Long has taught at the California Institute of the Arts, Art Center College of Art and Design, Otis College of Art and Design and Harvard University.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628219826474,"sku":"a_12906452S1","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_DE7BDCD7CAF24A968222FE6B5D0AC10F_master.jpg?v=1780507303"},{"product_id":"biblical-prophet-etching-american-modernist-wpa-artist","title":"Biblical Prophet Etching American Modernist WPA Artist","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 21.25, W: 13.25 IN\u003c\/p\u003e\u003cp\u003eBorn in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.”\u003c\/p\u003e\u003cp\u003eAn emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name.\u003c\/p\u003e\u003cp\u003eBen-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolf Gottlieb, Louis Harris, Yanhkel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney.\u003c\/p\u003e\u003cp\u003eBen-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.”\u003c\/p\u003e\u003cp\u003eBy 1939, The Ten disbanded because most of the members found individual galleries to represent their work.\u003c\/p\u003e\u003cp\u003eBen-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes.\u003c\/p\u003e\u003cp\u003eBen-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition.\u003c\/p\u003e\u003cp\u003e“Ben-Zion has his hands on the pulse of the common man and his natural world”\u003c\/p\u003e\u003cp\u003eAs he emerged as an artist Ben-Zion never lost his gift for presenting the ordinary in ways that are vital, fresh and filled with emotions that are somber and exhilarating, joyous and thoughtful, and ultimately, filled with extraordinary poetic simplicity.\u003c\/p\u003e\u003cp\u003eBen-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Hebrew Bible, and the Jewish people—into his work throughout his life. \"In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works.\" (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952).\u003c\/p\u003e\u003cp\u003eBen-Zion continued his style of representational painting based on the abstract, and is perhaps best known for his Biblical paintings and etchings.\u003c\/p\u003e\u003cp\u003eBen-Zion received an American Jewish Congress award.\u003c\/p\u003e\u003cp\u003eIn 1987, Ben-Zion died in his home in the Chelsea section of Manhattan. He was 90 years old.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628228968746,"sku":"a_12959482S1","price":550.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_917BD2626BA74AE9A50208D36B4B2E8C_master.jpg?v=1780507353"},{"product_id":"mod-1970s-israeli-judaica-foil-print-12-tribes-of-israel-zodiac-signs-hebrew","title":"Mod 1970s Israeli Judaica Foil Print 12 Tribes of Israel Zodiac Signs Hebrew","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 30.5, W: 21.5 IN\u003c\/p\u003e\u003cp\u003eGenre: Israeli Subject: Biblical Medium: Print Surface: Paper Dimensions w\/Frame: 30 1\/2\" x 21 1\/2\"\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628229067050,"sku":"a_12959492S1","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_034EDF3714AB4FF4953B31FAB61102FC_master.jpg?v=1780507355"},{"product_id":"spanish-catalan-surrealist-lithograph-portrait-girl-with-fruit-still-life","title":"Spanish Catalan Surrealist Lithograph Portrait Girl with Fruit Still Life","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 25.0, W: 31.0 IN\u003c\/p\u003e\u003cp\u003eLuis Molné (or Luis Vidal Molné ) painter and lithographer born in Barcelona in 1907 and\u003c\/p\u003e\u003cp\u003elived in Monaco where he died in 1970. Friends with Antoni Clavé he belonged to the Catalan school of the twentieth century. Andry-Farcy and Gérald Schurr agreed on the representative term of Spanish Expressionism . He studied at the Barcelona School of Fine Arts, but, with his independent and avant - garde spirit he deserted the academic lessons to work as an autodidact. The historian Francisco Agramunt Lacruz quotes the name of Luis Vidal Molné - with those of Antoni Clavé, Eduardo Pisano or José Garcia Tella - in what constitutes the history of the artists of Spain linked to that of the republican exile. Coming to France in 1939, Luis stayed successively in Toulouse, Paris (his vision of the French capital is preserved by a series of lithographs featuring the Lapin Agile, the Eiffel Tower, the Arc de Triomphe Etoile ...) and Nice (where he makes a lasting friendship with the sculptor Maurice Gambier d'Hurigny ). The interest aroused in 1945 in France toward the exiled Catalan culture, supported by intellectuals such as Joë Bousquet , Albert Camus , Jean Cassou , Georges Duhamel , Jean-Paul Sartre , Jean Paulhan , Pierre Seghers , Max-Pol Fouchet and Paul Éluard, promotes the birth of a magazine entitled For Catalonia where, returns Geneviève Dreyfus-Armand, a section entitled The Catalan artists seen by the French critics devotes studies among others to Luis Molné (as well as Antoni Clavé or Emile Grau Sala). This movement also has its exhibitions like the one held in n the Altarriba Gallery.\u003c\/p\u003e\u003cp\u003eLuis Molné eventualy settles in the Principality of Monaco where he is naturalized Monegasque by princely grace. From then on, besides his work as a painter, he realizes for the Principality theater decorations, ceramic works and lithographs for art editions. In 1965 Galerie Anne de Francony exhibits the lesser known body of work that she describes as \"unusual and surrealist \" (exhibition titled Luis Molné, the dream and the unusual ), we can not fail to think, There are similarities in the burlesque cinema of Luis Molné, filial links with the film An Andalusian Dog by Luis Buñuel .\u003c\/p\u003e\u003cp\u003eBibliophile (illustrated books)\u003c\/p\u003e\u003cp\u003eVoltaire , The White and the Black, Adia, Nice, 1945 (15 lithographs of Luis Molné). Georges Duhamel , The Prince Jaffar , Editions The Documents of Art, Monaco, 1945 (8 lithographs of Luis Molné). Edgar Allan Poe , Extraordinary Tales , Editions Les Documents d'Art, Monaco, 1946 (16 lithographs by Luis Molné). Paul Verlaine , Parallel , The literary Image, Nice, 1947 (lithographs of Luis Molné). Albert I of Monaco , The career of a navigator , Imprimerie Nationale de Monaco, 1951 (lithographs by Luis Molné). Gabriel Ollivier, Tourism Through The Ages , Imprimerie Nationale de Monaco, 1955 (lithographs by Luis Molné). Collective work in honor of the marriage of the sovereign Prince Rainier III with Miss Grace Patricia Kelly , Monaco in its splendor , Raoul Solar publisher, Monaco, 1956 (15 lithographs of Luis Molné).\u003c\/p\u003e\u003cp\u003eSelect solol exhibitions\u003c\/p\u003e\u003cp\u003eGroup of Modern Art, Monaco, 1943. Galerie Roux-Hentschel, Paris, 1948. Galerie Muratore, Nice, regular exhibitions until 1957. Chaudun Gallery, Paris, 1958. Cannes , 1963. Anne de Francony Gallery, Nice , 1962-1963, 1965. Retrospective Molné , Acropolis (Nice) , September-October 1990. A painter, writers: Luis Vidal Molné (Works dedicated by Luis Molné to Colette , Roland Dorgelès , Julien Green , André Maurois ...), City of Mèze , March-April 2015 (organization Gérard Chomarat). Other exhibitions: South of France , Paris, Sweden , London , United States , Italy , Switzerland , Holland , Belgium .\u003c\/p\u003e\u003cp\u003eSelect Group Exhibitions\u003c\/p\u003e\u003cp\u003eExhibition of modern Catalan art for the benefit of prisoners, deportees and other social works of Catalan solidarity , Altarriba Gallery, 43 Rue du Bac in Paris, July 1945. Among other exhibitors: Pablo Picasso , Joan Miró , Luis Mole, Antoni Clavé, Emile Grau Sala, Pierre Creixams . Tribute to three artists, Luis Molné, Maurice Gambier of Hurigny and Nicolas Akmen , House of the Portal, Levens , May-June 2009 11 . Works by Luis Molné, Jean Carzou , Jordi Bonàs , Jean Commère ... , Artelier, Drancy , 2013.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628230213930,"sku":"a_12967352S1","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_31B2E20153CE4994BDB68CCF01AA1828_master.jpg?v=1780507364"},{"product_id":"large-venezuelan-jewish-modernist-lithograph-menorah-judaica","title":"Large Venezuelan Jewish Modernist Lithograph Menorah Judaica","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 21.75, W: 29.75 IN\u003c\/p\u003e\u003cp\u003eMarius Sznajderman was a painter, printmaker and scenic designer living and working in the United States.\u003c\/p\u003e\u003cp\u003eBorn in Paris, France in 1926 his Jewish parents had migrated to France from Poland in 1923. In November 1942 the family fled Nazi-occupied France for Spain before settling in Caracas, Venezuela. He attended the School of Fine Arts in Caracas where his teachers included illustrator Ramon Martin Durban, scenic designer Charles Ventrillon-Horber and painter Rafael Monasterios. and immigrated to the United States in 1949, where he received a Bachelor of Fine Arts and Master of Fine Arts from Columbia University in New York. He settled in Hackensack, New Jersey, where he lived and had a studio for more than 50 years before moving to Amherst, Massachusetts in 2015. His work, which includes painting, prints and collages, as well as set designs, is in more than 45 museum and public institution collections in the United States, Latin America and Israel. He held more than 40 solo exhibitions at galleries and museums and participated in more than 75 group shows around the globe.\u003c\/p\u003e\u003cp\u003eHe helped found the Taller Libre de Arte, an experimental workshop for the visual arts, sponsored by the Ministry of Education. The Taller Libre de Arte was a center for young artists to work and to meet with critics and intellectuals to discuss avant-garde ideas and artistic trends from Europe and Latin America. Among the notable artists who participated in the Taller Libre de Arte were Ramón Vásquez Brito, Carlos González Bogen, Luis Guevara Moreno, Mateo Manaure, Virgilio Trómpiz, Alirio Oramas, Dora Hersen, Alejandro Otero, Jesús Rafael Soto, Pascual Navarro, Aimée Battistini, José Fernández Díaz, Narciso Debourg, Oswaldo Vigas and Perán Erminy. Sznajderman’s early works as a student and young artist showed the influence of Cubism and Expressionism with subject matter ranging from figures to still life to Venezuelan landscapes. His work often explored Latin American themes, art and architecture. In 1948 Sznajderman was awarded the art student’s prize for a watercolor in the annual National Gallery exhibit. In 1949 Sznajderman had a solo exhibition at the Taller Libre de Arte. The exhibit catalogue was written by Sergio Antillano, a prominent Venezuelan writer and critic. That same year, Sznajderman immigrated to the United States to attend Columbia University, where he studied with scenic designer J. Woodman Thompson and printmaker Hans Alexander Mueller. He received a Bachelor of Science degree with a major in scenic design in 1953, after which he was drafted into the U.S. Army. In the military he worked as an artist-illustrator, completing his service in 1955. He returned to Columbia on the G.I Bill to attend Teachers College, where he received a Master of Fine Arts in art education. During the 1950s Sznajderman created set designs for Circle in the Square Theatre, the French Art Theatre and the Felix Fibish Dance Company, all in New York. By the late 1950s, however, his focus was shifting to fine arts and teaching. In 1960 Sznajderman was among the three founders, along with painters Sam Weinik and Ben Wilson, of the Modern Artists Guild (MAG), an association of modern artists working in northern New Jersey. Among the artists who were early members of MAG were Esther Rosen, Alexandra Merker, Erna Weill, Jerry Goldman, Lillian Marzell and Evelyn Wilson. In the 1950s, 1960s and 1970s, in addition to painting and printmaking, Sznajderman taught art, art history and design at a number of institutions including New York University, the School of Visual Arts, Fairleigh Dickinson University and the Ridgewood (N.J.) School of Art. He also taught art in New Jersey public schools under federal and state grants. During this period, Sznajderman’s work ranged from drawings, woodcuts and lithographs to watercolor and acrylic paintings and collages. He produced still life, figures, landscapes and seascapes. Inspirations included Venezuelan remembrances, culture and folklore; Mexican art and pre-Columbian imagery; as well as architecture and theater. Other works have been inspired by Greek mythology and the Commedia dell’arte. Contemporary events, such as the Vietnam War and the assassination of the Rev. Martin Luther King, Jr., also inspired some works. From 1974 to 1983 Sznajderman served as director of Galeria Venezuela in New York City for the National Council of Culture and Fine Arts of Venezuela (CONAC) while continuing to paint and exhibit. From 1980 to 1986 he oversaw the selection and coordination of the international editions of prints for AGPA (Actualidad Grafica – Panamericana), a project of the Latin American Container Corporation of America (later Smurfit Carton de Venezuela). Throughout his career, Sznajderman has also explored Jewish themes, including works in remembrance of the Holocaust. In 1988 he produced a limited-edition print, in collaboration with his uncle, the Yiddish journalist and author S.L. Shneiderman, on the occasion of Shneiderman’s 80th birthday. The print featured a 1938 poem by Shneiderman, “Elegy for My Shtetl,” written in Yiddish. The Yiddish text for the print was typeset using the last linotype machine used to print the New York-based Yiddish newspaper, The Forward. In 1989 he designed and supervised the production of a Holocaust memorial monument for Temple Beth El in Hackensack, New Jersey. Other works have explored Nazi concentration and extermination camps, the Vichy government and the Holocaust in France. For many years Sznajderman had a deep friendship and intimate creative relationship with Venezuelan painter Oswaldo Vigas. In 1987, following a trip of the two families to the Venezuelan Andes, a two-person show of landscapes by Sznajderman and Vigas was held at the venerable Ateneo de Caracas, Galeria los Espacios Calidos. In 1991 the Contemporary Art Museum of Caracas produced a retrospective exhibit of Sznajderman’s work. In 2001 Sznajderman began a collages and collage constructions series using Yiddish as a leitmotif. A selection of the works were exhibited at the Yiddish Book Center, Amherst, Massachusetts in 2005-2006. In 2005, Venezuelan poet Hugo Brett Figueroa published the book \"Scargot\" with illustrations by Sznajderman. Sznajderman also illustrated the 1993 book “Who Were the Pre-Columbians?” by Bernard Barken Kaufman and “Magicismos,” a book of poems by the Venezuelan poet Enrique Hernandez D’Jesus, published in 1989. In 2007, Warsaw Ghetto Revolt mural project and a Nazi concentration camp woodcut series created in 1958 and 1959, was exhibited at the Puffin Cultural Forum in Teaneck, New Jersey.[8] In 2011 and 2012 he produced the “Yanaka” series of collages on paper and a large collage construction using Chiyogami - traditional Japanese printed paper - purchased in 1990 in Tokyo. In 2011 Sznajderman created seven collages using unauthorized lithographs by Salvador Dali as material. The collages were reproduced in a limited-edition booklet titled “Dali, Dumas and Me.” The booklet described a series of events involving the late painter and printmaker Jorge Dumas, who had printed the Dali lithographs. The booklet was presented in 2013 during a solo exhibit by Sznajderman in New York City at Chashama Exhibit Space. More recently, Sznajderman created a series of print-collages composed from early serigraphs produced in the 1960s. He continued to work and exhibit until the final weeks of his life. Permanent Collections and Exhibitions Sznajderman's work is represented in the permanent collections of more than 45 museums and institutions, primarily in the United States but also in Europe, Latin America and Israel. They include the Smithsonian Institution, the Library of Congress, Instituto Nacional de Bellas Artes y Literatura in Mexico City, Museo de Bellas Artes (Caracas), the Museum of Jewish Heritage in New York, the Cincinnati Art Museum, the Simon Wiesenthal Center, the Birmingham Civil Rights Institute, the Irish Museum of Modern Art in Dublin and Yad Vashem in Jerusalem.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628231786794,"sku":"a_12986472S1","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_AAB02A9968A842A5AEDD28973C573207_master_33228661-5bc1-4af0-81f0-5156731359de.jpg?v=1780507383"},{"product_id":"large-venezuelan-modernist-lithograph-the-balcony-3-color-print","title":"Large Venezuelan Modernist Lithograph \"The Balcony #3\" Color Print","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 21.75, W: 29.75 IN\u003c\/p\u003e\u003cp\u003eMarius Sznajderman was a painter, printmaker and scenic designer living and working in the United States.\u003c\/p\u003e\u003cp\u003eBorn in Paris, France in 1926 his Jewish parents had migrated to France from Poland in 1923. In November 1942 the family fled Nazi-occupied France for Spain before settling in Caracas, Venezuela. He attended the School of Fine Arts in Caracas where his teachers included illustrator Ramon Martin Durban, scenic designer Charles Ventrillon-Horber and painter Rafael Monasterios. and immigrated to the United States in 1949, where he received a Bachelor of Fine Arts and Master of Fine Arts from Columbia University in New York. He settled in Hackensack, New Jersey, where he lived and had a studio for more than 50 years before moving to Amherst, Massachusetts in 2015. His work, which includes painting, prints and collages, as well as set designs, is in more than 45 museum and public institution collections in the United States, Latin America and Israel. He held more than 40 solo exhibitions at galleries and museums and participated in more than 75 group shows around the globe.\u003c\/p\u003e\u003cp\u003eHe helped found the Taller Libre de Arte, an experimental workshop for the visual arts, sponsored by the Ministry of Education. The Taller Libre de Arte was a center for young artists to work and to meet with critics and intellectuals to discuss avant-garde ideas and artistic trends from Europe and Latin America. Among the notable artists who participated in the Taller Libre de Arte were Ramón Vásquez Brito, Carlos González Bogen, Luis Guevara Moreno, Mateo Manaure, Virgilio Trómpiz, Alirio Oramas, Dora Hersen, Alejandro Otero, Jesús Rafael Soto, Pascual Navarro, Aimée Battistini, José Fernández Díaz, Narciso Debourg, Oswaldo Vigas and Perán Erminy. Sznajderman’s early works as a student and young artist showed the influence of Cubism and Expressionism with subject matter ranging from figures to still life to Venezuelan landscapes. His work often explored Latin American themes, art and architecture. In 1948 Sznajderman was awarded the art student’s prize for a watercolor in the annual National Gallery exhibit. In 1949 Sznajderman had a solo exhibition at the Taller Libre de Arte. The exhibit catalogue was written by Sergio Antillano, a prominent Venezuelan writer and critic. That same year, Sznajderman immigrated to the United States to attend Columbia University, where he studied with scenic designer J. Woodman Thompson and printmaker Hans Alexander Mueller. He received a Bachelor of Science degree with a major in scenic design in 1953, after which he was drafted into the U.S. Army. In the military he worked as an artist-illustrator, completing his service in 1955. He returned to Columbia on the G.I Bill to attend Teachers College, where he received a Master of Fine Arts in art education. During the 1950s Sznajderman created set designs for Circle in the Square Theatre, the French Art Theatre and the Felix Fibish Dance Company, all in New York. By the late 1950s, however, his focus was shifting to fine arts and teaching. In 1960 Sznajderman was among the three founders, along with painters Sam Weinik and Ben Wilson, of the Modern Artists Guild (MAG), an association of modern artists working in northern New Jersey. Among the artists who were early members of MAG were Esther Rosen, Alexandra Merker, Erna Weill, Jerry Goldman, Lillian Marzell and Evelyn Wilson. In the 1950s, 1960s and 1970s, in addition to painting and printmaking, Sznajderman taught art, art history and design at a number of institutions including New York University, the School of Visual Arts, Fairleigh Dickinson University and the Ridgewood (N.J.) School of Art. He also taught art in New Jersey public schools under federal and state grants. During this period, Sznajderman’s work ranged from drawings, woodcuts and lithographs to watercolor and acrylic paintings and collages. He produced still life, figures, landscapes and seascapes. Inspirations included Venezuelan remembrances, culture and folklore; Mexican art and pre-Columbian imagery; as well as architecture and theater. Other works have been inspired by Greek mythology and the Commedia dell’arte. Contemporary events, such as the Vietnam War and the assassination of the Rev. Martin Luther King, Jr., also inspired some works. From 1974 to 1983 Sznajderman served as director of Galeria Venezuela in New York City for the National Council of Culture and Fine Arts of Venezuela (CONAC) while continuing to paint and exhibit. From 1980 to 1986 he oversaw the selection and coordination of the international editions of prints for AGPA (Actualidad Grafica – Panamericana), a project of the Latin American Container Corporation of America (later Smurfit Carton de Venezuela). Throughout his career, Sznajderman has also explored Jewish themes, including works in remembrance of the Holocaust. In 1988 he produced a limited-edition print, in collaboration with his uncle, the Yiddish journalist and author S.L. Shneiderman, on the occasion of Shneiderman’s 80th birthday. The print featured a 1938 poem by Shneiderman, “Elegy for My Shtetl,” written in Yiddish. The Yiddish text for the print was typeset using the last linotype machine used to print the New York-based Yiddish newspaper, The Forward. In 1989 he designed and supervised the production of a Holocaust memorial monument for Temple Beth El in Hackensack, New Jersey. Other works have explored Nazi concentration and extermination camps, the Vichy government and the Holocaust in France. For many years Sznajderman had a deep friendship and intimate creative relationship with Venezuelan painter Oswaldo Vigas. In 1987, following a trip of the two families to the Venezuelan Andes, a two-person show of landscapes by Sznajderman and Vigas was held at the venerable Ateneo de Caracas, Galeria los Espacios Calidos. In 1991 the Contemporary Art Museum of Caracas produced a retrospective exhibit of Sznajderman’s work. In 2001 Sznajderman began a collages and collage constructions series using Yiddish as a leitmotif. A selection of the works were exhibited at the Yiddish Book Center, Amherst, Massachusetts in 2005-2006. In 2005, Venezuelan poet Hugo Brett Figueroa published the book \"Scargot\" with illustrations by Sznajderman. Sznajderman also illustrated the 1993 book “Who Were the Pre-Columbians?” by Bernard Barken Kaufman and “Magicismos,” a book of poems by the Venezuelan poet Enrique Hernandez D’Jesus, published in 1989. In 2007, Warsaw Ghetto Revolt mural project and a Nazi concentration camp woodcut series created in 1958 and 1959, was exhibited at the Puffin Cultural Forum in Teaneck, New Jersey.[8] In 2011 and 2012 he produced the “Yanaka” series of collages on paper and a large collage construction using Chiyogami - traditional Japanese printed paper - purchased in 1990 in Tokyo. In 2011 Sznajderman created seven collages using unauthorized lithographs by Salvador Dali as material. The collages were reproduced in a limited-edition booklet titled “Dali, Dumas and Me.” The booklet described a series of events involving the late painter and printmaker Jorge Dumas, who had printed the Dali lithographs. The booklet was presented in 2013 during a solo exhibit by Sznajderman in New York City at Chashama Exhibit Space. More recently, Sznajderman created a series of print-collages composed from early serigraphs produced in the 1960s. He continued to work and exhibit until the final weeks of his life. Permanent Collections and Exhibitions Sznajderman's work is represented in the permanent collections of more than 45 museums and institutions, primarily in the United States but also in Europe, Latin America and Israel. They include the Smithsonian Institution, the Library of Congress, Instituto Nacional de Bellas Artes y Literatura in Mexico City, Museo de Bellas Artes (Caracas), the Museum of Jewish Heritage in New York, the Cincinnati Art Museum, the Simon Wiesenthal Center, the Birmingham Civil Rights Institute, the Irish Museum of Modern Art in Dublin and Yad Vashem in Jerusalem.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628231819562,"sku":"a_12986482S1","price":850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_8193DE2E32D549458AF63830132F43DF_master_e0285c12-f1e0-4fef-bb76-dc871155cacf.jpg?v=1780507385"},{"product_id":"the-talmudists-post-soviet-non-conformist-avant-garde-judaica-lithograph","title":"The Talmudists Post Soviet Non Conformist Avant Garde Judaica Lithograph","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 18.5, W: 14.5 IN\u003c\/p\u003e\u003cp\u003eDimensions w\/Frame: 18.5 X 14.5\u003c\/p\u003e\u003cp\u003eAlek Rapoport (November 24, 1933, Kharkiv, Ukraine SSR – February 4, 1997, San Francisco) was a Russian Nonconformist artist, art theorist and teacher. Alek Rapoport spent his childhood in Kiev (Ukraine SSR). During Stalin's \"purges\" both his parents were arrested. His father was shot and his mother spent ten years in a Siberian labor camp. Rapoport lived with his aunt. At the beginning of World War II, he was evacuated to the city of Ufa (the Bashkir Autonomous Soviet Socialist Republic). A time of extreme loneliness, cold, hunger and deprivation, this period also marked the beginning of Rapoport's drawing studies. After the war, Rapoport lived in Chernovtsy (Western Ukraine), a city with a certain European flair. At the local House of Folk Arts, he found his first art teacher, E.Sagaidachny (1886–1961), a former member of the nonconformist artist groups Union of the Youth (Soyuz Molodyozhi) and Donkey's Tail, popular during the 1910s–1920s. His other art teacher was I. Beklemisheva (1903–1988). Impressed by Rapoport's talent, she later (1950) organized his move to Leningrad, where he entered the famous V.Serov School of Art (the former School of the Imperial Society for the Promotion of Arts, OPKh, later the Tavricheskaya Art School). His association with this school lasted eight years, first as a student, and then, from 1965 to 1968, as a teacher. With \"Socialist realism\" the only official style during this time, most of the art school's faculty had to conceal any prior involvement in non-conformist art movements. Ya.K.Shablovsky, V.M.Sudakov, A.A.Gromov introduced their students to Constructivism only through clandestine means. (1959–1963) Rapoport studied stage design at the Leningrad Institute of Theater, Music and Cinema under the supervision of the famous artist and stage director N.P.Akimov. Akimov taught a unique course based on theories of Russian Suprematism and Constructivism, while encouraging his graduate students to apply their knowledge to every field of art design. Despite differences in personal artistic taste with Akimov, who was drawn to Vermeer and Dalí, Rapoport was influenced by Akimov's personality and liberalism, as well as the logical style of his art. In 1963, Rapoport graduated from the institute. His highly acclaimed MFA work involved the stage and costume design for I.Babel's play Sunset. In preparation, he traveled to the southwest regions of the Soviet Union, where he accumulated many objects of Judaic iconography from former ghettos, disappearing synagogues and old cemeteries. He wandered Odessa in search of Babel's characters and the atmosphere of his books.\u003c\/p\u003e\u003cp\u003eHe organized a new liberal course in technical aesthetics, introducing his students to Lotman's theory of semiotics, the Modulor of Le Corbusier, the Bauhaus school, Russian Constructivism, Russian icons and contemporary Western art. As a result of his \"radicalism,\" Rapoport was fired for \"ideological conspiracy.\"\u003c\/p\u003e\u003cp\u003eHe sought to cultivate himself as Jewish artist. This became particularly noticeable after the Six-Day War, when the Israeli victory led intellectuals, including the Jewish intelligentsia, to feel a heightened interest in Jewish culture and its Biblical roots. Rapoport's works of this period include Three Figures, a series of images of Talmudic Scholars, and works dealing with anti-Semitism. In the 1970s Rapoport joined the non-conformist movement, which opposed the dogmas of \"Socialist realism\" in art, along with Soviet censorship. The movement sought to preserve the traditions of Russian iconography and the Constructivist\/Suprematist style of the 1910s. Despite the authorities' persecutions of nonconformist artists (including arrests, forced evictions, terminations of employment, and various forms of routine hassling), they united in a group, \"TEV – Fellowship of Experimental Exhibitions.\" TEV's exhibitions proved tremendously successful. In the same period, Rapoport became one of the initiators of another anti-establishment group, ALEF (Union of Leningrad's Jewish Artists). In the United States this group was known as \"Twelve from the Soviet Underground.\" Rapoport's involvement with this group increased tension with the authorities and attracted KGB scrutiny, including \"friendly conversations,\" surveillance, detentions and house arrests. It became increasingly dangerous for him to live and work in the USSR. In October 1976, Rapoport with his wife and son were forced to leave Russia. In Italy, Rapoport exhibited at the Venice Biennale, \"La Nuova Arte Sovietica-Una prospettiva non-ufficiale\" (1977), participated in television programs about nonconformist art in the Soviet Union, and created lithographic works continuing his theme of Jewish characters from Babel's play Sunset. In 1977, Rapoport's family was granted U.S. immigration status and settled in San Francisco. a significant event in Rapoport's life occurred in his meeting with San Francisco gallery owner Michael Dunev, who became his friend and representative, organizing all his exhibitions until the artist's death. Toward the end of the 1980s and beginning of the 1990s, Rapoport completed his most ambitious works on the theme of the Old Testament prophets: Samson Destroying the House of the Philistines (1989), Lamentation and Mourning and Woe (1990), the four paintings Angel and Prophets (1990–1991) and Three Deeds of Moses (1992). In 1992, the artist's friends in St. Petersburg organized the first exhibition of his works there since his departure into exile, with works patiently gathered from collectors and art museums. This exhibition, held in the City Museum of St. Petersburg and accompanied by headlines such as \"A St. Petersburg artist returns to his town,\" was followed by much larger ones in 1993 (St. Petersburg and Moscow), organized in collaboration with Michael Dunev Gallery under the name California Branches – Russian Roots.\u003c\/p\u003e\u003cp\u003eHe Exhibited in \"Soviet Artists, Jewish Themes,\" an exhibit of Nonconformist art of over 40 Jewish artists from the Soviet Union.\u003c\/p\u003e\u003cp\u003eThe variety of Jewish themes range from rural, village scenes to images of the Holocaust, to mystical interpretations based on Kabbalistic texts by artists such as Grisha Bruskin, Anatolii Kaplan, Vitaly Komar, Alexander Melamid, Leonid Lamm, Dmitrii Lion, and Alek Rapoport. The exhibit focused on the work of Jewish artist in times of social oppression and were created in private, and were mostly kept hidden from the public eye.\u003c\/p\u003e\u003cp\u003eMain personal exhibitions\u003c\/p\u003e\u003cp\u003e1980 – Gallerie \"Trifalco,\" Rome, Italy 1981 – Images of San Francisco, Eduard Nakhamkin Gallery, New York, NY. 1984 – Images of San Francisco, University of the Pacific Gallery, Stockton, CA. 1986 – Images of San Francisco, Michael Dunev Gallery, San Francisco, CA. 1988 – Ecumenical Works, Michael Dunev Gallery, San Francisco, CA. 1992 – Russia-USA, The Museum of the City of St. Petersburg, St. Petersburg, Russia. 1993 – California Branches-Russian Roots, Manege Exhibition Hall, St. Petersburg, Russia; National Exhibition Hall, Moscow, Russia. 1996 – Ecumenical Paintings, SOMAR Gallery, San Francisco, CA. 1997 – The Last Paintings: A Memorial Exhibition, Michael Dunev Gallery, San Francisco, CA; The Early Drawings. A Memorial Exhibition. George Krevsky Fine Art, San Francisco, CA; Sacred Inspiration: Icons by Alek Rapoport, The Marian Library, IMRI, Dayton University, Dayton, OH.[14] 1998 – Angel and Prophet, Center for Art and Religion, Washington, DC. 2004 – Images of San Francisco, Diaghilev Art Center, St. Petersburg, Russia. 2007 – Alek Rapoport: A Memorial Exhibition, Belcher Studios Gallery, San Francisco, CA.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628232900906,"sku":"a_13001682S1","price":875.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_CCD94CF62D8F40029A72E1EF72F73DDC_master_0a808d88-1851-4c83-b77f-8523af66dc42.jpg?v=1780507396"},{"product_id":"modernist-daniel-in-lions-den-biblical-judaica-etching-israeli-artist","title":"Modernist Daniel in Lions Den Biblical Judaica Etching Israeli Artist","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 17.5, W: 13.5 IN\u003c\/p\u003e\u003cp\u003eDaniel In Lions Den. Artist proof etching. it depicts a rabbi wrapped in a tallit surrounded by lions. A very well executed work of a famous miracle from the bible. it appears to bee unsigned. it is marked AP.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628233326890,"sku":"a_13019072S1","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_BA96246E55974A3AA653840A7B14BEF3_master_44bd2d71-af7c-409c-9736-b91795308e21.jpg?v=1780507403"},{"product_id":"rare-israeli-surrealist-judaica-abstract-lithograph-naftali-bezem","title":"Rare Israeli Surrealist Judaica Abstract Lithograph Naftali Bezem","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 19.75, W: 26.0 IN\u003c\/p\u003e\u003cp\u003eFine lithograph on deckle edged French Arches paper. Pencil signed and numbered from edition of 150. A Surrealist Judaica scene of a bearded man (Rabbi) in a boat with Shabbat candlesticks. with blindstamp from Editions Empreinte in Paris, France. (They published, Jean Michel Folon, Sempe, Raoul Ubac, Raymond Savignac, Cesar, Bengt Lindstrom , Paul Aizpiri and many other modern masters.\u003c\/p\u003e\u003cp\u003eNaftali Bezem (Hebrew: נפתלי בזם‎‎; born November 27, 1924) is an Israeli painter, muralist, and sculptor.\u003c\/p\u003e\u003cp\u003eBezem was born in Essen, Germany, in 1924. His early adolescence was spent under Nazi oppression, in constant fear for the safety of his parents, who perished in the Holocaust in the Polish Auschwitz concentration camp. Naftali emigrated to Mandate Palestine in 1939, at the age of fourteen with a Youth Aliyah group. From 1943 to 1946, he studied art at the Bezalel Academy of Art and Design in Jerusalem with Israeli painter Mordecai Ardon. He then spent three years studying in Paris.His most famous public works include a wall relief at Yad Vashem in Jerusalem and the ceiling mural in the main reception room at the President's Residence, Jerusalem.In 1957, Bezem was a co-recipient of the Dizengoff Prize for Painting.\u003c\/p\u003e\u003cp\u003eGroup Exhibitions Orit Art Gallery, Tel Aviv Artists: Yosef Zaritsky, Marcel Janco, Lea Nikel, Robert Baser, Bezem, Michael Druks,\u003c\/p\u003e\u003cp\u003eIsraeli Painting (Watercolors and Gouache)\u003c\/p\u003e\u003cp\u003eArtists: Pinchas Abramovich, Bezem, Naftali\u003c\/p\u003e\u003cp\u003eNachum Gutman, Haim Gliksberg, Mordechai Levanon, Avigdor Stematsky, Avshalom Okashi, Yehiel Krize, Yehezkel\u003c\/p\u003e\u003cp\u003eStreichman\u003c\/p\u003e\u003cp\u003eSolo Exhibitions 1959 Bezalel Academy of Arts and Design, Jerusalem 1960 Tel Aviv Art Museum, Tel Aviv 1977The Rose Art Museum, Boston 1959 The Bezalel National Museum, Jerusalem 1964Museum for Modern Art, Haifa 1970Mabat - Art Gallery, Tel Aviv 1971Jerusalem Artists' House, Jerusalem 1979 Rosenfeld Gallery (1952-2009), Tel Aviv 1983 Inauguration of Tapestry Beit Hasofer, Tel Aviv 1984 Sara Kishon Gallery, Tel Aviv 2000 Open Museum, Tefen 2003 Matsa Gallery, Ramat Gan\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628233556266,"sku":"a_13025392S1","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_8E582D3E50FD4B0D9E460B6EEBA250A4_master_bd36b5dd-1334-46c9-bc5e-ba9d8196d764.jpg?v=1780507412"},{"product_id":"judaica-etching-passover-seder-scene-wpa-artist","title":"Judaica Etching Passover Seder Scene WPA Artist","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 11.0, W: 13.0 IN\u003c\/p\u003e\u003cp\u003ePhilip Reisman, a Social Realist painter and printmaker known for his views of New York City street life. Fourteen of Mr. Reisman's etchings of New York life were in the show Works on Paper at the Museum of the City of New York. His work is also represented in the collections of the Metropolitan Museum\u003c\/p\u003e\u003cp\u003eof Art in Manhattan, the Hirshhorn Museum in Washington and the Wadsworth Atheneum in Hartford, among others. A three-month exhibition of Mr. Reisman's work from the 1960's and 1970's appeared at the Museum of the City of New York. The artist was elected an Academician at the National Academy of Design. A book about him, \"Philip Reisman: People Are His Passion,\" by Dr. Martin H. Bush, was published in 1987 by Wichita State University. Mr. Reisman was born in Warsaw in 1904, and came to New York with his family at the age of 4. He studied at the Art Students League in the 1920's, and had his first solo show at the Painters and Sculptors Gallery in New York City in 1931. Later in the 1930's, he worked as a painter and muralist on the Federal Art Project of the WPA, Works Progress Administration, the Government-sponsored effort to create work for artists during the Depression. For many years, Mr. Reisman exhibited at the ACA Gallery in Manhattan, along with other social commentators, including Jack Levine, Robert Gwathmey, Philip Evergood and William Gropper. He also taught art classes at his studio and at the Educational Alliance.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628235718954,"sku":"a_13050822S1","price":800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_61BD37D27EA84A63BBEA8070EB96EF4E_master.jpg?v=1780507438"},{"product_id":"large-french-judaica-lithograph-colorful-jewish-wedding-hebrew-calligraphy","title":"Large French Judaica Lithograph Colorful Jewish Wedding Hebrew Calligraphy","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 22.0, W: 30.0 IN\u003c\/p\u003e\u003cp\u003eTheo Tobiasse\u003c\/p\u003e\u003cp\u003eTitle \"On the Shores of the Circus\"\u003c\/p\u003e\u003cp\u003eSuite: Song of Songs of King Solomon\u003c\/p\u003e\u003cp\u003eYear: 1975\u003c\/p\u003e\u003cp\u003eMedium: Original lithograph in colors on paper (deckle edged paper) Publisher: Leon Amiel, Paris \u0026amp; New York\u003c\/p\u003e\u003cp\u003eSignature: Hand signed by the artist\u003c\/p\u003e\u003cp\u003eTheo Tobiasse, born Tobias Eidesas, 1927 in Jaffa then in British Mandate Palestine, died 2012 in Cagnes-sur-Mer in France.\u003c\/p\u003e\u003cp\u003eWell known painter, engraver, draftsman and sculptor. French Jewish artist. The youngest son of Chaim (Charles) Eidesas and Brocha (Berthe) Slonimsky from Kaunas, Lithuania, Théo Tobiasse was born in Mandatory Palestine in 1927, where his Jewish parents lived since 1925, far from the threat of pogroms and upheavals of East European policies. The family encountered material difficulties and decided to return to Lithuania, ultimately leaving for Paris in 1931 where his father typographer finds work in a Russian printing press. Theo Tobiasse shows very early talent for drawing and painting, and during a visit to the Special Exhibition of 1937 held in Paris, he is enchanted by Raoul Dufy. The death of his mother (in June 1939) followed by the outbreak of the Second World War, Paris under the German Nazi occupation, the wearing of the yellow star and his registration at the National School of Decorative Arts denied for racist reasons upsets his life. He enrolled in a private advertising design course on the boulevard Saint-Michel, which he abandoned nine months later because his family, narrowly escaping the Winter Vélodrome roundup in July 1942 was forced to hide in an apartment in Paris for two years. At the Liberation of Paris, he quickly began a career as an advertising graphic designer with the Draeger art printer and also produced tapestry cartoons, stage sets and Hermes showcases at the Hermès boutique on rue du Faubourg Saint-Honoré. In 1950, he obtained French nationality and moved to Nice in the Alpes-Maritimes, where he continued his advertising graphic design career. His first paintings were exhibited at the Salon des peintres du Sud-Est in 1960. He was laureate in 1961 the \"prize of the young Mediterranean painting\" and Armand Drouant offers him a first contract and exhibited at the Faubourg Saint-Honoré Gallery in Paris in 1962. Théo Tobiasse also won the Dorothy Gould Prize in 1961. He decided to devote himself solely to the visual arts. Numerous exhibitions are dedicated to him all over the world, in Paris at the Drouant Gallery, in Geneva, Montreal or Tokyo, then London, Zurich, Lausanne, Los Angeles, Kiev, and then a first personal exhibition in New York (1968). Self-taught, he studied the technique of grand masters in museums during his travels. The reliefs, glazes and colors of Rembrandt's Jewish Fiancee at the Rijksmuseum in Amsterdam, in particular, open up new technical possibilities that he explores in his canvases back to his studio.\u003c\/p\u003e\u003cp\u003eThe figurative subjects without narrative or symbolism (cat, bird, kite, velocipede, etc.) of his first paintings, allow him to focus on the techniques, the color and the texture of oil painting and gouache. From 1964, Theo Tobiasse develops a more personal iconography drawn from his own memories of his childhood in Lithuania, the wanderings of a family seeking a land of asylum and the Holocaust. The train, the one which drove his family from Kaunas to Paris, or the Jews to the camps, becomes a recurring motif and memory a major theme in his work. A visit to Jerusalem, Israel in 1970 brings him closer to his Israeli Jewish origins. He created his first Judaic stained-glass windows on the theme of \"Jewish Feasts\" for the Jewish Community Center in Nice and a monumental oil painting titled \" Que tentes sont beau\", O Jacob (1982). He continues to travel and immerse himself in the cultures he meets, New Orleans jazz, Mexican archaeological sites and Native American totems . In New York, he meets Elie Wiesel (1982). While Josy Eisenberg makes a film about Théo Tobiasse, entitled Tell me who you are painting, for French television in 1977, many personal exhibitions are devoted to him in France and abroad, notably at the Passali gallery in Paris, France. Atheneum Museum in Geneva and the Nahan Gallery in New Orleans. In 1983, a retrospective exhibition of his work was organized in Nice , at the Museum of Contemporary Art in Ponchettes. Carborundum engraving, lithography, stained glass, mosaic, pottery, bronze and ceramic sculpture are all tools of expression he first explored in the studio he had built at his home on the heights of Nice (1954 -1972), then to the Rauba Capeu wharf in Nice (1971-1976).\u003c\/p\u003e\u003cp\u003eHe leaves Nice to install his main workshop on his property in Saint-Paul-de-Vence in 1976. In collaboration with Pierre Chave, lithographer in Saint-Paul-de-Vence, Théo Tobiasse is developing a technique for making lithographs of eighteen to twenty colors that he produces for many original portfolio editions published in France, Sweden and the United States.\u003c\/p\u003e\u003cp\u003eIn addition to the theme of memory of the wanderings and exodus of his family and the Jewish people, the personal iconography of Tobiasse comprises three other major themes that recur in his work: The cities that are dear to him (Paris and Jerusalem, first, then New York and Venice from the 1980s); twenty-eight monochrome gouaches, From Notre-Dame to Saint-Germain-des-Près (1969). The Hebrew Bible, an endless source of human dramas, which he re-imagines in contemporary times. Rachel (1978), Sarah and the three messengers (1981),Bathsheba in the Garden of Pomegranates (1982). The woman, lover, erotic and shameless, Daphnis and Chloé (1978), Portrait of a woman immobile in ecstasy , (1978), a creature-sex apple whose skin burns and arms twist (1980). To explore the theme of the erotic woman, Tobiasse adopts nude drawing in graphite, ink and pastel on paper, as well as the writing of poetic texts he inscribed in his drawings and notebooks.\u003c\/p\u003e\u003cp\u003eThe American merchant, Kenneth Nahan Sr., met in 1978, encourages Théo Tobiasse to join in the United States other French painters he represents, including Max Papart and James Coignard. Tobiasse moved to New York in 1984. He first worked at the Chelsea Hotel and then set up his studio in Manhattan. He decides to split his time and his work between Saint-Paul-de-Vence and New York. The first paintings painted in America are distinguished from their European production by their scale and their bright themes. Oil-painted canvases are filled with family portraits, children, and biblical characters. My family came from Lithuania, Little Girl Sitting , Saul and David (1984). In these paintings, families no longer flee the pogroms in the trains, but land in New York, new host country according to his imagination, as in America (1984). He also created the Myriam sculpture in New York, which became the model for the Venus, a monumental bronze sculpture to be installed at the entrance of Saint-Paul-de-Vence in 2007 15. New York joins the inspiring cities of Theo Tobiasse and the woman now personifies freedom. Along with Marc Chagall, Raya Sorkine, Zamy Steynovitz and Yoel Benharrouche, Tobiasse becomes one of the pillars of modern French Judaica art. Back in Saint-Paul-de-Vence, he experimented new techniques from 1986. He abandoned oil painting and gouache for acrylic, less restrictive. His mixed techniques on paper or canvas, mix collage, acrylic painting and pastels. He develops cut and painted wood or steel panels for large formats and public display. In 1992, a retrospective exhibition of Théo Tobiasse's work was organized at the Cagnes-sur-Mer castle-museum. His workshops become meeting places for artist friends such as Ben and Arman. Chaim Potok visits Saint Paul's studio several times, dedicates to him a Tobiasse monograph: Artist in Exile published in 1986 in New York, and there meets the writer James Baldwin, friend and neighbor of Théo Tobiasse in 1987. He travels extensively for his solo shows. In 1987, Vision New Japan exhibited his latest paintings in Tokyo , Kokura and Mito and then in 1991, large sculptures in carved and painted wood panels in Tokyo , Osaka , Nagoya , Kobe , Fuokoka and Taipei . He discovers Prague in 1992 and returns there in 1995, and travels every year to Venice to draw.\u003c\/p\u003e\u003cp\u003eThéo Tobiasse discovers the work of set design with the creation of sets and costumes for the puppet theater. He creates an album of lithographs for the fifth centenary of the expulsion of the Jews from Spain. The Garden of the Psalms , a series of seven stained glass windows created in the workshop of the master glassmaker Alain Peinado, is inaugurated at the Esplanade Jewish community center in Strasbourg on the occasion of the bicentennial of the emancipation of the Jews. He continues with the creation of twelve monumental windows entitled The Song of the Prophets for the Nice Synagogue which are inaugurated in 1993. In 1994, he participated with other artists of the Nice region (Arman, Ben, Jean-Claude Farhi, Claude Gilli and Patrick Moya) in the creation of floats for the Carnival of Nice which this year theme is \"The King of Arts \".\u003c\/p\u003e\u003cp\u003eIn 1999, he made a trip to Israel and revisited Jerusalem and Jaffa , the place of his birth, where he worked on graphic editions. In 2000, the Museum of Fine Arts, Palais Carnolès de Menton devotes a retrospective exhibition.\u003c\/p\u003e\u003cp\u003eMain works in public collections\u003c\/p\u003e\u003cp\u003eJewish festivals and a fresco, That your tents are beautiful, O Jacob (1982), Jewish Community Center of Nice (Michelet). Trains of Terror from the Edge of Madness (1983), oil on canvas, Simon Wiesenthal Center , Los Angeles , United States. Sarah carrying Isaac, back from Mont-Moriah (1984), oil on canvas, Museum of Modern and Contemporary Art in Nice . Enlightening Freedom Saint-Paul-de-Vence and Liberty enlightening the children of exile (1987), mixed techniques on laminated wood panels, 400 × 290 cm each panels, Palais des congrès de Nice , France. Tobiasse Museum - Chapel Saint-Sauveur (1989), enhancement of the Chapel Saint-Sauveur on the theme \"Life is a party\", including an interior wall composition, stained glass, an outdoor mosaic on the front and a polychrome sculpture on forecourt Bird of Light , Le Cannet , France. L'Enfant Fou (1990), monumental bronze fountain sculpture, Arénas Business Center, Nice, France. The Garden of Psalms (1991), seven stained glass windows for the Sephardic synagogue of the Esplanade in Strasbourg, France. Sets and Costumes by Pygmalion (1992) by George Bernard Shaw , for the Arketal Company , as part of the International Puppet Festival, Cannes, France. The Song of the Prophets (1993), stained glass windows of the Great Synagogue of Nice , France. Venus of Saint-Paul-de-Vence (2008), bronze sculpture, Saint-Paul-de-Vence, France.\u003c\/p\u003e\u003cp\u003eSelect Galleries \u0026amp; Museums Nahan Galleries -New York, Tokyo and New Orleans Biblioteque Nationale – Paris Grand Palaise – Paris Musee de L’athenee – Geneva Hotel de ville, Nancy Galerie Chave – St. Paul Waddington Galleries, London Simon Wiesenthal Center, Los Angeles International Art Fair, Basel Salon d’art Francais, Tokyo Petit-Palais, Geneval\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628246794538,"sku":"a_13171922S1","price":950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_6E224D73479342618CC7D01D77BD555A_master_f2b4574e-469b-4355-9718-3f866f546e9a.jpg?v=1780507544"},{"product_id":"offset-lithograph-poster-resistible-rise-of-arturo-bertold-brecht-1968-pop-art","title":"Offset Lithograph Poster Resistible Rise of Arturo, Bertold Brecht 1968 Pop Art","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 30.0, W: 20.0 IN\u003c\/p\u003e\u003cp\u003ePlate signed and dated, offset lithograph. Richard Lindner was born in Hamburg, Germany. In 1905 the family moved to Nuremberg, where Lindners mother was owner of a custom-fitting corset business and Richard Lindner grew up and studied at the Kunstgewerbeschule (Arts and Crafts School since 1940 Academy of Fine Arts). From 1924 to 1927 he lived in Munich and studied there from 1925 at the Kunstakademie. In 1927 he moved to Berlin and stayed there until 1928, when he returned to Munich to become art director of a publishing firm. He remained there until 1933, when he was forced to flee to Paris, where he became politically engaged, sought contact with French artists and earned his living as a commercial artist. He was interned when the war broke out in 1939 and later served in the French Army. In 1941 he went to the United States and worked in New York City as an illustrator of books and magazines (Vogue, Fortune and Harper's Bazaar). He began painting seriously in 1952, holding his first one-man exhibit in 1954. His style blends a mechanistic cubism with personal images and haunting symbolism. LIndner maintained contact with the emigre community including New York artists and German emigrants (Albert Einstein, Marlene Dietrich, Saul Steinberg). Though he became a United States citizen in 1948, Lindner considered himself a New Yorker, but not a true American. However, over the course of time, his continental circus women became New York City streetwalkers. New York police uniforms replaced European military uniforms as symbols of authority.At a time when Abstract Expressionism was all the rage, Lindner’s painting went against the current and always kept its distance. His pictorial language of vibrant colours and broad planes of colour and his urban themes make him a forerunner of American Pop Art. At the same time, he owes the critical tone of his paintings to the influence of European art movements such as Neue Sachlichkeit and Dada. His first exhibition did not take place until 1954, by which time he was over fifty, and, interestingly, it was held at the Betty Parsons Gallery in New York, a venue associated with the American Expressionists. From 1952 he taught at the Pratt Institute, Brooklyn, from 1967 at Yale University School of Art and Architecture, New Haven. In 1957 Lindner got the William and Norma Copley Foundation-Award. In 1965 he became Guest Professor at the Akademie für Bildende Künste, Hamburg. His Ice (1966, Whitney Museum of American Art) established a connection between the metaphysical tradition and pop art. The painting shows harsh, flat geometric shapes framing an erotic but mechanical robot-woman.His paintings used the sexual symbolism of advertising and investigated definitions of gender roles in the media. While influencing Pop Art (Tom Wesselman and Claes Oldenburg amongst others) his highly colourful, hard-edge style seems to have brought him close to Pop Art, which he rejected. Nevertheless, he is immortalised on the cover of the Beatles record \"Sgt. Pepper’s Lonely Hearts Club Band\" (1967) as a patron of the pop culture.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628248170794,"sku":"a_13185652S1","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_936B42B57044499EAD276F448E01B8D5_master.jpg?v=1780507555"},{"product_id":"new-york-social-realist-etching-cease-to-do-evil-learn-to-do-well-wpa-artist-nyc","title":"New York Social Realist Etching Cease To Do Evil Learn To Do Well WPA Artist NYC","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 6.25, W: 5.0 IN\u003c\/p\u003e\u003cp\u003e18.5x15.5, 6.25 x 5 mat cut size. edition 1\/6 signed and dated.\u003c\/p\u003e\u003cp\u003eAlbert Sway (b.1913)\u003c\/p\u003e\u003cp\u003ePainter, illustrator, etcher, lithographer, cartoonist and teacher, Albert Sway was born in Cincinnati in 1913. He studied at the Cincinnati Art Academy and the Art Student's League in New York City.\u003c\/p\u003e\u003cp\u003eExhibitions: Art Institute of Chicago, 1936, 1938 Pennsylvania Academy of The Fine Arts Annual, 1936 Corcoran Gallery biennial, 1939 Golden Gate Exposition, San Francisco, 1939 Paris Salon, 1937 Stockholm, Sweden, 1937-38 Society of Independent Artists, 1938 World's Fair, New York, 1939 Library of Congress, 1943-45 Albright-Knox Art Gallery, 1951 Society of American Graphic Artists, 1951-on Royal Society of Painters, Etchers \u0026amp; Engravers, London, England, 1954 Am.-Japan Contemporary Print Exhib., Tokyo, 1967.\u003c\/p\u003e\u003cp\u003eAwards:\u003c\/p\u003e\u003cp\u003efirst prize in graphics, Cincinnati Mus. Assn., 1939.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628250530090,"sku":"a_13259762S1","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_C968F7608279458BA722713567AC5F38_master_a0d840f6-feda-4159-865e-11cc0c456879.jpg?v=1780507595"},{"product_id":"modernist-british-israeli-lithograph-expressionist-figures","title":"Modernist British Israeli Lithograph Expressionist Figures","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 19.5, W: 25.0 IN\u003c\/p\u003e\u003cp\u003eSigned AP (Artist's Proof) Michael Druks - painter, sculptor, and conceptual, video, performance and installation artist - was born in Jerusalem September 26, 1940. He has lived in London since 1972 and is a British citizen.\u003c\/p\u003e\u003cp\u003eDruks grew up in Tel Aviv where he studied at the Art Academy and became involved in avant-garde art and theatre circles. He arranged group exhibitions at the Tel Aviv Museum and the Gordon Gallery, based around concerns for the natural environment, including 'Plus Air Pollution' at the Gordon Gallery, and 'Environment Paintings and Sculptures' at the Billy Rose Sculpture Pavilion at the Israel Museum in late 1970, the year Druks received the Creative Artists Working Grant from the Sharett Foundation Fund, and had his environmental installation shown at the Israel Museum. In 1971, he participated in the 'Concepts and Information Show' at the Israel Museum of Jerusalem. By the late 1960s, Druks was established as a leading young Israeli artist and decided to travel abroad. He arrived in Europe around 1970, and after a period in Holland, settled in England where he became known for his conceptual work, with solo exhibitions in the 1970s at the Museum of Modern Art, Oxford; The Whitechapel Gallery, London; De Appel, Amsterdam; and the ICA, London. Druks’s print 'Druksland: Physical and Social' (1974), a conceptual map, has become an iconic image in both Israeli and international art, featured in numerous exhibitions, books, magazines, exhibition catalogues and posters. Since the early 1980s, Druks has concentrated primarily on painting, making works he says are “details detached from a context” that require time and active participation from the viewer. Michael Druks' work has been exhibited in The Georges Pompidou Centre, Paris; ICA London; Whitechapel Gallery London; Serpentine Gallery London; Museum of Modern Art, Oxford; documenta 6, Kassel; Cologne, Maastricht, Berlin, Brussels, Montreal, Bern, Buenos Aires, Caracas and Sao Paulo. Trends in Isreali Art 1970-1980 International Art Fair, Basel, Switzerland Artists: Anna Ticho, Raffi Kaiser, Menashe Kadishman, Itzhak Danziger, Ivan Schwebel, Moshe Kupferman, Lea Nikel, Israel Hadany, Dani Karavan, Igael Tumarkin, Buky Schwartz.\u003c\/p\u003e\u003cp\u003eAwards and recognition 1968–69, Scholarship for a Young Artist, Sharret Fund, America-Israel Cultural Foundation 1970 The America-Israel Cultural Foundation, Sharett Fund Scholarship 1970 America-Israel Cultural Foundation, Work Grant 1970 Herman Struck Prize for Excellence, Bezalel Academy of Arts and Design, Israel 1970 British Council Scholarship for Study in Britain 1972 Aika Braun Prize for a Young Artist, Israel Museum, Jerusalem 1973 Sandberg Prize for Israeli Art, Israel Museum, Jerusalem 1975 Study Scholarship, Columbia University, New York 1978 Israel Culture Foundation, Isaac Stern Prize for Creativity 1991 Ministry of Education Prize for Creativity 1993 Pundak Prize, Tel Aviv Museum of Art, Tel Aviv 2005 Dizengoff Prize for Painting and Sculpture, Tel Aviv Museum of Art, Municipality of Tel Aviv-Jaffa 2005 Ministry of Education, Life Project Prize Education 1967 – Art Institute, Bat-Yam 1967– The High Institute for Painting, Tel Aviv Teaching Bezalel Academy of Art and Design Selected Exhibitions Michael Druks – Solo Exhibition, Dugith Art Gallery, Tel Aviv, 1968. Michael Druks: Environment, Israel Museum, Jerusalem, October 6 - December 31, 1970. Concepts + Information, Israel Museum, Jerusalem, February 2 - March 5, 1971 Affidavit: Idea-Process-Document, 6 Israeli artists, House Gallery, London, 1972. 1st British International Drawings Biennale, Middlesbrough, 1973. Flexible Geography \u0026amp; Location Piece, Museum of Modern Art, Oxford, 1973. Off the Top of the Head, Art Meeting Place, London, 1974. Punishments, In-Out Centre, Amsterdam; Agora Studio, Maastricht, 1974. Video Travelling Show, Arnolfini Gallery, Bristol \u0026amp; Brighton Polytechnic, 1975. The Video Show, Serpentine Gallery, London, 1975. Artists Video Tapes, Palais des Beaux-Arts, Brussels,1975. The 9e Biennale de Paris, 1975. Everybody’s Own Yard, a photographic study, Ideas Gallery, Whitechapel Art Gallery, London, 1976. Rencontre Internationale Ouverte de Video, Espace Pierre Cardin, Paris and Ferrara,1975. NF2 Photography as Art, Gallery Grada Zagreb,1976. Time, Words and the Camera, work by British artists travelling through Austria, 1976. Documenta 6, Kassel,1977. Video Performance, Neue Gallery, Montreal, 1977. Photography as Art, Art as Photography, organised by Fotoforum, travelled to Kassel, London, Poland,USA, 1977. Artist \u0026amp; \u0026amp; Society, Tel-Aviv Museum, 1978. Ambiguous Definitions, ICA, London, 1978. The Kadishman Connection, Israel Museum, Jerusalem, January 13, 1979 – May 31, 1979. Performance, Centre d’art et Communication, George Pompidou Centre, Paris, 1979. Borders, Israel Museum, Jerusalem, March 18, 1980 – June 30, 1980 Michael Druks: Projection on Photographical Situations, Israel Museum, Jerusalem, November 8, 1983 – December 31, 1983 Milestones in Israeli Art, Israel Museum, Jerusalem, December 8, 1985 – March 3, 1986 1965 Today, Israel Museum, Jerusalem, Spertus Gallery, Palevsky Design Pavilion, Ayala Zacks Abramov Pavilion for Israeli Art, March 31, 2015 – August 29, 2015 Michael Druks: Pictures, 1991–1992, Israel Museum, Jerusalem, October 1, 1992 – November 2, 1992 The Listening Eye, Israel Museum, Jerusalem, December 7, 1993 – March 5, 1994 Preview from the Rita and Arturo Schwarz Collection of Israeli Art – A Gift to the Israel Museum, Israel Museum, Jerusalem, June 13 - August 30, 1995 Windows: Glimpses of Seven Themes in Israeli Art, Israel Museum, Jerusalem, February 4 – May 6, 1996 Love at First Sight: The Vera and Arturo Schwarz Collection of Israeli Art, Israel Museum, Jerusalem, March 2 - June 23, 2001. The Map is Not the Territory, England \u0026amp; Co, London, 2001. The Map is Not the Territory ii, England \u0026amp; Co, London, 2002. The Map is Not the Territory 3, James Hockey Gallery, Farnham, UK (curated by Jane England), 2003. Druksland, audio-visual retrospective Haifa Museum, 2004. Beneath the Radar in 1970s London, England \u0026amp; Co, London, 2010. Atlas Critique, Parc Saint Leger Centre D'Art Contemporain, Paris, 2012. Contemporary Cartographies: Drawing Thought, CaixaForum, Barcelona, 2012. Wandering Lines: From Automatic Drawing to Abstraction, England \u0026amp; Co, London,2012. Life: A User's Manual, Israel Museum, Jerusalem, April 12, 2011 – February 4, 2012. Michael Druks, solo exhibition, England \u0026amp; Co, London, 2013. Michael Druks: View, Material, Thought, Loushy Art \u0026amp; Projects, Tel Aviv, 2013. Hide and Seek: Works on Paper, Israel Museum, Jerusalem, March 20, 2014 – July 20, 2014 Israeli Art: The Renewed Collection Galleries, Israel Museum, Jerusalem, Israeli Art Gallery, 2015,\u003c\/p\u003e\u003cp\u003eThe Gallery House Archive Project, Goethe Institute, London. Wire(less) Connections, Israel Museum, Jerusalem, May 27, 2016 – March 18, 2017. Map, Map on the Wall, Mapping in Science and Art, Weizmann Institute of Science, Israel, 2017. This Way Out of England: Gallery House in Retrospect, Raven Row, London.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628251283754,"sku":"a_13259772S1","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_FA540F2BBB684D76965FE22AE2214CBE_master.jpg?v=1780507599"},{"product_id":"color-lithograph-linocut-chine-coll-workshop-bright-modernist-pop-art","title":"Color Lithograph Linocut Chine Collé \"Workshop\" Bright Modernist Pop Art","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 21.0, W: 41.0 IN\u003c\/p\u003e\u003cp\u003eHand signed and numbered edition of 25. 16 x 36\" sheet size without frame.\u003c\/p\u003e\u003cp\u003e“Workshop” is an ambitious color lithograph and linocut with chine collé printed in twelve colors from nine plates and one linocut. It has been printed in an edition of 25, plus proofs, on white Rives BFK paper 16 x 36” with chine collé of various papers. (No, it’s not upside down)\u003c\/p\u003e\u003cp\u003eBorn 1964 in New York where he still currently resides and works alongside his partner the ceramist Kathy Butterly. Son of the photographer Rudy Burckhardt and painter Yvonne Jacquette, Tom Burckhardt was\u003c\/p\u003e\u003cp\u003e1986, BFA, State University of New York, Purchase, NY 1992–1993, Skowhegan School of Painting and Sculpture, ME 1996, Marie Walsh Sharpe Art Foundation Studio Grant 1997, New York Foundation for the Arts, Painting Grant 1997 Pollock-Krasner Foundation Grant 2002 George Hitchcock Award, National Academy of Arts 2003, Richard \u0026amp; Hinda Rosenthal Foundation Award, American Academy 2005, AICA Best Show of an Emerging or Underknown Artist 2005 Pollock-Krasner Foundation Grant 2006 Best Installation, Best of Houston, the Houston Press 2009 Guggenheim Foundation Grant 2010, New York Foundation for the Arts Drawing\/Print Grant 2010 Joan Mitchell Foundation Grant\u003c\/p\u003e\u003cp\u003eTom Burckhardt’s work is a carnival of images jumbled and jostling each other in precarious nonsensical compositions. He uses lushly colored and patterned images from all kinds of sources that bounce between abstraction and representation. Images come from tool catalogs, paper and fabric patterns, funhouse painting, architectural details, stripes, dots and squiggles. It is as if Burckhardt is a cartoonist merrily channeling Ellsworth Kelly, Paul Feeley, Robert Therrien, and Myron Stout, among others. Like Red Grooms, for whom he worked as an assistant, Burckhardt ransacks his influences yet ends up with something unmistakably his own. His work bears the influence of\u003c\/p\u003e\u003cp\u003eis a synthesis of many things: the tribal-influenced abstract painting of Steve Wheeler (1912-92), the comic figuration of Philip Guston and the Surrealism of the Hairy Who painters, Jim Nutt and Karl Wirsum.\u003c\/p\u003e\u003cp\u003eOne can also detect traces of Carol Dunham and even stronger hints of the Brazilian landscape architect\/painter, Roberto Burle-Marx (1909-94).\u003c\/p\u003e\u003cp\u003eSelect Exhibitions Tibor de Nagy Gallery, New York, NY (solo exhibition) Tom Burckhardt, Gregory Lind Gallery, San Francisco, CA (solo exhibition)\u003c\/p\u003e\u003cp\u003eTom Burckhardt: Falk Visiting Artist, Weatherspoon Art Museum, Greensboro, NC (solo exhibition)\u003c\/p\u003e\u003cp\u003eLouder Milk, Pierogi Gallery, New York, NY (solo exhibition)\u003c\/p\u003e\u003cp\u003eNew Image Sculpture, McNay Art Museum, San Antonio, TX\u003c\/p\u003e\u003cp\u003eAnnual Exhibit, National Academy Museum, New York, NY ex libre, Adam Baumgold Gallery, New York, NY Tom Burckhardt, Richard \u0026amp; Dolly Maass Gallery, SUNY Purchase, NY A World in Cardboard, City Museum Aalst, Belgium Slump, Caren Golden Fine Art, New York, NY (solo exhibition) Material Abuse, Clifford Gallery, Colgate University, Hamilton, NY\u003c\/p\u003e\u003cp\u003eWork in Progress: Martin Bromirski, Tom Burckhardt, Chrissy Conant, Byron Kim, João Onofre, Douglas Paulson \u0026amp; Ward Shelley, D.U.M.B.O. Arts Center Gallery, Brooklyn, NY\u003c\/p\u003e\u003cp\u003eThe 181st Annual Invitational Exhibition of Contemporary American Art, National Academy Museum FULL STOP, Caren Golden Fine Art, New York, NY; DiverseWorks, Houston, TX; The Aldrich Contemporary Art Museum, Ridgefield, CT In the Land of Nod, curated by Leslie Brothers, McDonough Museum of Art, Youngstown, OH About Painting, The Tang Teaching Museum at Skidmore College, Saratoga Springs, NY Workshop, Caren Golden Fine Art, New York, NY New York, New Work, Now!, curated by Nina Felshin, Currier Gallery of Art, Manchester, NH The Art of Collecting - IV, Flint Institute of Arts, Flint, MI Invitational Exhibition of Painting and Sculpture, American Academy of Arts and Letters, New York,\u003c\/p\u003e\u003cp\u003eTom Burckhardt, Caren Golden Fine Art, New York, NY (solo exhibition)\u003c\/p\u003e\u003cp\u003eArtists to Artists: A Decade of the Space Program, Ace Gallery, New York, NY New Work, Byron Cohen Gallery, Kansas City, MO New Prints 2002\/Summer, IPCNY, New York, NY\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628251742506,"sku":"a_13273682S1","price":950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_C5A1D8793B374F52BDFE434BB2455BF4_master.jpg?v=1780507609"},{"product_id":"lithuanian-french-cubist-modernist-lithograph-flight-refugees","title":"Lithuanian French Cubist Modernist Lithograph \"Flight\" Refugees","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 34.75, W: 29.0 IN\u003c\/p\u003e\u003cp\u003eActual sheet is 25 X 20 size includes frame. Hand signed and numbered. The Flight exhibition comes from a portfolio of prints organized by Varian Fry in 1964 and completed in 1971. Based on the theme of flight to reflect the plights of refugees and the hope of a new life. Flight is comprised of eleven original lithographs and one original serigraph by twelve internationally renowned artists. All plates were destroyed after the artist printing and include a variety of illustrations from abstraction to figurative works; the portfolio consists of 250 signed and numbered prints.\u003c\/p\u003e\u003cp\u003eEugene Berman (Russian 1894-1972) Marc Chagall (French\/Russian 1887-1985)* Alexander Calder (American 1898-1976) Adolph Gottlieb (American 1903-1974) Wifredo Lam (Cuban 1902-1982) Jacques Lipchitz (French 1891-1973)* André Masson (French 1896-1987) Joan Miró (Spanish 1893-1983) Robert Motherwell (American 1915-1991) Maria Elena Vieira Da Silva (French\/Portuguese 1908-1992) Edouard Pignon (French 1905-1993) Fritz Wotruba (Austrian 1907-1975)\u003c\/p\u003e\u003cp\u003eFounded in 1933 at the request of Albert Einstein, the IRC offers lifesaving care and life-changing assistance to refugees forced to flee from war or disaster.\u003c\/p\u003e\u003cp\u003eChaim Jacob Lipchitz, 1891-1973, was born in Lithuania and came of age in Paris during the early 20th century, where he was active in the avante-garde community of Pablo Picasso, Amadeo Modigliani, Diego Rivera, Chaim Soutine, and Juan Gris. Art historian H. H. Arnasson, who ranked Lipchitz with Picasso and Chagall, wrote, \"Lipchitz, as a pure sculptor, is ...unquestionably one of the greatest sculptors of this century.\"\u003c\/p\u003e\u003cp\u003eLipchitz' work is familiar to St. Louisans; his monumental 1927 bronze Joie de Vivre (a gift of Mrs. Mark C. Steinberg) is displayed at the Steinberg Skating Rink in Forest Park. The St. Louis Art Museum loaned two of Lipchitz' works, the 1923-25 Large Bather (gift of Morton D. May) and the 1926-30 Figure (gift of Mr. and Mrs. Joseph Pulitzer) to the St. Louis Bicentennial Sculpture Exhibition at the Garden in 1985. The exhibition also included a 1940 Lipchitz' Mother and Child from an anonymous donor. The 1926-30 Figure was displayed at the Garden again for the Spring Sculpture Festival in 1972. The architect Philip Johnson asked Lipchitz to make a wall sculpture to be placed on the brick chimney over a fireplace of a guest house owned by Mrs. John D. Rockefeller III on West 53rd Street in New York. Lipchitz decided to develop the piece from his Pegasus designs and call it Birth of the Muses in honor of the Rockefellers' interest in the arts. In 1950 he completed the work as a bronze relief five feet high. It was installed as planned and later was acquired by Lincoln Center.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628251906346,"sku":"a_13273722S1","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_09094B5D99234D4BBD9A4676236F644D_master_07b633d7-a751-43d4-abb2-9e512a984705.jpg?v=1780507613"},{"product_id":"bezalel-school-jerusalem-middle-eastern-arab-man-in-turban-circa-1920s-etching","title":"Bezalel School Jerusalem, Middle Eastern Arab Man in Turban Circa 1920s Etching","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 18.0, W: 14.0 IN\u003c\/p\u003e\u003cp\u003eGenre: Realism Subject: Portrait Medium: Etching Surface: Paper Country: Israel Dimensions with Frame: 18\" x 114\"\u003c\/p\u003e\u003cp\u003eJacob Eisenberg (1897–1965) (also Yaakov Eisenberg) was an Israeli artist and a member of the Bezalel school. Many of the students went on to become well-known artists, among them Meir Gur Aryeh, Ze'ev Raban, Shmuel Ben David, Ya'ackov Ben-Dov, Zeev Ben-Zvi, Jacob Eisenberg, Jacob Pins, Jacob Steinhardt and Hermann Struck and Abel Pann.\u003c\/p\u003e\u003cp\u003eIn 1912, Bezalel had one female student, Marousia (Miriam) Nissenholtz, who used the pseudonym Chad Gadya. Eisenberg was born in Pinsk and immigrated to the land of Israel in 1913. He studied art at the School for Arts and Crafts in Vienna, specializing in ceramics and at the Bezalel Academy of Art and Design in Jerusalem, where he continued as a teacher for many years. Particularly notable was his creation of a series of ceramic plaques and murals for the early buildings of Tel Aviv. These included the cities first street signs, ceramic plaques in deep blue inscribed with the street names in Hebrew, Arabic and English that were affixed to the corners of buildings. The surviving plaques are now treasured historic landmarks. Large Eisenberg murals enliven the facades of several Tel Aviv buildings, including the 1925 Lederberg house, at the intersection of Rothschild Boulevard and Allenby Street. The four murals show a Jewish pioneer sowing and harvesting, a shepherd, and Jerusalem with a verse from Jeremiah 31:4, \"Again I will rebuild thee and thous shalt be rebuilt.\" Works Stained Glass, Great Synagogue, Tel Aviv Ceramics and stained glass, Y.M.C.A., Jerusalem Exhibitions Jerusalem Artists' House, 1957\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628254003498,"sku":"a_13297552S1","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_F4D1490B5F10487596BD2B4F80E52333_master.jpg?v=1780507639"},{"product_id":"israeli-modernist-surrealist-etching-cut-pear","title":"Israeli Modernist Surrealist Etching Cut Pear","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 20.75, W: 14.5 IN\u003c\/p\u003e\u003cp\u003e20.75x14.5 sheet size.\u003c\/p\u003e\u003cp\u003e9.5x7.75 image size Shlomo Zafrir is active\/lives in Israel, France. Shlomo Zafrir is known for cubist painting. Shlomo Zafrir is a painter and, at the same time, the owner of a nightclub called Omar Khaim located in Old Jaffa. The building housing the nightclub is hundreds of years old and, as its name suggests, is of oriental or mid-eastern flavor. Mr Zafrir paints realistic oils of the young people of Jaffa as a specialty along with paintings of the Port of Jaffa. He has exhibited his art in New York and Philadelphia. As far as the nightclub is concerned, it catered to those who enjoy folk singing and was apparently very successful. In 1958 the Icelandic Pop Artist Erro spent 8 months working with Zafrir in his studio. He was also the teacher of Israeli contemporary artist Ted Barr. Filmography Art director 1979 Worlds Apart\u003c\/p\u003e\u003cp\u003e1973 Kazablan\u003c\/p\u003e\u003cp\u003e1972 Salomonico\u003c\/p\u003e\u003cp\u003e1965 Trunk to Cairo (as S. Zafrir)\u003c\/p\u003e\u003cp\u003eArt department 1973 Kazablan (set designer - as Shlomo Tsafrir)\u003c\/p\u003e\u003cp\u003eSet decorator 1988 Appointment with Death (as Shlomo Tzafrir)\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628255674666,"sku":"a_13304002S1","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_791DA6D1813E4928A31EA815A2058411_master.jpg?v=1780507652"},{"product_id":"purim-holiday-scene-judaica-aquatint-etching-american-modernist-wpa-artist","title":"Purim Holiday Scene Judaica Aquatint Etching American Modernist WPA Artist","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 19.75, W: 23.75 IN\u003c\/p\u003e\u003cp\u003eBorn in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.”\u003c\/p\u003e\u003cp\u003eAn emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name.\u003c\/p\u003e\u003cp\u003eBen-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolf Gottlieb, Louis Harris, Yanhkel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney.\u003c\/p\u003e\u003cp\u003eBen-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.”\u003c\/p\u003e\u003cp\u003eBy 1939, The Ten disbanded because most of the members found individual galleries to represent their work.\u003c\/p\u003e\u003cp\u003eBen-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes.\u003c\/p\u003e\u003cp\u003eBen-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition.\u003c\/p\u003e\u003cp\u003e“Ben-Zion has his hands on the pulse of the common man and his natural world”\u003c\/p\u003e\u003cp\u003eAs he emerged as an artist Ben-Zion never lost his gift for presenting the ordinary in ways that are vital, fresh and filled with emotions that are somber and exhilarating, joyous and thoughtful, and ultimately, filled with extraordinary poetic simplicity.\u003c\/p\u003e\u003cp\u003eBen-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Hebrew Bible, and the Jewish people—into his work throughout his life. \"In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works.\" (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952).\u003c\/p\u003e\u003cp\u003eBen-Zion continued his style of representational painting based on the abstract, and is perhaps best known for his Biblical paintings and etchings.\u003c\/p\u003e\u003cp\u003eBen-Zion received an American Jewish Congress award.\u003c\/p\u003e\u003cp\u003eIn 1987, Ben-Zion died in his home in the Chelsea section of Manhattan. He was 90 years old.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628255805738,"sku":"a_13304012S1","price":550.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_44A601A1647E4420934830B099D05506_master_21c2a053-fa2c-4540-b59f-c431d4d6614a.jpg?v=1780507654"},{"product_id":"location-proposal-iris-print-ed-12-hand-signed-cyclone-racer-coney-island-ny","title":"Location Proposal Iris Print Ed. 12 Hand Signed Cyclone Racer (Coney Island, NY)","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 23.5, W: 16.0 IN\u003c\/p\u003e\u003cp\u003eCindy Bernard’s career spans nearly three decades and she is best known for photographs and projections that explore the relationship between cinema, memory, and landscape including the widely exhibited series Ask the Dust (1988-92), now in the collections of the Museum of Contemporary Art, Los Angeles (21 part set), the Pompidou, MOMA and the Whitney Museum of American Art. She is a recipient of grants and fellowships from the J. Paul Getty Trust Fund for the Visual Arts, California Arts Council, Creative Capital, Anonymous Was a Woman, the Harpo Foundation, California Community Foundation, the John Simon Guggenheim Memorial Foundation and the MacDowell Colony. Her work has been exhibited in museums and galleries in the US, Canada, Mexico, Europe, and Japan, and was included in the Whitney and Lyon Biennials.\u003c\/p\u003e\u003cp\u003eIn addition to her visual practice, Bernard takes an active interest in the spaces and production of social exchange. She was a director and advisor to Foundation for Art Resources from 1985 to 1990, a founding director of the Coalition for Freedom of Expression, and co-founder of MOCA Mobilization. Bernard is also the founder and director of The Society for the Activation of Social Space through Art and Sound (SASSAS), an organization she began in response to the need for a flexible and sustainable association dedicated to experimental music in Los Angeles. She has curated and produced more than 50 concerts for SASSAS including Welcome Inn Time Machine for Pacific Standard Time in 2012.\u003c\/p\u003e\u003cp\u003eHer interest in sound has spurred several projects including a series of photographs of municipal band shells which Bernard sees as an architecture of public exchange and The Inquisitive Musician, an adaptation of a 17th century German satire, Musicus Curiosus, or Battalus, the Inquisitive Musician; the Struggle for Precedence between the Kunst Pfeifer and the Common Players. The Inquisitive Musician pits itinerant “beer fiddlers” against the city sanctioned “Kunstpfeifer” in an argument over who has the right to perform and be compensated. Presented as a staged reading incorporating video and live music, The Inquisitive Musician has been performed in New York, in Los Angeles at the LA County Museum of Art, and most recently at the Stedelijk Museum in Amsterdam in June 2013.\u003c\/p\u003e\u003cp\u003eCurrent projects include Vinland, a meditation on the complex and continually shifting relationships between spaces, social and economic structures, and personal and collective histories and, more recently, an “episodic” series based on the history of social nudism: Your Personal View of (Social) Nudism.\u003c\/p\u003e\u003cp\u003eBernard is a Adjunct Professor of Graduate Fine Art at Art Center College of Art and Design and was appointed the inaugural Ruffin Distinguished Artist-In-Residence at the University of Virginia for the academic year 2013\/2014. She was a 2016 National Endowment for the Arts Fellow at the MacDowell Colony and will be in residence at the UCross Foundation in 2017. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy Dwyer, and conceptual photographs by Kevin Hanley. Doug Aitken, Polly Apfelbaum, David Levinthal, Richard Long, Christian Marclay, Alyson Shotz, Uta Barth all have published with them. She was included in the The MOCA Photography Portfolio curated by Cindy Sherman\u003c\/p\u003e\u003cp\u003ewhich included Lyle Ashton Harris and Shirin Neshat amongst others, to celebrate the 20th Anniversary of The Museum of Contemporary Art, Los Angeles. Muse [X] Editions, 1999. Ten Fujicolor Crystal Archive prints.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628257542442,"sku":"a_13330462S1","price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_0C87D247AF174F4AA40F9762A6762698_master_f5522ca6-dae7-4974-ad3d-4df3d181c581.jpg?v=1780507678"},{"product_id":"original-vintage-color-world-war-ii-propaganda-poster-almost-offset-lithograph","title":"Original Vintage Color World War II Propaganda Poster \"Almost\" Offset Lithograph","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 22.75, W: 16.25 IN\u003c\/p\u003e\u003cp\u003eALMOST VD; 1946 military poster by Franz Oswald Schiffers.\u003c\/p\u003e\u003cp\u003eAlmost! VD, the 1946 U.S. World War II (WWII) health poster warning soldiers overseas of the consequences of venereal disease.\u003c\/p\u003e\u003cp\u003eVD Almost! is a vintage 1946 public service announcement poster by Franz O. Schiffers (1902-1976). Schiffers was commissioned to create several posters warning against venereal disease for the U.S servicemen stationed overseas. The artwork is bold, clear and direct. In the post-World War II era, the piece sent a serious message to prevent contracting disease through relations with foreigners. In today's day and age, these pieces are quite humorous and decorative. Virile soldiers are shown to be up against the looming threat of venereal disease. The soldier standing on the pier watching his ship sail away would have to make a very embarrassing explanation to his wife or girlfriend as to why he was left behind.\u003c\/p\u003e\u003cp\u003eFranz Oswald Schiffers (born August 5, 1902 in Eilendorf in Aachen , February 12, 1976 in Berlin ) was a graphic artist and film poster artist . He was one of the first graphic artists of the 1930s to achieve photorealistic effects in their works. At his father's request, Schiffers initially trained as a teacher before moving to Berlin in 1925 and became a graphic designer at UFA (Universum Film AG). After designing a series of movie posters there, Schiffers became independent in 1932 as a commercial artist (now a graphic designer). In the 1930s, Schiffers specialized in advertising posters for beverage producers - especially beer advertising. The trademark of his beer posters is the meticulous design of beer glass with shiny drops of water that trickle down the misted glass. In this photorealistic context one also speaks of \" veristic \" graphics. After the seizure of power by the National SocialistsNazis , Schiffers temporarily worked for the Reich Propaganda Ministry. He designed u. a. the so-called \"shadow man campaign\" with the well-known slogan \"enemy hears with!\" - A German graphic artist who designed movie posters and advertisements in late-1920s and early 1930s Germany.\u003c\/p\u003e\u003cp\u003eDuring the Nazi era, Schiffers was commissioned by the Nazi propaganda office to create German propaganda posters warning against the dangers of loose talk.\u003c\/p\u003e\u003cp\u003eImmediately after the Second World War, when Germany was occupied by the allies, Schiffers worked for the US occupation authority government on this 1946 campaign to discourage fraternization. There is an important collection of such propaganda posters at the Wolfsonian museum in Miami Beach some very important artists were involved in making them amongst them such luminaries as Ben Shahn, Norman Rockwell, Rockwell Kent and Arthur Szyk. Oswald Schiffers is the brother of Paul Egon Schiffers (sculptor), Arno Schiffers (painter) and Anselm Schiffers (composer and church musician). This is an Original Vintage Poster; it is not a reproduction.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628257771818,"sku":"a_13341812S1","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_C12D2BAC527E4A9CADB9BFFF99AAE6C7_master.jpg?v=1780507687"},{"product_id":"original-vintage-color-world-war-ii-propaganda-poster-delayed-offset-lithograph","title":"Original Vintage Color World War II Propaganda Poster Delayed! Offset Lithograph","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 22.75, W: 16.25 IN\u003c\/p\u003e\u003cp\u003eDELAYED VD; 1946 military poster by Franz Oswald Schiffers.\u003c\/p\u003e\u003cp\u003eDelayed! VD, the 1946 U.S. World War II (WWII) health poster warning soldiers overseas of the consequences of venereal disease. He can see the bright lights big city in the distance but he is chained to the VD block... VD Almost! is a vintage 1946 public service announcement poster by Franz O. Schiffers (1902-1976). Schiffers was commissioned to create several posters warning against venereal disease for the U.S servicemen stationed overseas. The artwork is bold, clear and direct. In the post-World War II era, the piece sent a serious message to prevent contracting disease through relations with foreigners. In today's day and age, these pieces are quite humorous and decorative. Virile soldiers are shown to be up against the looming threat of venereal disease. The soldier standing on the pier watching his ship sail away would have to make a very embarrassing explanation to his wife or girlfriend as to why he was left behind.\u003c\/p\u003e\u003cp\u003eFranz Oswald Schiffers (born August 5, 1902 in Eilendorf in Aachen , February 12, 1976 in Berlin ) was a graphic artist and film poster artist . He was one of the first graphic artists of the 1930s to achieve photorealistic effects in their works. At his father's request, Schiffers initially trained as a teacher before moving to Berlin in 1925 and became a graphic designer at UFA (Universum Film AG). After designing a series of movie posters there, Schiffers became independent in 1932 as a commercial artist (now a graphic designer). In the 1930s, Schiffers specialized in advertising posters for beverage producers - especially beer advertising. The trademark of his beer posters is the meticulous design of beer glass with shiny drops of water that trickle down the misted glass. In this photorealistic context one also speaks of \" veristic \" graphics. After the seizure of power by the National SocialistsNazis , Schiffers temporarily worked for the Reich Propaganda Ministry. He designed u. a. the so-called \"shadow man campaign\" with the well-known slogan \"enemy hears with!\" - A German graphic artist who designed movie posters and advertisements in late-1920s and early 1930s Germany.\u003c\/p\u003e\u003cp\u003eDuring the Nazi era, Schiffers was commissioned by the Nazi propaganda office to create German propaganda posters warning against the dangers of loose talk.\u003c\/p\u003e\u003cp\u003eImmediately after the Second World War, when Germany was occupied by the allies, Schiffers worked for the US occupation authority government on this 1946 campaign to discourage fraternization. There is an important collection of such propaganda posters at the Wolfsonian museum in Miami Beach some very important artists were involved in making them amongst them such luminaries as Ben Shahn, Norman Rockwell, Rockwell Kent and Arthur Szyk. Oswald Schiffers is the brother of Paul Egon Schiffers (sculptor), Arno Schiffers (painter) and Anselm Schiffers (composer and church musician). This is an Original Vintage Poster; it is not a reproduction.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628257804586,"sku":"a_13341822S1","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_796920598CA5497B815AD1D5C096401A_master_78b181b9-7bd3-42bc-bf11-34e23e9da1b5.jpg?v=1780507690"},{"product_id":"location-proposal-iris-print-ed-12-hand-signed-architectural-study","title":"Location Proposal Iris Print Ed. 12 Hand Signed Architectural Study","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 23.5, W: 16.0 IN\u003c\/p\u003e\u003cp\u003eCindy Bernard’s career spans nearly three decades and she is best known for photographs and projections that explore the relationship between cinema, memory, and landscape including the widely exhibited series Ask the Dust (1988-92), now in the collections of the Museum of Contemporary Art, Los Angeles (21 part set), the Pompidou, MOMA and the Whitney Museum of American Art. She is a recipient of grants and fellowships from the J. Paul Getty Trust Fund for the Visual Arts, California Arts Council, Creative Capital, Anonymous Was a Woman, the Harpo Foundation, California Community Foundation, the John Simon Guggenheim Memorial Foundation and the MacDowell Colony. Her work has been exhibited in museums and galleries in the US, Canada, Mexico, Europe, and Japan, and was included in the Whitney and Lyon Biennials.\u003c\/p\u003e\u003cp\u003eIn addition to her visual practice, Bernard takes an active interest in the spaces and production of social exchange. She was a director and advisor to Foundation for Art Resources from 1985 to 1990, a founding director of the Coalition for Freedom of Expression, and co-founder of MOCA Mobilization. Bernard is also the founder and director of The Society for the Activation of Social Space through Art and Sound (SASSAS), an organization she began in response to the need for a flexible and sustainable association dedicated to experimental music in Los Angeles. She has curated and produced more than 50 concerts for SASSAS including Welcome Inn Time Machine for Pacific Standard Time in 2012.\u003c\/p\u003e\u003cp\u003eHer interest in sound has spurred several projects including a series of photographs of municipal band shells which Bernard sees as an architecture of public exchange and The Inquisitive Musician, an adaptation of a 17th century German satire, Musicus Curiosus, or Battalus, the Inquisitive Musician; the Struggle for Precedence between the Kunst Pfeifer and the Common Players. The Inquisitive Musician pits itinerant “beer fiddlers” against the city sanctioned “Kunstpfeifer” in an argument over who has the right to perform and be compensated. Presented as a staged reading incorporating video and live music, The Inquisitive Musician has been performed in New York, in Los Angeles at the LA County Museum of Art, and most recently at the Stedelijk Museum in Amsterdam in June 2013.\u003c\/p\u003e\u003cp\u003eCurrent projects include Vinland, a meditation on the complex and continually shifting relationships between spaces, social and economic structures, and personal and collective histories and, more recently, an “episodic” series based on the history of social nudism: Your Personal View of (Social) Nudism.\u003c\/p\u003e\u003cp\u003eBernard is a Adjunct Professor of Graduate Fine Art at Art Center College of Art and Design and was appointed the inaugural Ruffin Distinguished Artist-In-Residence at the University of Virginia for the academic year 2013\/2014. She was a 2016 National Endowment for the Arts Fellow at the MacDowell Colony and will be in residence at the UCross Foundation in 2017. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy Dwyer, and conceptual photographs by Kevin Hanley. Doug Aitken, Polly Apfelbaum, David Levinthal, Richard Long, Christian Marclay, Alyson Shotz, Uta Barth all have published with them. She was included in the The MOCA Photography Portfolio curated by Cindy Sherman\u003c\/p\u003e\u003cp\u003ewhich included Lyle Ashton Harris and Shirin Neshat amongst others, to celebrate the 20th Anniversary of The Museum of Contemporary Art, Los Angeles. Muse [X] Editions, 1999. Ten Fujicolor Crystal Archive prints.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628258623786,"sku":"a_13341842S1","price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_F9B1EC32611046ECA56FB07B060CB2F4_master_f7d3603f-9779-48bf-8097-137dedaffa7c.jpg?v=1780507692"},{"product_id":"triptychos-post-historicus-picasso-conceptual-art-silkscreen-gold-lithograph","title":"Triptychos Post Historicus Picasso Conceptual Art Silkscreen Gold Lithograph","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 30.0, W: 22.0 IN\u003c\/p\u003e\u003cp\u003eBraco D.\u003c\/p\u003e\u003cp\u003eSlobodan \"Braco\" Dimitrijević (born 18 June 1948) is a Paris-based Bosnian and Yugoslavian conceptual artist. His works deal mainly with history and the individual's place in it. This one depicts an artwork by Pablo Picasso, Woman in Chair.\u003c\/p\u003e\u003cp\u003eHe has exhibited internationally since the 1970s, including at the Tate Gallery in 1985. He has participated in documenta (1972, 1977 and 1992) and the Venice Biennale (1990 and 1993). His works are held in the collection of the Tate Gallery in London and that of the Centre Pompidou in Paris, among others. Solo museum exhibitions have taken place at The State Russian Museum, St. Petersburg and Musée d’Orsay, Paris (2005); the Slought Foundation, Philadelphia (2007); Ludwig Museum, Budapest (2008), Musee d’Art Moderne de Saint Etienne (2009), Musee d'Art et d’Histoire Luxemburg (2011). He has participated in Documenta in 1972, 1976, and 1993 as well as the Venice Biennale in 1976, 1982, 1990, 1993, and 2009. His work can be found in approximately 70 public collections, including The Museum of Modern Art, New York; Tate, London; Musee National d’Art Moderne Centre Georges Pompidou, Paris; Museum Ludwig, Cologne; and The Israel Museum, Jerusalem, among others. Slobodan “Braco” Dimitrijević was born on 18 June 1948 in Sarajevo, Bosnia and Herzegovina, FPR Yugoslavia. His father was the painter Vojo Dimitrijević, one of the most famous modern artists in Yugoslavia. He started painting at the age of 5 and was featured in a TV show entitled Filmske Novosti (Film News) in 1957. His first conceptual work dates back to 1963. He went on to study at Academy of Fine Arts in Zagreb, from which he graduated in 1971. He then studied at Saint Martin's School of Art in London from 1971 to 1973. In 1976, he wrote Tractatus Post Historicus, which formed the theoretical basis of his early work. In the 1970s, Dimitrijevic gained attention when he began his Casual Passer-by series. The work features very big close-up photographic portraits of everyday people that were hung on buildings and billboard in different cities in Europe and America. He then went on to produce memorial plaques in honour of other people that he met. About the one he made for the Lucio Amelio's \"Terrae Motus\" collection he said: \"I Stopped the first man i saw in the street, explained to him what my work was and then asked him to be the model for the photo\". His work incorporates objects similar to Christo and Arman Fernandez. His work from the 1980s which joined animals and works of art would go on to become an exhibition in 1998 at the Paris Zoo that was visited by over a million people.\u003c\/p\u003e\u003cp\u003e\"I was already exhibiting in London when Belgrade artists started being active. When I moved to London I met some people from the Foksal Gallery. But really, in the late ’60s I had no knowledge of conceptual art in other Eastern European countries. In 1971 Nena and I did a show entitled “At the Moment” in an alternative space in Zagreb. After a gallery show in 1969 I chose an ordinary entrance hall of an apartment building in the center of Zagreb and sporadically made exhibitions there which would last a few hours. “At the Moment” was a group show with artists like Giovanni Anselmo, Joseph Beuys, Robert Barry, Douglas Huebler, Sol LeWitt, Barry Flanagan, Laurence Weiner, Jannis Kounellis, Ian Wilson, etc. There were about 25 artists in all and the show later travelled to Belgrade. The review of the show by Studio International in London triggered some reactions and letters from artists in Czechoslovakia and Poland. The Moscow conceptual scene developed in the ’80s. I had no contacts with any of the Moscow artists at the time. For instance, I met Kabakov, a pioneer of the Moscow scene, during the “Magiciens de la Terre” exhibition, in 1989, and we immediately became friends.\" His Triptychos Post Historicus installations feature paintings by old or modern masters in conjunction with everyday objects and fruits\/vegetables. More than 500 of these installations exist. Controversy arose when a man who visited the exhibition at the Tate realized that the paintings in question were not copies but the originals and reported this to The Times who then wrote about it. Exhibitions 16 May - 16 August 2009, Louvre is my studio, street is my museum, Musée d'art moderne et contemporain de Saint-Étienne, Saint-Etienne, France\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628260098346,"sku":"a_13362802S1","price":1100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_1E5176A4DE3B4DB9961D19D3F09008A0_master_af2e97c4-2f8c-47ae-9cbf-b57fa1eb55d8.jpg?v=1780507712"},{"product_id":"rainbow-dancer-native-american-indian-lithograph-california-woman-artist","title":"Rainbow Dancer, Native American Indian Lithograph California Woman Artist","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 30.0, W: 22.0 IN\u003c\/p\u003e\u003cp\u003eAmerican contemporary artist of Lebanese and Greek descent, Alice Asmar's art is often inspired by her love of nature, combined with a deep respect for native American culture, her work evolved into Southwestern themes of Indian Ceremonial Dance-Dramas, Indian portraits and landscapes.In 1991, Alice Asmar was chosen for prestigious Honorary Membership in the National League of American Pen Women. Only three such honors are given each year. This recognition reaches back to her childhood, Alice Asmar was considered a child prodigy, winning awards and recognition for her artwork before the age of 10.\u003c\/p\u003e\u003cp\u003eHer education from 1946 through 1959 included a BA magna cum laude, from Lewis and Clark College, Portland; an MFA from the University of Washington, Seattle; and a one-year fellowship to study at L'Ecole Nationale Superieure des Beaux-Arts, Paris, France.\u003c\/p\u003e\u003cp\u003eBorn in Flint, Michigan of Lebanese and Greek descent. Her parents moved to Portland, Oregon when she was just a baby. The artwork of her early years was inspired by the splendors of nature, from the inscrutable pines and ancient sculptured rocks along the Oregon Coast to the mysterious ocean mists.\u003c\/p\u003e\u003cp\u003eShe Graduated magna cum laude from Lewis and Clark College in Portland and Obtained her Master's of Fine Arts Degree at The University of Washington in Seattle. Soon after graduating she accepted a job as an engineering drafter at Boeing Aircraft in Seattle. Her Assignment was clearing top secret drawing for air-to-ground missile. Alice worked for Boeing for less than a year. They offered her an engineering scholarship but she decided to go back to the art she loved doing from she was a child. After studying and traveling throughout the Near East, France, Switzerland, Italy, Yugoslavia, Turkey, The Greek Islands, Greece and Lebanon, Asmar set up studios in California, New Mexico and Oregon.\u003c\/p\u003e\u003cp\u003eA master of many media, Asmar is distinguished for her many techniques which include paintings in Oil, casein and Acrylic, drawing in ink, pencil and pastel, collage, tapestry, books,American contemporary artist of Lebanese and Greek descent, Alice Asmar's art is often inspired by her love of nature, combined with a deep respect for native American culture, her work evolved into Southwestern themes of Indian Ceremonial Dance-Dramas, Indian portraits and landscapes. Prints including lithography, etching, Engraving on metal on plexiglas, portraits, murals and banners. Her hand engraving of innovative designs for dinner and household wares for Nambe Mills in Santa Fe is recognized internationally. Alice Asmar's works are in several hundred public and private collections in the United States and Europe, including the Smithsonian Institution, Franklin Mint, Portland Art Museum, Gene Autry Hotel in Palm Springs, Security Pacific International Bank of New York, The Public Art Museum of Gabrova, Bulgaria, kaiser-Permanente, and the Dr. Nicholas Townell collection in Angus, Scotland.\u003c\/p\u003e\u003cp\u003eStudied with Edward Melcarth \u0026amp; Archipenko, University of Washington, MFA.\u003c\/p\u003e\u003cp\u003eWork: National Museum of American History Smithsonian Institute, Washington. Los Angeles City-Scape at sunset (Mural), Commissioned by Dr. Walter jayasinghe, 66; Painting of doves, Bangs Manufacturing Co, Burbank Exhibitions: Seattle Art Museum. Museum of Science \u0026amp; Industry, Los Angeles. Circle Gallery Ltd, Houston, Abbot Hall Gallery, William Temple House, Portland Oregon. Nambe Mills, Santa Fe, New Mexico. Sr Eye Art Gallery, Long Beach. Descanso Gardens, La Canada Flintridge, California.Sun Cities Art Museum, Arizona. Audubon Art Exhibit, Portland Oregon.Walt Disney Art Auction Burbank California. Eventually, Asmar set out on her world travels, encountering exotic cultures and their imagery. Combining her inspiration from nature with a deep respect for native American culture, her work has evolved into Southwestern themes of Indian Ceremonial Dance Dramas, Indian portraits, and landscapes. A master of many media, Alice is distinguished for her many techniques, which include paintings in oil, casein, and acrylic, drawing in ink, pencil and pastel, collage, tapestry, books, lithography, etching, engraving on metal on plexiglas, portraits, murals, and banners. Her hand engraving of innovative designs for dinner and household wares for Nambe Mills in Santa Fe is recognized internationally. Today, Asmar still creates masterpieces in her Burbank, CA studio. Artistic periods 1980-2000 : Metaphysical themes 1970-1979 : Electrical engravings, paintings of Indian Dancers 1960-1969 : Muralesque drawings, india inks on haruki, Indian Dancer of New Mexico 1950-1959 : Dark oils of Moonlight and Night-Sky series\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628260229418,"sku":"a_13369372S1","price":650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_14F8EBD4AEB9431F923F6DFADED01E61_master_ac631bef-edea-4a5a-8960-221d122a49f4.jpg?v=1780507715"},{"product_id":"ohio-artist-modern-americana-patriotic-uncle-sam-lithograph-american-flag","title":"Ohio Artist Modern Americana Patriotic Uncle Sam Lithograph American Flag","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 27.0, W: 23.0 IN\u003c\/p\u003e\u003cp\u003ea magnificent contemporary American art piece. On deckle edged art paper. This is from a large collection of his pieces.\u003c\/p\u003e\u003cp\u003eSid Chafetz (1922-) Born in Providence Rhode Island, Sid Chafetz became an art professor and noted printmaker, specializing in subjects such as politics, portraits, and the Holocaust.\u003c\/p\u003e\u003cp\u003eHis methods included woodcuts and relief linoleum blocks From 1948-82, he was Professor of Art at Ohio State University and became a Professor Emeritus there.\u003c\/p\u003e\u003cp\u003eHis printmaking specialty is woodcut printing and intaglio relief prints. He lived in Columbus, Ohio. He received his training at the Rhode Island School of Design; L’Ecole Americaine des Beaux Arts, Fontainebleau; L’Academie Julien, Paris; and with artists Fernand Léger and Stanley Hayter in Paris. He started teaching at Ohio State University in 1948 from where he retired in 1982, although he continues to maintain a studio there. He has had numerous exhibitions in both the U.S. and abroad and his works are in the collections of many major museums including: the Cleveland, Columbus, and Cincinnati Museums; the Museum of Modern Art in New York; the Smithsonian Museum; the Pierpont Morgan Library; The Dahlem Museum, Berlin; and the New York Public Library. His output over his long artistic career has been almost entirely prints whose subject matter has explored politics, portraiture, the university community, personal biography, and the holocaust. In a catalogue produced as part of a retrospective exhibition at The Ohio State University Gallery of Fine Art.\u003c\/p\u003e\u003cp\u003eHe has been the recipient of many honors and awards including two Fulbright fellowships and a Ford Foundation grant. He was selected as outstanding printmaker by the Mid-American Print Council and was elected an Associate of the National Academy of Design and later elevated to Academician. His work is included in private and public collections in the U.S., Africa, Europe, South America, Israel and Japan\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628261376298,"sku":"a_13383692S1","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_78E17091F8E6455B8846C7F5A92E0D9F_master.jpg?v=1780507721"},{"product_id":"columbus-ohio-state-artist-lithograph-heavenly-bliss-angels-biplane","title":"Columbus, Ohio State Artist Lithograph \"Heavenly Bliss\" Angels, Biplane","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 28.0, W: 18.0 IN\u003c\/p\u003e\u003cp\u003eDescription: Medium: Lithograph. Hand signed and editioned BAT Print Image Size: 26 x 16 inches. Print Edition: 8. Alternate Medium: Color lithograph. Ink(s): blue, green, yellow, pink, black. Support: Rives BFK paper. A man and woman dressed in white academic gowns embrace amorously while floating above the Ohio State University campus. A golden halo, bi-plane, smiling sun, and God's feet appear in the sky above the couple. An ink and pencil preparatory drawing titled Last Tango in Columbus, with appliqué corrections on the figures, also exists. The composition is similar to Mars and Venus - Last Tango in Columbus. On deckle edged art paper. This is from a large collection of his pieces.\u003c\/p\u003e\u003cp\u003eSid Chafetz (1922-) Born in Providence Rhode Island, Sid Chafetz became an art professor and noted printmaker, specializing in subjects such as politics, portraits, and the Holocaust.\u003c\/p\u003e\u003cp\u003eHis methods included woodcuts and relief linoleum blocks From 1948-82, he was Professor of Art at Ohio State University and became a Professor Emeritus there.\u003c\/p\u003e\u003cp\u003eHis printmaking specialty is woodcut printing and intaglio relief prints. He lived in Columbus, Ohio. He received his training at the Rhode Island School of Design; L’Ecole Americaine des Beaux Arts, Fontainebleau; L’Academie Julien, Paris; and with artists Fernand Léger and Stanley Hayter in Paris. He started teaching at Ohio State University in 1948 from where he retired in 1982, although he continues to maintain a studio there. He has had numerous exhibitions in both the U.S. and abroad and his works are in the collections of many major museums including: the Cleveland, Columbus, and Cincinnati Museums; the Museum of Modern Art in New York; the Smithsonian Museum; the Pierpont Morgan Library; The Dahlem Museum, Berlin; and the New York Public Library. His output over his long artistic career has been almost entirely prints whose subject matter has explored politics, portraiture, the university community, personal biography, and the holocaust. In a catalogue produced as part of a retrospective exhibition at The Ohio State University Gallery of Fine Art.\u003c\/p\u003e\u003cp\u003eHe has been the recipient of many honors and awards including two Fulbright fellowships and a Ford Foundation grant. He was selected as outstanding printmaker by the Mid-American Print Council and was elected an Associate of the National Academy of Design and later elevated to Academician. His work is included in private and public collections in the U.S., Africa, Europe, South America, Israel and Japan\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628261409066,"sku":"a_13383702S1","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_902E3AA5011A4536813AE92625B10BA6_master.jpg?v=1780507723"},{"product_id":"columbus-ohio-state-artist-judaica-wedding-engagement-lithograph","title":"Columbus, Ohio State Artist Judaica Wedding Engagement Lithograph","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 27.0, W: 21.0 IN\u003c\/p\u003e\u003cp\u003eDescription: Medium: Lithograph. Hand signed\u003c\/p\u003e\u003cp\u003ePrint Image Size: 23 3\/8 x 18 1\/8 inches. Print Edition: no edition. this is marked B.A.T. Alternate Medium: Lithograph. Ink(s): black. Support: grey wove paper. Double portrait of the artist's aunt and uncle at their engagement, with Sophie standing next to a seated Robert Cohen. Text at the top reads \"Sophie, born in Navaredek, Belarus, April 5, 1899, died in Providence, Jan 3, 1991. Robert, born in July 4, 1890 in Providence, R.I., Died in Providence, March, 1987. Engagement photo of Sophie Pearl Gabrilowitz and Robert Maurice Cohen. Married in Providence, R.I., June 3, 1917: Parents of Sydney, b. 1918, Irma, b. 1923, and David, b. 1924, and 7 Grandchildren.\"\u003c\/p\u003e\u003cp\u003eOn deckle edged art paper. This is from a large collection of his pieces.\u003c\/p\u003e\u003cp\u003eSid Chafetz (1922-) Born in Providence Rhode Island, Sidney Chafetz became an art professor and noted printmaker, specializing in subjects such as politics, portraits, and the Holocaust.\u003c\/p\u003e\u003cp\u003eHis methods included woodcuts and relief linoleum blocks From 1948-82, he was Professor of Art at Ohio State University and became a Professor Emeritus there.\u003c\/p\u003e\u003cp\u003eHis printmaking specialty is woodcut printing and intaglio relief prints. He lived in Columbus, Ohio. He received his training at the Rhode Island School of Design; L’Ecole Americaine des Beaux Arts, Fontainebleau; L’Academie Julien, Paris; and with artists Fernand Léger and Stanley Hayter in Paris. He started teaching at Ohio State University in 1948 from where he retired in 1982, although he continues to maintain a studio there. He has had numerous exhibitions in both the U.S. and abroad and his works are in the collections of many major museums including: the Cleveland, Columbus, and Cincinnati Museums; the Museum of Modern Art in New York; the Smithsonian Museum; the Pierpont Morgan Library; The Dahlem Museum, Berlin; and the New York Public Library. His output over his long artistic career has been almost entirely prints whose subject matter has explored politics, portraiture, the university community, personal biography, and the holocaust. In a catalogue produced as part of a retrospective exhibition at The Ohio State University Gallery of Fine Art.\u003c\/p\u003e\u003cp\u003eHe has been the recipient of many honors and awards including two Fulbright fellowships and a Ford Foundation grant. He was selected as outstanding printmaker by the Mid-American Print Council and was elected an Associate of the National Academy of Design and later elevated to Academician. His work is included in private and public collections in the U.S., Africa, Europe, South America, Israel and Japan\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628261441834,"sku":"a_13383712S1","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_073957A1388342A4BF7B8E9C0A604BE7_master.jpg?v=1780507725"},{"product_id":"chinese-american-modernist-abstract-red-tapestry-color-lithograph","title":"Chinese American Modernist Abstract \"Red Tapestry\" Color Lithograph","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 30.0, W: 22.5 IN\u003c\/p\u003e\u003cp\u003ePrinted on French Arches paper. Hand signed and numbered 11\/35 Artist's Proof\u003c\/p\u003e\u003cp\u003eSeong Moy was born in Canton on April 12, 1921 but he immigrated to the United States in 1931, settling with his family in St. Paul, Minnesota. Moy began his art studies as a teenager at the WPA Federal Art Project. He continued his art education at the St. Paul School of Art under Cameron Booth, and the WPA Graphic Workshop at the Walker Art Center in Minneapolis, MN.\u003c\/p\u003e\u003cp\u003eIn 1941, he was awarded a scholarship to the Art Students League in New York where he studied with Vaclav Vytlacil and that same year he studied at the Hofmann School with Hans Hofmann. Moy’s education was supplemented by his visits to museums, his favorites where the Museum of Modern Art, the Metropolitan Museum of Art and the Whitney Museum of American Art, and galleries, where he said you could go to five galleries and see five completely different styles of work. The artists who were his strongest influences at this time included Matisse, Picasso, Bonnard, and Miro. With each of these artists he admired a different aspect of their work, Matisse’s use of color, Miro’s imagery, and Picasso for his controversy, his surprising innovations and his every shifting styles.\u003c\/p\u003e\u003cp\u003eIn the fall of 1942 Moy enlisted as a serviceman, where he was trained in technical photography and worked mainly as a reconnaissance and aerial photographer.Later in 1941, Moy enlisted in the Air Force and put his art education on hold. He served in the 14th Air Force, the \"Flying Tigers,\" in the China-India-Burma Theater where he worked as an aerial reconnaissance photographer in China and Southeast Asia. After the war, he returned to New York with his new wife, Sui Yung. He returned to the Art Students League on the G.I. Bill and re-established his relationship with Cameron Booth, who was now teaching in New York. Although Mr. Moy was primarily a painter during the post-wars years, he began making prints when he received a fellowship to work at Stanley William Hayter's graphic art workshop, Atelier 17, which had moved to New York in 1940 after its founding in Paris in 1927. The workshop was a center for the development of new techniques and attitudes towards printmaking.\u003c\/p\u003e\u003cp\u003eMoy began his teaching career in 1951 with painting classes at the University of Minnesota. Over the years he taught part time at various universities and colleges, including Smith College, Vassar College, Cooper Union, the Pratt Graphic Center and the Art Students League.\u003c\/p\u003e\u003cp\u003eFollowing the lead of Hans Hofmann, Moy opened his summer school in Provincetown in 1954 and taught painting, drawing and printmaking for twenty years. He won a Guggenheim Fellowship in 1955 and became professor of art at the City College in New York. Moy’s work has been included in numerous solo and group exhibitions and is held in the collections of the Metropolitan Museum, the Whitney Museum of American Art, Brooklyn Museum and the New York Public Library.Education: Saint Paul School of Minneapolis Art Students League, studies with Vaclav Vytlacil Hans Hofmann School, 1941-42\u003c\/p\u003e\u003cp\u003eAwards: Fellowships, William Hayter’s Atelier 17, 1948-1950 Whitney Fellowship, 1950-51 Guggenheim Grant, 1955-56 Minneapolis Institute Annual Prize Philadelphia Print Club Annual Prize American Federation of the Arts Commission, 1965 Emily Lowe Award, Audubon Artists Annual, 1967 Society of American Graphic Artists Award, 1967\u003c\/p\u003e\u003cp\u003eTeaching Appointments: University of Minnesota, 1950 Indiana University, 1952-54 Smith College, 1954-55 Vassar College, 1955 Cooper Union Pratt Graphic Center Columbia University Art Students League City College of New York Seong Moy School of Painting and Graphic Arts, Provincetown\u003c\/p\u003e\u003cp\u003eSelected Exhibitions: American Painting, Metropolitan Museum of Art, 1951 University of Illinois Biennials Carnegie International, 1955 Whitney Museum Annual of Sculpture and Graphics, 1966-67 Hacker Gallery, 1951 (solo) Esther Robles Gallery (solo) Everston Museum, Syracuse, NY (solo) Kyoto Yamada Gallery, Japan (solo)\u003c\/p\u003e\u003cp\u003ePublic Collections: The Metropolitan Museum of Art Brooklyn Museum New York Public Library Pennsylvania Academy Library of Congress Smithsonian Institution Worcester Art Museum Brooks Museum of Memphis Indiana University Baltimore Museum University of Minnesota Smith College Whitney Museum of American Art The Woodward Foundation\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628261474602,"sku":"a_13383722S1","price":650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_30A89CAF829E42E29F5A09AEEC8BC4B5_master.jpg?v=1780507726"},{"product_id":"pulitzer-prize-winner-norman-mailer-portrait-etching-line-drawing","title":"Pulitzer Prize Winner Norman Mailer Portrait Etching Line Drawing","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 26.0, W: 19.75 IN\u003c\/p\u003e\u003cp\u003eSigned. Numbered line etching\u003c\/p\u003e\u003cp\u003eNorman Kingsley Mailer (January 31, 1923 – November 10, 2007) was an American novelist, journalist, essayist, playwright, film-maker, actor, and liberal political activist. His novel The Naked and the Dead was published in 1948 and brought him renown. His 1968 nonfiction novel Armies of the Night won the Pulitzer Prize for non-fiction as well as the National Book Award. His best-known work is widely considered to be The Executioner's Song, the 1979 winner of the Pulitzer Prize for fiction. Along with Truman Capote, Joan Didion, Hunter S. Thompson, and Tom Wolfe, Mailer is considered an innovator of creative nonfiction, a genre sometimes called New Journalism, which uses the style and devices of literary fiction in fact-based journalism. Mailer was also known for his essays, the most famous and reprinted of which is \"The White Negro\".\u003c\/p\u003e\u003cp\u003eMartin (born February 12, 1923) is an American painter, sculptor and muralist. Born in Barranquilla, Colombia, he studied at the Art Students League of New York from 1946 till 1950. He is one of the leading members of the New York School of artists and writers. He lives and works in New York City. Notable work Venus (1970), Woman with bicycle (1979) Awards Chevalier of the Legion of Honour, NEA Grant, Pollock-Krasner Foundation Grants, Adolph and Esther Gottlieb Foundation Grant, Benjamin West Clinedinst Memorial Medal (Artists' Fellowship, Inc.), Mary \u0026amp; Maxwell Desser Memorial Award (National Academy of Design), J. Sanford Saltus Medal for Painting (National Academy of Design), Kept Memorial Prize (National Academy of Design), Desser Award for Painting (National Academy of Design), C.A.P.S. Grant, Longview Fellowships\u003c\/p\u003e\u003cp\u003eKnox Martin is the oldest son of Lieutenant William Knox Martin, a Virginia-born early aviation pioneer and flyer, and his wife Isabel Vieco, who were married in the Canal Zone in Panama in 1921. Knox Martin Sr., painter, poet, early test pilot, was the first man to fly over the Andes mountains. Six years after his marriage, Martin Sr. was fatally injured in an automobile accident in Watertown, New York. His widow Isabel relocated with her three young sons from Salem, Virginia to New York City. After serving in the United States Coast Guard during World War II, Knox Martin attended the Art Students League of New York on the G.I. Bill from 1946 to 1950, where he studied with Harry Sternberg, Vaclav Vytlacil, Will Barnet, and Morris Kantor. In 1955, Willem de Kooning sent Meyer Schapiro to Knox Martin's studio to see Concert in the Park. He was a close personal friend of Willem De Kooning and Franz Kline. In 1954, Martin's friend Franz Kline placed a painting of his in the Stable Gallery Annual. Charles Egan of the Charles Egan Gallery saw Martin's painting at the Stable Gallery and asked him to show his work in a one-man show for the tenth anniversary of the Egan Gallery. Knox Martin is best known for his repertory of signs and symbols that allude to nature and, in particular, to the female form. Flatly and freely painted in brilliant colors, his works have often been executed on a grand scale, as in the outdoor wall painting, Woman with bicycle, at West Houston and MacDougal Streets in Manhattan. Bearing elements of Pop Art and elements of Abstract Expressionism, He mostly creates painting, sculpture and wall paintings using media such as acrylic, collage, fresco, ink drawing (pen and ink), mixed media\/multimedia, and oil paint. One of his wall paintings in New York City is the twelve-story mural Venus. Painted in 1970, it is located on the south side of Bayview Correctional Facility at 19th Street and the West Side Highway.\u003c\/p\u003e\u003cp\u003eSELECT COLLECTIONS Whitney Museum of American Art,\u003c\/p\u003e\u003cp\u003eMuseum of Modern Art,\u003c\/p\u003e\u003cp\u003eHirshhorn Museum and Sculpture Garden, (Smithsonian)\u003c\/p\u003e\u003cp\u003eArt Students League of New York,\u003c\/p\u003e\u003cp\u003eBrooklyn Museum of Art,\u003c\/p\u003e\u003cp\u003eNational Academy of Design,\u003c\/p\u003e\u003cp\u003eNational Arts Club,\u003c\/p\u003e\u003cp\u003eNew York University,\u003c\/p\u003e\u003cp\u003eAlbright-Knox Art Gallery,\u003c\/p\u003e\u003cp\u003eArt Institute of Chicago,\u003c\/p\u003e\u003cp\u003eArt Museum of Southeast Texas,\u003c\/p\u003e\u003cp\u003eBerkeley Art Museum,\u003c\/p\u003e\u003cp\u003eBoca Raton Museum of Art,\u003c\/p\u003e\u003cp\u003eChrysler Museum of Art,\u003c\/p\u003e\u003cp\u003eCorcoran Gallery of Art,\u003c\/p\u003e\u003cp\u003eDallas Museum of Art,\u003c\/p\u003e\u003cp\u003eDenver Art Museum,\u003c\/p\u003e\u003cp\u003eHeckscher Museum of Art,\u003c\/p\u003e\u003cp\u003eProvincetown Art Association and Museum, The Museum of Fine Arts, Houston, Israel Museum,\u003c\/p\u003e\u003cp\u003eLudwig Museum in Budapest,\u003c\/p\u003e\u003cp\u003eBibliothèque Nationale. Paris, France\u003c\/p\u003e\u003cp\u003eIn 2002 Martin was named to the National Academy of Design. On November 14, 2016, France conferred the insignia of the Legion of Honour on Martin for his contribution to the liberation of France during World War II. Knox Martin gives master classes at the Art Students League of New York. He taught at Yale Graduate School of Art, first as visiting critic in art, invited by Jack Tworkov, and then as Professor of Art. He has also taught at New York University, the University of Minnesota, and the International School of Painting, Drawing and Sculpture in Umbria, Italy.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628261933354,"sku":"a_13402122S1","price":700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_8F016ACA52F749228244F917B6B91E47_master_7c023578-bac6-4053-ac6e-30b95de2fe08.jpg?v=1780507738"},{"product_id":"mystic-cafe-pyramids-signed-aquatint-etching-california-woman-artist-susan-hall","title":"Mystic Cafe, Pyramids Signed Aquatint Etching California Woman Artist Susan Hall","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 35.0, W: 28.0 IN\u003c\/p\u003e\u003cp\u003eHand signed and numbered\u003c\/p\u003e\u003cp\u003eAquatint Etching\u003c\/p\u003e\u003cp\u003eSusan Hall lives and works in Point Reyes Station, California, a town in the heart of the Point Reyes National Seashore. This pristine wilderness area is dominated by a mosaic of bays and ocean, rolling grass lands and forests. It is inhabited by a diversity of wildlife, including over 450 species of birds, mountains lions, deer, bobcats, foxes, and elk. Ms. Hall who is a native of this area returned after spending twenty years in New York City. In her book, “Painting Point Reyes”, Hall says, “Point Reyes is the center of my painting life. Point Reyes has been my life and when I haven’t lived here, it has been an underground stream that spoke to me in dreams and visions.” While living and painting in New York City, Ms. Hall exhibited her work widely in museums and galleries. Among them are the Whitney Museum of Art; San Francisco Museum of Art; Nancy Hoffman Gallery, Trabia MacAfee Gallery, Phyllis Kind Gallery, Chicago; Ovsey Gallery, Los Angeles. In addition, her work has been featured in group exhibitions throughout the United States and abroad, including in 2020 Bud Shark's Ink: The California Crew at BMoCA, Boulder Museum of Contemporary Art\u003c\/p\u003e\u003cp\u003eColorado\u003c\/p\u003e\u003cp\u003eUSA representing the panoply of aesthetics, cultural backgrounds, viewpoints, and talent held within the bounty of art “made in California.” This remarkable grouping of artists, Brad Brown, Enrique Chagoya, Roy De Forest, Amy Ellingson, Susan Hall, Don Ed Hardy, Mildred Howard, Robert Hudson, Hung Liu, Kara Maria, Rex Ray, Alison Saar, Italo Scanga, and William T. Wiley.\u003c\/p\u003e\u003cp\u003eWomen to the Fore, Hudson River Museum\u003c\/p\u003e\u003cp\u003eYonkers 2021 A group of women artists working in oil painting and drawing, lithograph prints and photograph, collage and sculpture. Many icons of feminist art history. Judy Chicago, Judy Giera, Marisol, and Shanequa Benitez, Ann McCoy, Anna Walinska, Audrey Flack, Barbara Morgan, Berenice Abbott,\u003c\/p\u003e\u003cp\u003eBessie Potter Vonnoh, Georgia O'Keeffe, Hannelore Baron, Harriet, Judy Chicago, Louise Nevelson, Marisol, Mary Frank, Nancy Graves, Susan Hall, Yvonne Thomas. Her exhibitions include the Whitney Museum of American Art, the San Francisco Museum, the Oakland Museum, Baltimore Museum, the National Museum of Women in the Arts, the Museum of Fine Arts, Boston, the Hudson River Museum, the Brooklyn Museum and the Kunst museum Lucerne, Switzerland. Ms. Hall has received fellowships from the Adolph Gottlieb Foundation, two National Endowment for the Arts awards, and grants from the Jackson Pollock Lee Krasner Foundation and the New York State Council on the Arts. Her work is included in many public and corporate collections, including the New Museum, the Whitney Museum, the Brooklyn Museum, Carnegie Institute, St. Louis Museum, Storm King Art Center, Chase Manhattan Bank, Becton Dickinson, and the National Museum of Women in the Arts. She received a Bachelor in Fine Arts degree from the California College of Arts and Crafts and a Master in Arts degree from the University of California, Berkeley. She has been on the faculty of the School of Visual Arts, New York City, and has taught at the San Francisco Art Institute, University of Texas at San Antonio and Austin, University of Colorado at Boulder, Sarah Lawrence College, Bronxville, and Cooper Union in New York City. Since returning to Point Reyes, Hall has been very involved with painting. She also began to make ceramics that reflect the rich warmth and generosity of spirit of northern California. She has devoted time to land preservation and is a supporter of the Marin Agricultural Land Trust. Also of interest to her are projects that protect the cultural and environmental aspects of Point Reyes. Her painting reflects the magical and metaphorical potential of West Marin. Hall says, “I see in landscape painting the reflection of the ever-changing canopy of the universe as well as the intimate recesses of the human psyche and soul.”\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628263440682,"sku":"a_13443032S1","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_23B0F2A3E8524C7A8966E30B8FCE15B6_master_da22019d-ff22-4454-9d26-fa8923f4fb35.jpg?v=1780507744"},{"product_id":"screen-print-poster-construction-abstract-visions-latin-american-kinetic-art","title":"Screen Print Poster Construction \"Abstract Visions\" Latin American Kinetic Art","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H: 17.5, W: 14.5 IN\u003c\/p\u003e\u003cp\u003ePerez Melero, Spanish\/Venezuelan (1938 - ) Born in Spain, PEREZ MELERO began his career in Venezuela where he lived from the late 1950's until the early 1980's. Maintaining workshops in Caracas and New York, he is an artist who exhibits his work internationally. He is in public collections including the Spanish Museum of Contemporary Art, CANTV, Fundarte, the White House, the American Institute of Architects, and the Women in Military Service to America Memorial at Arlington National Cemetery.\u003c\/p\u003e\u003cp\u003eARTIST STATEMENT My 3-dimensional constructions are built mostly from wood, paper, canvas and acrylic paint. Their ideas evolves from an organic and intuitive process. The final work is a combination of my creative vision and a highly organized process employing disciplines of geometry and applied design. Viewers should interact physically with my constructions. They need to walk around them and view them from different perspectives. Up close one can see the detailed and intricate methods of their construction. From further back, one can appreciate their total effect. Color and light and how they interact are central to my work. Color is painted on pieces of wood attached to a high-contrast geometric background. Light penetrates between them, reflecting color from one to another and on the background. These reflected colors seem to mix in the air and produce an impression of others. As light sources change angle or intensity, and as the viewer moves around the work, new colors can be perceived even though they aren't really there. The interaction between color and light has produced an illusion. This relationship between color and light, in part, defines my work. His work is in the tradition of Latin American Modernity made famous by artists: Carlos Cruz-­Diez, Jesús Rafael Soto, Eduardo Ramírez-Villamizar, César Paternosto, Carlos Rojas, Omar Rayo, Fernando De Szyszlo, Julio Le Parc, Omar Carreno, Raul Lozza, and Gyula Kosice. and the Madi abstract art movement.\u003c\/p\u003e\u003cp\u003eONE MAN EXHIBITIONS (partial list)\u003c\/p\u003e\u003cp\u003eTommy Hilfiger Showroom, New York New York Institute of Technology, New York Eugenia Cucalon Gallery, New York Consulate of the Bolivarian Republic of Venezuela, New York Women In Military Service to America Memorial, Arlington, VA Union League Club, New York American Institute of Architects, Washington D.C. Ambassador Galleries, New York American Association of Science \u0026amp; Technology, Washington D.C. Greenwell Goetz Architects, Washington D.C. Air Transport Association of America, Washington D.C. Galleria Morantes, Alicante Corner Gallery, World Trade Center, New York Seton Hall University, South Orange New Jersey Museum of Contemporary Hispanic Art (MOCHA), New York Venezuelan Tourist and Information Center, New York Museum of Contemporary Art, Bogota; Fundarte, Bogota Galeria Sorolla, Maracaibo; Teatro de la Opera, Maracay Museum of Contemporary Art, Bogota; Asociacion de Periodista, San Crisobal; CANTV, Caracas; Museo del Hipodromo de la Ricconada, Caracas Centro Bellas Artes, Maracaibo; Sala Ocre, Caracas; Galeria CADAFE, Caracas Museum of Zea, Medellin; Galeria El Parque, Medellin; Galeria Plaza Bolivar, Caracas Universidad Central de Vzla.; Galerias Altimira, Fedecamaras, Fundacomun, Ateneo de Caracas Colegio de Ingenieros, Puerto Ordaz y Ciudad Bolivar Club Caronoco, Puerto Ordaz\u003c\/p\u003e\u003cp\u003eGROUP SHOWS (partial list)\u003c\/p\u003e\u003cp\u003eNoHo Gallery, New York Yeshiva University School of Law, New York Albright-Knox Museum, Buffalo Century Club, New York; Ambassador Galleries, New York Benjamin Cardozo School of Law, New York Oller Campeche Gallery, New York Biennial of Printmaking, Cayman Gallery, New York; Art Students League, New York; Columbia University Teachers College, New York; Tossan Tossan Gallery, New York Galeria Morantes, Alicante; Fundarte, Bogota Museum of Contemporary Art, Bogota; Galeria Andre Bello, Caracas Spanish Museum of Contemporary Art, Madrid Galeria Quinta Santander, Cucuta Arturo Michelena National Hall of Painting, Caracas; Galeria Plaza Central, Caracas Alejandro Otero Hall, Ciudad Bolivar\u003c\/p\u003e\u003cp\u003eCOLLECTIONS (partial list)\u003c\/p\u003e\u003cp\u003eSpanish Museum of Contemporary Art, Madrid Museum of Contemporary Art, Bogota; Museum of Zea, Medellin CANTV, Caracas; Fundarte, Caracas; Iberia Airlines, Caracas; Avensa, New York;\u003c\/p\u003e\u003cp\u003eRafael Rojas, Venro, New York; Fundarte, Caracas; Braunstein \u0026amp; Associates, Caracas Theodore Vittoria, Vittoria \u0026amp; Purdy, LLP, New York; Richard Travers, Travers-O'Keefe, New York Werner Haase, Madison Performance Group, New York\u003c\/p\u003e\u003cp\u003ePeter Lehrer, Lehrer, McGovern \u0026amp; Bovis, New York; The Mondrian Hotel, Los Angeles Air Transport Association of America, Washington D.C; The White House, Washington D.C.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":51628263801130,"sku":"a_13461612S1","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/4021\/3802\/files\/mobilejpegupload_96AAF6AF8EF84AB6BAA22A9E26B1A146_master_881a638c-1e2a-4ef8-a565-ef83a8cd96da.jpg?v=1780507749"}],"url":"https:\/\/lionsgallery.com\/collections\/prints.oembed","provider":"Lions Gallery","version":"1.0","type":"link"}